APES ON FILM: To Frankenstein… A Daughter!

Posted on: May 4th, 2022 By:

by Anthony Taylor
Contributing Writer

Welcome to Apes on Film! This column exists to scratch your retro-film-in-high-definition itch. We’ll be reviewing new releases of vintage cinema and television on disc of all genres, finding gems and letting you know the skinny on what to avoid. Here at Apes on Film, our aim is to uncover the best in retro film. As we dig for artifacts, we’ll do our best not to bury our reputation. What will we find out here? Our destiny.

 

Apes on Film also appears on Nerd Alert News. Check them out HERE!

 

FRANKENSTEIN’S DAUGHTER – 1958
3 out of 5 Bananas
Starring: John Ashley , Sandra Knight , Donald Murphy , Felix Locher
Director: Richard E. Cunha 
Rated: Unrated
Studio: The Film Detective
Region: A, B, C
BRD Release Date: October 26, 2021
Audio Formats: DTS-HD Master Audio 2.0 Mono, Dolby Digital 2.0 Mono
Video Codec: MPEG-2
Resolution: 1080p HD
Aspect Ratio: 1.85:1
Run Time: 84 minutes
CLICK HERE TO ORDER

 

There’s a lot to unpack about a movie called FRANKENSTEIN’S DAUGHTER. Made for a measly $60 thousand at the behest of a third-rate distributor who merely supplied a title and a budget of $80 thousand. Director Richard Cunha and producer Marc Frederic hired an anonymous soap opera writer to craft a script and shot the film in six days. They had no illusions that they would be making art, they only cared to make a competent product. What they wound up with met the criteria of Astor Pictures and was released to the public in 1958. The pair pocketed the $20 thousand surplus and moved on to their next project.

So, how’s the film? Calling it a mixed bag would be generous. On the positive side, the cinematography, effects make up, and musical score are pretty good. Several performances are better than the script (which is the real villain here) deserve. John Zaremba as a chatty police lieutenant stands out, and Donald Murphy as the titular descendent of the original Frankenstein is smarmy and competently menacing in most scenes. Sandra Knight makes the most of a poorly developed character, as does Sally Todd .

On to the negatives, mainly the script, which might as well have been called “Frankenstein’s Date Rapes.” The pseudonymous writer H.E. Barrie delivers a stinker of a story that barely makes sense and focuses on Murphy’s Oliver Frank character roofie-ing Knight’s Trudy Morton repeatedly, turning her into a walking fright-wig with googly eyes in an effort to impart everlasting life on a cobbled-together corpse he’s putting together in her uncle’s basement laboratory. Eventually, he murders Todd’s character to supply the monster with a brain who subsequently terrorizes the neighborhood, but politely knocks at front doors rather than simply barging through them. The script endlessly echoes the action on screen, with characters describing what viewers are already seeing. What makes all of this worse is Harold Lloyd’s son, Harold Jr., monkeying about making broad attempts to chew the scenery which he’s clearly not talented enough to digest. Seriously, “cringeworthy” barely begins to cover his sins.

The best part of the whole viewing experience is The Film Detective’s presentation. Sourced from a newly restored 4K print grabbed from the original 35mm film elements, the picture is a vast improvement over the previous DVD release. The audio tracks are also quite improved, and the company put real care into creating this disc, though a few mistakes were made in identifying special features. For example, Larry Blamire does not provide a full commentary track as advertised on the package. Instead, he contributes some characterization to Tom Weaver’s track. Weaver himself is misidentified on the menu as “Jason A. Ney.” Nonetheless, Weaver’s contributions to this disc make the whole thing worth a purchase. Between his commentary and the interview video with Cunha forming the bulk of the bonus features documentary on the director, there’s little doubt that this is the most “special” special edition this film will be getting.

Speaking of bonus features, they include the aforementioned full commentary track with author/ historian Tom Weaver; full color booklet with original essay by Weaver; a new career retrospective from Ballyhoo Motion Pictures featuring an archival interview with director Richard E. Cunha (“Richard E. Cunha: Filmmaker of the Unknown”); and, a new career retrospective featuring film historian C. Courtney Joyner (“John Ashley: Man from the B’s”).

Don’t expect any revelations from the film on this disc, but there are plenty in the bonus features and in the new presentation. Worth a watch on a Sunday afternoon.

 

Anthony Taylor is not only the Minister of Science, but also Defender of the Faith. His reviews and articles have appeared in magazines such as Screem, Fangoria, Famous Monsters of Filmland, SFX, Video*WatcHDog, and more.

 

 

*Art Credit: Anthony Taylor as Dr. Zaius caricature by Richard Smith

Category: Retro Review | Tags: , , , , , , , , , , ,

APES ON FILM: Grimm Tales of Cinerama

Posted on: Apr 6th, 2022 By:

by Anthony Taylor
Contributing Writer

 

Welcome to Apes on Film! This column exists to scratch your retro-film-in-high-definition itch. We’ll be reviewing new releases of vintage cinema and television on disc of all genres, finding gems and letting you know the skinny on what to avoid. Here at Apes on Film, our aim is to uncover the best in retro film. As we dig for artifacts, we’ll do our best not to bury our reputation. What will we find out here? Our destiny.

 

Apes on Film also appears on Nerd Alert News. Check them out HERE!

.

 

THE WONDERFUL WORLD OF THE BROTHERS GRIMM – 1962
4 out of 5 Bananas
Starring: Laurence Harvey, Karlheinz Böhm, Claire Bloom, Walter Slezak, Barbara Eden
Director: Henry Levin, George Pal
Rated: G
Studio: Warner Brothers Archive Collection
Region: A
BRD Release Date: March 29, 2022
Audio Formats: English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
Video Codec: MPEG-4 AVC
Resolution: 1080p HD
Aspect Ratio: 2.85:1 – Original aspect ratio: 2.59:1
Run Time: 140 minutes
CLICK HERE TO ORDER

 

The Cinerama process was developed in the 1950s as a way to help draw television viewers back to the movies. Utilizing a process whereby three synchronized camera images are projected onto a large, curved screen made of individual vertical strips of standard perforated screen material, Cinerama delivered an amazing viewing experience in which the viewer could be enveloped by the motion picture. My personal experiences at the (now sadly gone) Columbia Theatre in midtown Atlanta include some of my favorite memories of being at the movies.

Producer/director George Pal, ever a showman, turned to Cinerama to make his 1962 production of THE WONDERFUL WORLD OF THE BROTHERS GRIMM, an unforgettable experience for moviegoers. Following the success of his production of H.G. WellsTHE TIME MACHINE, Pal wanted to expand his horizons as a filmmaker and deliver the viewing experience of a lifetime. The film was one of only two narrative movies shot in the original Cinerama process (the other being HOW THE WEST WAS WON) before it was replaced by the single strip Super Panavision 70-millimeter process.

Though very little restoration was needed to prepare HOW THE WEST WAS WON for high-definition release, THE WONDERFUL WORLD OF THE BROTHERS GRIMM was a totally different story. The original negatives had deteriorated and suffered major damage from a flooding accident in storage, making an analog restoration too costly to even consider. Digital restoration technology finally rose to the level where such an undertaking was possible, and the results are spectacular indeed. The process is detailed on disc two of Warner Archive Collection’s new special edition of the film in the featurette documentary, “Rescuing a Fantasy Classic.” I highly recommend watching this before viewing the film. A comparison video of before and after restoration is available HERE.

Pal’s movie itself is a relic of its time; the wraparound story about the Brothers Grimm themselves is little more than a feel-good bio with little historical accuracy, made to envelop the fairy tale segments based on the duo’s books. These segments are blustery, color-saturated, over-the-top presentations of the stories The Dancing Princess, The Cobbler and the Elves, and The Singing Bone. While the story is pedestrian, the visuals and music create an unforgettable spectacle as Pal intended, and are absolutely worth the time investment for viewing. Pal even takes the director’s reins himself for some stop-motion sequences.

Warner Archive Collection’s presentation includes two viewing options; the letterbox aspect ratio, and the Smilebox® aspect ratio, which more accurately recreates the original Cinerama viewing experience. I chose the Smilebox® option (so named because the ratio actually resembles an enormous, wide mouthed smile) and was glad – by squeezing the mid screen and flaring the edges outward, the film keeps a more realistic view of the action. The letterboxes flat version seems stretched and optically crazed near the edges in certain shots, at least to me.

This release will most certainly get my vote for Best Restoration of the Year, and you should definitely own it. Warner Archive has again proven that someone there at the studio does still care about classic films and restoring them, as well as releasing them on physical media. Thanks, whoever you are!

 

Special Features
•    Rescuing a Fantasy Classic-Documentary (HD) New
•    The Epic Art of The Brothers Grimm (HD) New
•    The Wonderful Career of George Pal (HD) New
•    Trailers and more

Technical Specs
•    New 2022 1080p HD Masters from the 4K restoration of original Cinerama Camera Negatives
•    Two Disc Deluxe Special Edition
•    2-BD50s
•    Disc 1-Restored Cinerama image letterboxed
•    Disc 2-Restored Cinerama image in SMILEBOX® format, to approximate the curved theater screen experience in the home
•    Disc 1-Aspect Ratio 16×9 2.89 Letterbox
•    Disc 2-Aspect Ratio 16×9 2.89Smilebox®
•    140 Minutes-Roadshow presentation with Overture, Intermission, Entr’acte, and Exit Music.

 

Anthony Taylor is not only the Minister of Science, but also Defender of the Faith. His reviews and articles have appeared in magazines such as Screem, Fangoria, Famous Monsters of Filmland, SFX, Video*WatcHDog, and more.

*Art Credit: Anthony Taylor as Dr. Zaius caricature by Richard Smith

Category: Retro Review | Tags: , , , , , , , , , , , , , ,

APES ON FILM: Get Your Folk Horror Fix with THE EYE OF THE DEVIL!

Posted on: Mar 13th, 2022 By:

by Anthony Taylor
Contributing Writer

 

Welcome to Apes on Film! This column exists to scratch your retro-film-in-high-definition itch. We’ll be reviewing new releases of vintage cinema and television on disc of all genres, finding gems and letting you know the skinny on what to avoid. Here at Apes on Film, our aim is to uncover the best in retro film. As we dig for artifacts, we’ll do our best not to bury our reputation. What will we find out here? Our destiny.

 

Apes on Film also appears on Nerd Alert News. Check them out HERE!

 

EYE OF THE DEVIL – 1966
4 out of 5 Bananas
Starring: Deborah Kerr , David Niven, Donald Pleasence, Edward Mulhare , Sharon Tate , David Hemmings
Director: J. Lee Thompson 
Rated: NR
Studio: Warner Brothers Archive Collection
Region: A
BRD Release Date: October 26, 2021
Audio Formats: English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
Video Codec: MPEG-4 AVC
Resolution: 1080p HD
Aspect Ratio: 1.66:1 – Original aspect ratio: 1.85:1
Run Time: 96 minutes
CLICK HERE TO ORDER

 

Anticipating the wave of folk horror films to come in the early 1970s, producer Martin Ransohoff’s EYE OF THE DEVIL is an entertaining amalgamation of tropes associated with several genres that readers (and viewers of the cinematic adaptations) of James George Frazer, Daphne Du Maurier, Henry James, and Dennis Wheatley will embrace, delivered by a fantastic cast.

David Niven portrays Philippe de Montfaucon, the Marquis de Bellenac, a wealthy French nobleman called back to his ancestral home to remedy the blight on his town’s vineyard. As in THE WICKER MAN, caretaking the wellbeing of the harvest is directly the responsibility of the local lord, and Philippe feels the heavy weight as he returns to shoulder the burden of more than a thousand years of tradition – he must make a sacrifice to ensure the bounty of the community returns. And the price is high.

Deborah Kerr, as Philippe’s wife Catherine, follows him to Bellenac despite his urges to stay in Paris after their son Jacques has a dream in which his father needs him. Packing Jacques and sister Antoinette, they arrive at Chateau de Montfaucon (the exquisite Château de Hautefort in the Dordogne) to find local creepy archer Christian de Caray (David Hemmings) shooting doves out of the sky and his sister Odile (Sharon Tate) turning frogs into doves and hypnotizing the children. This is only a prelude to the weirdness ahead for Catherine, as she slowly peels back the mystery of her husband’s ancestral home and family history, and what’s to become of all of them.

The troubled production – Kim Novak filmed all but a handful of scenes before being injured on set and having her part recast (and re-shot) by Kerr when she was unable to return – features outstanding performances by Tate in her first speaking film role, Hemmings just before he blew up in Michelangelo Antonioni‘s BLOW-UP, and Donald Pleasence perfecting the creepy stare he would put to good use in so many later roles. Niven and Kerr also acquit themselves well, but it’s the supporting cast that does much of the heavy lifting.

Tate was a discovery of Ransohoff’s, who was the producer of THE BEVERLY HILLBILLIES. He met Tate when she auditioned for PETTICOAT JUNCTION and he signed her to a seven-year contract on the spot. But he had bigger plans for her than a sitcom, which is clearly seen in in EYE OF THE DEVIL. She gives an amazing performance as Odile, and her commitment to her craft really shines. Hemming also creates a performance that is greater than the sum of its parts, and may be the reason the film was eventually released after Novak’s accident and the reshoots. Stuck in limbo for more than a year, his popularity after the release of BLOW-UP seems to have given the studio a reason to refocus on EYE OF THE DEVIL and complete it, finally releasing the film in 1967 in the U.S. and 1968 in the U.K.

Warner Archive Collection’s Blu-ray presentation of the film is visually stunning, sourced from a new 4K scan of the original film elements. The picture is crisp and secure, and Erwin Hillier ’s monochrome cinematography is a joy to behold. The audio is less effective, but it’s sourced from a half-century old mono track and performs within expectations. The only extra included on the disc is the theatrical trailer.

This film flopped in the U.S. and has stayed under the radar which is a shame. It’s well worth a watch and might just wind up becoming a new favorite. Recommended.

 

 

Anthony Taylor is not only the Minister of Science, but also Defender of the Faith. His reviews and articles have appeared in magazines such as Screem, Fangoria, Famous Monsters of Filmland, SFX, Video*WatcHDog, and more.

 

*Art Credit: Anthony Taylor as Dr. Zaius caricature by Richard Smith

Category: Retro Review | Tags: , , , , , , , , , , , , ,

APES ON FILM: By The Pricking of My Thumbs…

Posted on: Feb 16th, 2022 By:

by Anthony Taylor
Contributing Writer

 

Welcome to Apes on Film! This column exists to scratch your retro-film-in-high-definition itch. We’ll be reviewing new releases of vintage cinema and television on disc of all genres, finding gems and letting you know the skinny on what to avoid. Here at Apes on Film, our aim is to uncover the best in retro film. As we dig for artifacts, we’ll do our best not to bury our reputation. What will we find out here? Our destiny.

 

 

Apes on Film also appears on Nerd Alert News. Check them out HERE!

 

RAY BRADBURY’S SOMETHING WICKED THIS WAY COMES – 1983
3 out of 5 Bananas
Starring: Jason Robards, Jonathan Pryce, Diane Ladd , Pam Grier
Director: Jack Clayton 
Rated: PG
Studio: Disney/Buena Vista
Region: Free
BRD Release Date: September 7, 2021
Audio Formats: English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
Video Codec: MPEG-4 AVC
Resolution: 1080p HD
Aspect Ratio: 1.85:1
Run Time: 95 minutes
CLICK HERE TO ORDER

Ray Bradbury is arguably the greatest American writer of all time. He wrote a short story and/or worked on a novel every day of his adult life, leaving a rich legacy of unforgettable narratives that have been adapted, adopted, re-interpreted, and spread throughout the ground water of worldwide culture for more than seventy years. Though Bradbury’s semi-autobiographical memoir is Dandelion Wine, the novel Something Wicked This Way Comes conveys the true essence of the man – his experiences, his beliefs, his philosophies – like no other of his works. It has been strip-mined by no less than the likes of Stephen King repeatedly to good effect in books like Salem’s Lot, Needful Things, and Doctor Sleep, and its influence has never been diminished.

The 1983 film adaptation of the novel by Disney has many positive facets. The casting of Jason Robards and Jonathon Pryce was inspired, the screenplay by Bradbury himself is a wonderful adaptation without being pedantic in honoring the source material, and many of the supporting performances are fine. Ultimately, it fails as good film due to limitations of technology and lack of vision on the part of the studio in post-production, as well as a lackluster job by director Jack Clayton.

Clayton, the director of 1961’s THE INNOCENTS, certainly seemed a good candidate for the job. One would surmise then that he would be a good choice to helm a film based on a beloved classic book about two boys who beat back the coming of a weird, malevolent carnival and its proprietors, saving their hometown and righting the wrongs done by black magic. But he wasn’t. Yes, there are wonderful sequences within the movie – the library showdown between Pryce’s Mr. Dark and Robards’ Charlie Halloway is brilliant – but the bulk of the film falls flat on multiple levels.

Performances by young leads Vidal Peterson  and Shawn Carson are inconsistent. The whole story hinges on viewers believing that the pair are blood brothers in dire circumstances – afraid, but heroes at their core; neither delivers this, unfortunately. Besides Robards and Pryce, other standouts are Pam Grier as the Dust Witch, Royal Dano as Tom Fury, and Bruce M. Fischer  as Mr. Coogar. Angelo Rossitto  has a good moment or two as a demonic barker at the carnival.

Disney’s culpability comes in what I can only assume was a surfeit of oversight. The studio spent a year re-shooting, editing, and generally misunderstanding how to complete the movie. In an era where independent shops like Boss Films or Stan Winston Studios were creating excellent visual effects on reasonable budgets, Disney opted to keep optical effects in-house, resulting in a lot of shaky, underexposed traveling mattes, THAT DARN CAT!level animation overlays, and a lot of film grain bloom from poorly executed optical film printer composite shots. The most egregious wrong done to this film is that the color timing is all over the pace. The lack of a consistent color palette for such a metaphorically rich film is a crime, and it’s hard to figure out where to point the finger of blame – director or producers? The movie comes across as way too much Disney, not enough Bradbury. What it needs is a remake by Guillermo Del Toro, frankly.

Disney Movie Club’s Blu-ray presentation is a bare bones release, and exclusive to members only. No extras of any kind are included, which seems like a missed opportunity. The picture is dusty and spotty, with scratches and pops throughout, most noticeably in the opening scenes. The enhanced definition here also serves to reveal that the film was clearly shot on the backlot and in Burbank sound stages, resulting in an unenhanced visual environment for home viewing. DMC even bumped the original aspect ratio of 1.75.1 up to 1.85.1 – it seems just to thumb their nose at purists. Audio is presented in DTS-HD Master Audio 5.1.

I wish I could recommend this disc, but truly cannot. It’s not worth the hassle of the Disney Movie Club format (reminiscent of the Columbia House Record Club, you have to opt out of a monthly shipment at a premium price) to get such lackluster presentations for home viewing, especially for films with marginal viewing value.

Let’s hope Guillermo is reading and has an AHA! moment.

An expanded version of this review appears in issue 40 of Screem Magazine.

 

 

 

Anthony Taylor is not only the Minister of Science, but also Defender of the Faith. His reviews and articles have appeared in magazines such as Screem, Fangoria, Famous Monsters of Filmland, SFX, Video*WatcHDog, and more.

 

*Art Credit: Anthony Taylor as Dr. Zaius caricature by Richard Smith

Category: Retro Review | Tags: , , , , , , , , , ,

APES ON FILM: Who is THE AMAZING MR.X?

Posted on: Jan 26th, 2022 By:

by Anthony Taylor
Contributing Writer

Welcome to Apes on Film! This column exists to scratch your retro-film-in-high-definition itch. We’ll be reviewing new releases of vintage cinema and television on disc of all genres, finding gems and letting you know the skinny on what to avoid. Here at Apes on Film, our aim is to uncover the best in retro film. As we dig for artifacts, we’ll do our best not to bury our reputation. What will we find out here? Our destiny.

 

Apes on Film also appears on Nerd Alert News. Check them out HERE!

 

 

 

THE AMAZING MR. X – 1948
3.5 out of 5 Bananas
Starring: Turhan Bey , Lynn Bari , Cathy O’Donnell , Richard Carlson
Director: Bernard Vorhaus
Rated: NR
Studio: The Film Detective
Region: A, B
BRD Release Date: October 26, 2021
Audio Formats: English: DTS-HD Master Audio 2.0 Mono
Video Codec: MPEG-2
Resolution: 1080p HD
Aspect Ratio: 1.37:1
Run Time: 78 minutes
CLICK HERE TO ORDER

Fans of Guillermo Del Toro’s recent remake of NIGHTMARE ALLEY should enjoy THE AMAZING MR. X, which explores similar territory (spiritualism and con men, but without the carny trappings) painted in the same film noir brush strokes.

Universal Studios’ stalwart Turhan Bey (THE MUMMY’S TOMB) stars as “Alexis, Psychic Consultant” – code for con man – who’s set his sights on Lynn Bari’s (THE BRIDGE OF SAN LUIS REY) Christine, a not-too-recent rich widow who’s being haunted by the spirit of her dead husband, Paul (Donald Curtis). Richard Carlson (CREATURE FROM THE BLACK LAGOON) intervenes as her sensible and skeptical lawyer/suitor. Martin and Cathy O’Donnell (THE BEST YEARS OF OUR LIVES) plays younger sister Janet, who wants nothing more than for Christine to forget the past and move on to a happy future with Martin. As much a character in the drama as any of the actors is the cinematography of John Alton, who creates dream-like misty and sometimes even downright fog-laden environments that enhance the lighting and lens choices he makes. Shot in a gothic, film noir style, the camera’s eye is used as a narrator rather than simply as a passive window.

Bey’s inside accomplice (Christine’s housekeeper Virginia Gregg) feeds him enough information to dazzle her and point her towards him as a solution to her problem as it begins to spin out of control. Alexis remains a smooth operator until the moment Martin holds him to a seance table and dead husband Paul appears without any pre-arranged special effects. From then on, the fake spiritualist is in over his head and unable to find a way out.

The Film Detective’s release of THE AMAZING MR. X is sourced from a 4K restoration of Bey’s own print of the film, and a definite improvement over earlier home video releases. As much of the film is set at night, there are some very grainy segments, but for the most part the picture is as crisp or as sharp as the cinematographer and director decided it should be. Other artifacts pop up occasionally – there are some shots with slight lens doubling effects that stem from the original film elements. Audio is consistent with the technology of 1948, sweetened a bit for modern tastes. It’s no distraction from the imagery, but could have been more of an enhancement.

Special Features include a commentary by professor and film scholar Jason A. New; MYSTERIES EXPOSED: INSIDE THE CINEMATIC WORLD OF SPIRITUALISM, an original documentary by Ballyhoo Motion Pictures featuring author Lisa Morton and writer/producer C. Courtney Joiner, and a full color booklet with an essay, The Amazing Mr. Bey, by Dan Stradley.

If you’ve never seen this movie, or seen it only in a diminished format sourced from a bad public domain print, don’t hesitate to buy this disc. Well worth the price!

 

 

 

Anthony Taylor is not only the Minister of Science, but also Defender of the Faith. His reviews and articles have appeared in magazines such as Screem, Fangoria, Famous Monsters of Filmland, SFX, Video*WatcHDog, and more.

 

*Art Credit: Anthony Taylor as Dr. Zaius caricature by Richard Smith

Category: Retro Review | Tags: , , , , , , , , , , , ,

APES ON FILM: 2021 Gift Giving Guide

Posted on: Dec 6th, 2021 By:

by Anthony Taylor
Contributing Writer

Welcome to Apes on Film! This column exists to scratch your retro-film-in-high-definition itch. We’ll be reviewing new releases of vintage cinema and television on disc of all genres, finding gems and letting you know the skinny on what to avoid. Here at Apes on Film, our aim is to uncover the best in retro film. As we dig for artifacts, we’ll do our best not to bury our reputation. What will we find out here? Our destiny.

If you have a retro cinema and television buff in your life, consider yourself lucky! Finding gifts for them just got a whole lot easier thanks to our handy gift giving guide. Below are our deep dive (and shallow end) choices for the greatest gifts released in 2021 for lovers of physical media. All titles are in Blu Ray or 4K format unless otherwise noted. Get the popcorn ready and Happy Holidays!

 

Apes on Film also appears on Nerd Alert News. Check them out HERE!

 

MULTI-DISC/TITLE SETS

KOLCHAK: THE NIGHT STALKER (THE COMPLETE SERIES) – Kino Lorber: Yep, the whole Kolchak television series shebang in one beautiful set. Jammed full of great commentaries and special features and sourced from new 2K masters, this premium presentation is on the level of Kino’s OUTER LIMITS sets from 2018, and it should be – it features many of the same commentators. With new cover art by Mark Maddox (check out his ATLRetro Kool Kat interview here), how can you go wrong? Poke around Kino’s website and you’ll also find the original two Kolchak television movies, THE NIGHT STALKER and THE NIGHT STRANGLER. Collect them all!

THE EUROCRYPT OF CHRISTOPHER LEE – Severin Films: Ever wonder what Christopher Lee Was up to between all those Dracula movies he made for Hammer Films? Wonder no longer! Thanks to Severin, this box set collects a smorgasbord of five of these Lee classics – the 1964 gothic shocker CRYPT OF THE VAMPIRE; the 1964 cult hit CASTLE OF THE LIVING DEAD co-starring an unknown Donald Sutherland; 1962’s celebrated SHERLOCK HOLMES AND THE DEADLY NECKLACE; 1967’s lurid favorite THE TORTURE CHAMBER OF DR. SADISM and the rarely-seen 1963 oddity CHALLENGE THE DEVIL – with the 24 surviving episodes of the 1971 Film Polski anthology series THEATRE MACABRE hosted by Lee, all remastered from original negative materials with over 10 hours of trailers, rare promos, audio commentaries & vintage interviews, plus the CASTLE OF THE LIVING DEAD soundtrack and an all-new 88-page book by Lee biographer Jonathan Rigby.

SPACE: 1999 THE COMPLETE SERIES (ULTIMATE EDITION) – Imprint Television: Gerry and Sylvia Anderson’s (and Fred Frieberger’s) most popular television series in the United States by far, Space: 1999 is often a love it or hate it proposition for science fiction fans. I’ve always been enamored by its thoughtful, almost poetic ruminations on man’s place in the galaxy during Series 1, and the colorful, action oriented and more humorous pace of Series 2. There are a few clunkers throughout, but the Andersons and cast managed to create quite a few modern classics with this series, and the gorgeous photography and special effects throughout are a major draw. This set collects both series as well as nearly all of the special features from earlier releases, as well as the four completion films released to television in the 1980s! If you’re a fan of the show, this is a must-have set. Though this set is Australian, it is region-free and will play on US Blu-ray players. [Full disclosure: I wrote questions for the Barbara Bain and Nick Tate interviews included, and created commentaries for two episodes on this set.]

THE MONSTER COLLECTION – Doppelgänger Releasing: If your film lover has a curiosity about the making of his or her favorites, this set is a great addition to their menagerie. Featuring two documentaries by filmmakers Gilles Penso and Alexandre PoncetCREATURE DESIGNERS: THE FRANKENSTEIN COMPLEX and PHIL TIPPETT: MAD DREAMS AND MONSTERS this set offers up secrets behind special effects make-up, stop-motion animation and a plethora of other cinematic techniques by masters such as Tippett, Rick Baker, Guillermo del Toro, Greg Nicotero, and many more. Seminal information presented in an entertaining package, and highly recommended.

GAMERA: THE HEISEI ERA – Arrow Video: Go ahead, make fun – but the Gamera movies released from 1995 to 2006 are great! This set collects GAMERA: GUARDIAN OF THE UNIVERSE, GAMERA 2: ATTACK OF THE LEGION, GAMERA 3: REVENGE OF IRIS, and GAMERA THE BRAVE.  Directors Shûsuke Kaneko and Ryuta Tasaki, writer Kazunori Itô and SFX director Shinji Higuchi hit it out of the park with this quadrilogy! If your cinema buff enjoys kaiju from the Showa era, they’ll enjoy these films, guaranteed. Sourced from 4K restorations and featuring a whole slew of turtle-riffic extras, you’re guaranteed to get a smile and a BIG thank you when they open this.

 

SINGLE TITLE/DISC GIFTS

THE GOOD, THE BAD, AND THE UGLY – Kino Lorber: Is this the greatest western ever made? If not, it’s sure up there. Find out for yourself with Kino’s 4KUHD/Blu-ray package, jam packed full of extras. “There are two kinds of people in this world; people with loaded guns, and people who buy this disc. You… buy this disc.”

THE STING – Universal Home Entertainment: Since we’re talking about greatest movies of their genre anyway, why not grab THE STING in 4K UHD and Blu-ray while you’re grabbing? Again, with the plethora of bonus features and even a download code. I think this is one of the best written, directed, and acted movies ever; you know I’m buying this.

BLOOD FOR DRACULA – Severin Films: Paul Morrissey’s take on the classic tale puts Udo Kier in the cape and sets him off to Italy in search of the blood of virgins. Over the top? Sure, but still worth watching in 4K or Blu-ray, one again easy to do since both are included here as well as a soundtrack CD and much, much more.

THE VAMPIRE LOVERS – Shout! Factory: And now on to vampires who couldn’t care less about your sexual history as long as you’re willing! Shout! Factory brings us a new Blu-ray package of Hammer Films’ sexy, fang- filled romps. Sourced from a new 4K scan, this disc is also bursting at the seams with extras. A classic of lesbian vampirism, and Ingrid Pitt is radiant.

 

Folks, I could go on for pages and pages. We’re living in a jet stream of great releases and film fans should be very happy about that. Check out my previous and future columns for more recommendations and HAPPY HOLIDAYS FROM APE CITY!

 

 

Anthony Taylor is not only the Minister of Science, but also Defender of the Faith. His reviews and articles have appeared in magazines such as Screem, Fangoria, Famous Monsters of Filmland, SFX, Video*WatcHDog, and more.

 

*Art Credit: Anthony Taylor as Dr. Zaius caricature by Richard Smith

Category: Retro Review, Shop Around, Tis the Season To Be... | Tags: , , , , , , , , , , , , , , , , ,

ATLRetro’s Swingin’ Holiday Guide – 2021

Posted on: Dec 1st, 2021 By:

by Melanie Crew
Managing Editor

No clue what holiday shindigs to attend this year? We at ATLRetro are here to help with a list chock-full of merry tidings and Xmas tree rockin’ to help you have a super swell retro holiday season! Check out all the shakin’ shenanigans and classic fun we’ve dug up just for you!

 

ROCK AROUND THE XMAS TREE: Stomp on over to Napoleon’s for Michelle Malone & The Hot Toddies Holiday Show (Dec. 5), or catch Yacht Rock Schooner’s Ugly Sweater Holiday Show (Dec. 9)! Kool Kat Jeffrey Butzer continues one of Atlanta’s favorite retro holiday traditions with his Charlie Brown XMas at The Earl (Dec. 10, 11, 12)! Boogie down dino-style at Fernbank After Dark: Holiday Party (Dec. 10)! Dance the night away at Mary’s during their Naughty is Nice! Holiday Dance Party (Dec. 11)! Get hellaciously rocked during ELZIG’s Christmas Spectacular Variety Show at Little Tree Studio in Avondale (Dec. 18)! Eddie’s Attic brings you a rockin’ line-up this season with Ed Roland’s Annual Winter Wonder Bash with Collective Soul (Dec. 6/7); the Third Annual Burchfield Family Christmas (Dec. 9); Lauren Morrow’s Christmas Extravaganza (Dec. 10) and more! Get countrified at Strand Ole Opry’s Country Christmas (Dec. 16)! Have an Earl XMas with Brother Hawk and more (Dec. 25)! 

MERRY MORSELS, SPIRITS & MORE: Miracle on Monroe Holiday Pop-Ups unwraps its sixth season in the city returning to the Midtown Promenade restaurant Tapa Tapa and Bon Ton will once again get into Mele Kalikimaka spirit as it hosts Sippin’ Santa, a Christmas-themed tiki takeover. Both locations offer special holiday cocktails, a fun festive staff, and enough cheer for everyone through the month of December! Make your way to Napoleon’s for a festive Christmas brunch and enjoy a live performance of Vince Guaraldi’s A Charlie Brown Christmas (Dec. 12)!

FESTIVE FILMS: Spend the holidays at the Plaza Theatre and catch screenings of John Carpenter’s THE THING (1982) in 35mm (Dec. 11, 12 & 16); Jeremiah S. Chechik’s NATIONAL LAMPOON’S CHRISTMAS VACATION (1989) (starting Dec. 11); John McTiernan’s DIE HARD (1988) (starting Dec. 17) and Frank Capra’s classic, IT’S A WONDERFUL LIFE (1946) in 35mm (Dec. 18 & 19)! Or throw on your pajamas and head to Strand Marietta’s Christmas Eve marathon of IT’S A WONDERFUL LIFE (1946) (Dec. 24)! Regal Atlantic Station screens Joe Dante’s GREMLINS  (1984) (Dec. 4); Jon Favraeu’s ELF (2003) (Dec. 11); and NATIONAL LAMPOON’S CHRISTMAS VACATION (Dec. 18)! 

MAGIC ON STAGE: It’s the most wonderful time of year as Aurora Theatre presents their annual Christmas Canteen revue now through Dec. 23, and the kiddies will not want to miss their ‘Twas the Night Before Christmas Puppet Show (Dec. 4)! Atlanta Ballet brings you their classic presentation of The Nutcracker at the Cobb Energy Performing Arts Center, through the month of December! The Center for Puppetry Arts brings back a classic family tradition, Rudolph the Red-Nosed Reindeer running through Jan. 2! Get down with the Grinch with Dr. Seuss’ How The Grinch Stole Christmas: The Musical at the Fox Theatre (Dec. 7-12)! Boogie down to Strand Marietta for A Christmas Tradition (Dec. 10-23)! Scrooge it up and catch the Alliance Theatre’s presentation of A Christmas Carol through Dec. 24!

KRAMPUS SIGHTINGS  & SPOOKY FUN (in-person): Hey kiddies! Get beasty during Wreck the Halls: The Little 5 Points Krampus Krawl (Dec. 4)! Creep on over to Junkman’s Daughter in L5P for Family Portraits with Krampus, 1pm – 5pm (Dec. 5)! NETHERWORLD closes out its 25th year with two ho-ho-holiday horror events: A Lights on Tour returns Dec. 11, and A Haunted Holiday returns Dec. 18 featuring a performance of RISE OF THE NETHERSPAWN with a yuletide twist! 

VINTAGE & VIRTUAL: Catch the Trans-Siberian Orchestra – Christmas Eve & Other Stories online at 3pm (Dec. 5)! Hometown to Hollywood, LLC presents their online event, Scrooge Through the Years at 7pm (Dec. 9), or catch A Classic Hollywood Christmas online event at 7:30pm (Dec. 21)! Bizarre it up with Blackwell’s Xmas Oddities Auction online at 8pm (Dec. 10)! Catch a spooky online lecture, The Krampus & The Old, Dark Christmas at 3pm (Dec. 12)! Or catch A Charlie Brown Christmas Live On-Stage online at 6pm (Dec. 12)! Catch a sighting of Santa Live from The North Pole online at 11am (Dec. 19)! Get bewitched during the Cabot Kent Hermetic Temple’s online Yule Ritual at 4:30pm (Dec. 19)!

HO-HO-HOLIDAY SHOPPING: The Masquerade is gettin’ into the holiday spirit with BOGO concert tickets Dec. 3! Cryptid Creatives Collective presents their Winter Gift Marketplace in EAV featuring local vendors (including The Cryptid Cannery), artists and more (12pm – 6pm, Dec. 4)! Or make your way to Indie Craft Experience: Holiday Market (Dec. 4)! Head on over to Kirkwood for an Empire Arts Gallery Outdoor Holiday Pop-Up Market (Dec. 4)! Catch Bizarre Bazaar’s Holiday Market at the Imperial (Dec. 12), and don’t miss out on their Little Five Points Last Minute Holiday Extravaganza (Dec. 22)! Make your way to the Winter Solstice Market at the Park (Dec. 18)!

SANTA GETS CLASSY: Spend Christmas with the Atlanta Symphony Orchestra (Dec. 9 & Dec. 11), or get Baroque and experience Handel’s Messiah with the ASO (Dec. 17 & 18)! Catch the spirit of the holidays at the Fox Theatre during Sarah Brightman – A Christmas Symphony (Dec. 13)! Ansley Stewart and Friends gift you with A Very Vintage Christmas at Napoleon’s (Dec. 16)! StewartGet retro ‘n’ royal during Strand Marietta’s Christmas Royal Tea and Grand Yuletide Ball (Dec. 18-22)! Spend the holidays with Joe Gransden [Swing on by Callanwolde Fine Arts Center (Dec. 4); or croon on over to Cigar Cellar in Kennesaw for A Crooner Christmas with Joe & Josh Sirten (Dec. 6); you won’t want to miss The Joe Gransden Christmas Quintet at Napoleon’s (Dec. 12); or make your way to Eddie’s Attic for Joe’s Big Band Holiday Show with Robin Lattimore (Dec. 20 & 23)! 

TREE LIGHTINGS, SPARKLY LIGHTS & FESTIVITIES: The annual Vinings Jubilee Christmas Tree Lighting, Vinings’ oldest holiday tradition including 40s-style carolers singing all the classics (Dec. 2)! Callaway Gardens’s Fantasy in Lights runs the entire month of December! There are more than two million twinkling lights ablaze at Stone Mountain Christmas! The Lighting at Colony Square is making Midtown merry and bright (Dec. 4)! Get artsy and make your way to Hapeville for their #FreeArtHapeville Holiday Event (Dec. 4)! Avondale Estates gets down with Santa during their Winter Wonderland event (Dec. 4)!

TINSELED TUNES (Albums/Singles, etc.): The Aquadolls cover The Waitresses holiday classic “Xmas Wrapping” featuring Angelo Moore of Fishbone and El Jefe of NOFX! New Found Glory celebrates their favorite holiday songs in their new single, “Holiday Records” on their new album, DECEMBER’S HERE out Dec. 3! 

Category: Features, Tis the Season To Be... | TAGS: None

APES ON FILM: Who is THE (Real) VICTIM Here?

Posted on: Nov 22nd, 2021 By:

by Anthony Taylor
Contributing Writer

Welcome to Apes on Film! This column exists to scratch your retro-film-in-high-definition itch. We’ll be reviewing new releases of vintage cinema and television on disc of all genres, finding gems and letting you know the skinny on what to avoid. Here at Apes on Film, our aim is to uncover the best in retro film. As we dig for artifacts, we’ll do our best not to bury our reputation. What will we find out here? Our destiny.

 

 

Apes on Film also appears on Nerd Alert News. Check them out HERE!

 

 

THE VICTIM – 1972 (TV MOVIE)
2 out of 5 Bananas
Starring: Elizabeth Montgomery, Eileen Heckart, Sue Ane Langdon , George Maharis
Director: Herschel Daugherty
Rated: NR
Studio: Kino Lorber
Region: A (Locked)
BRD Release Date: October 5, 2021
Audio Formats: English: DTS-HD Master Audio 2.0 Mono (48kHz, 16-bit)
Video Codec: MPEG-4 AVC
Resolution: 1080p HD
Aspect Ratio: 1.33:1
Run Time: 73 minutes
CLICK HERE TO ORDER

THE VICTIM opens with Kate (perennial television favorite Elizabeth Montgomery) deciding to check in on her sister Susan (Jess Walton), who has told her she’s about to divorce her husband Ben (Maharis). Unable to reach her by phone, Kate decides to brave an oncoming storm and drive the hour or two to Susan’s house, finding it empty and her sister missing. As we the viewers have seen, Susan was confronted by an “unknown” visitor, and it didn’t seem to end well for her. The problem with this movie is that we all know who the visitor is, what’s happened to Susan, and what will happen when Kate arrives.

The movie is clearly shot on a minimal budget which is apparent early on. For example, pulling into a filling station for gas, Kate’s Rolls Royce is caught in a downpour that only extends about twenty feet into the shot. In the background, the road is dry, and no rain is visible. Also distracting are many shots that barely qualify as “in focus” – apparently the standards for NTSC resolution shooting were pretty slack in the early 70s, as I’ve noticed this in quite a few period TV movies when presented in high definition.

This story could have at least been a taut, but unremarkable, episode of Alfred Hitchcock Presents at a half-hour running time. Montgomery is always watchable, and soldiers on as best she can through the additional forty-three redundant minutes of the movie. It’s based on a short story by McNight Malmar, and it must have been a very short story as director Daugherty returns over and over to the same stale, red herring plot points and distractions in order to fill out the running time of THE VICTIM. Even worse, he never actually resolves the story at the climax, figuring that a few obvious clues should do that job – but he also put the clues there to try and lure viewers away from the thin plot and create false suspense. Very frustrating.

Kino Lorber’s presentation on Blu-ray is sourced from a new 2K restoration of the original picture elements and is very watchable, though not as clean as some of their other recent releases of similar material. Grain is visible throughout, and black density varies from shot to shot occasionally. Still quite an improvement from the only available versions until now. Audio is about what I expected for a TV movie from 1972, and Gil Mellé ’s score is good, though not as memorable as say, KOLCHAK: THE NIGHT STALKER or FRANKENSTEIN: THE TRUE STORY.

So, who is the real victim here? This film reminds me of the children’s book, The Monster At The End of This Book. Throughout, narrator Grover from Sesame Street begs kids not to turn the pages to find out who the monster is, and on the last page there’s a mirror and young readers find out that THEY are the monster! I fear that in relation to this film—we the viewers are the victim at the end of the movie. Watch at your own peril.

 

 

Anthony Taylor is not only the Minister of Science, but also Defender of the Faith. His reviews and articles have appeared in magazines such as Screem, Fangoria, Famous Monsters of Filmland, SFX, Video*WatcHDog, and more.

 

*Art Credit: Anthony Taylor as Dr. Zaius caricature by Richard Smith

Category: Retro Review | Tags: , , , , , , , , , ,

APES ON FILM: Scream, Pretty Peggy, Scream!

Posted on: Nov 8th, 2021 By:

by Anthony Taylor
Contributing Writer

Welcome to Apes on Film! This column exists to scratch your retro-film-in-high-definition itch. We’ll be reviewing new releases of vintage cinema and television on disc of all genres, finding gems and letting you know the skinny on what to avoid. Here at Apes on Film, our aim is to uncover the best in retro film. As we dig for artifacts, we’ll do our best not to bury our reputation. What will we find out here? Our destiny.

 

Apes on Film also appears on Nerd Alert News. Check them out HERE!

 

SCREAM, PRETTY PEGGY – 1973
3.5 out of 5 Bananas
Starring: Ted Bessell, Bette Davis, Sian Barbara Allen
Director: Gordon Hessler
Rated: NR
Studio: Kino Lorber
Region: A
BRD Release Date: October 5, 2021
Audio Formats: English: DTS-HD Master Audio 2.0 Mono (48kHz, 16-bit)
Video Codec: MPEG-4 AVC
Resolution: 1080p HD
Aspect Ratio: 1.33:1
Run Time: 71 minutes
CLICK HERE TO ORDER

One thing that early 1970’s network television seemed to get right more often than not was made-for-TV movies, especially in the horror genre. Kino Lorber has recently released a slate of classics from that era including THE VICTIM, THE SCREAMING WOMAN, (reviews coming soon), and SCREAM, PRETTY PEGGY. An overwrought (but imminently watchable) combination of Hitchcock, Hagsploitation, and histrionics, PEGGY stands out among a cadre of memorable programming.

Allen is a college student in search of an easy gig cleaning the house of her favorite sculptor, Bessell, who lives with his drunk mother, Davis. There’s also Bessell’s missing sister that may or may not be a murderer loitering around the property and skulking about after dark.

Written by Hammer Films stalwart Jimmy Sangster and one-hit-wonder Arthur Hoffe , the film borrows heavily from classics of the big screen like HUSH…HUSH, SWEET CHARLOTTE and PSYCHO. And “borrows” is putting it politely. Though the plot is quite derivative, the film itself doesn’t suffer too badly in comparison to its source materials; the cast and director Hessler (who would go straight from this film to THE GOLDEN VOYAGE OF SINBAD) make the whole thing a bit of an inside joke. If you’re familiar with the films it’s aping, there are a lot of visual and tonal easter eggs that call back to them. If you’re not familiar, it’s a good amount of Davis chewing scenery, Bessell looking distraught, and Allen trying to figure out what’s going on. Yes, everyone is here for a paycheck, but it’s still a bucket of ugly fun.

The music by Robert Prince  contributes nicely to the mood and atmosphere, and art direction by JAWS and CLOSE ENCOUNTERS OF THE THIRD KIND production designer Joe Alves is outstanding. Bessell’s sculptures are fantastic and terrifying, and the most memorable things in the film from my first viewing on television when I was nine years old.

Kino’s disc presents the film in its original aspect ratio, and looking fabulous from a new 2K restoration. Audio is also very good, and extras include a new commentary by Troy Howarth and Nathaniel Thompson as well as TV spots for the film and other Hessler helmed episodes from the era, including one from Kolchak: “The Night Stalker.”

Surely my enjoyment of this film is partly due to nostalgia from having watched it on its first airing, but I still deem it worth a look for genre fans of all ages. Not a bad way to spend seventy-one minutes on a Saturday afternoon.

 

 

Anthony Taylor is not only the Minister of Science, but also Defender of the Faith. His reviews and articles have appeared in magazines such as Screem, Fangoria, Famous Monsters of Filmland, SFX, Video*WatcHDog, and more.

 

*Art Credit: Anthony Taylor as Dr. Zaius caricature by Richard Smith

Category: Retro Review | Tags: , , , , , , , , , , , ,

This Week in ATLRetro, Nov. 1-7, 2021

Posted on: Nov 2nd, 2021 By:

by Melanie Crew
Managing Editor

We at ATLRetro care about your health and well-being, so This Week we are bringing you our next installment filled with a week’s worth of hootenannies and shenanigans you can experience straight from your couch and/or safely socially distanced (One helluva hybrid!)

Wednesday, November 3

Get rocked at the Star Bar with Rick Dang, B*tch! (A tribute to Rick Dang), Pillar Saints (with Kool Kat Rod Hamdallah) and more! Get intergalactic and head on over to The Highlander and for their Star Wars-Themed Trivia on the patio! Get your Swing fix in the comfort of your own home every Wednesday, with WE Swing Dance’s Online Dance at 7pm! Or swing on down to 57th Fighter Group Restaurant for West Coast Swing Wednesdays at 6:30pm! Get jazzy and live stream (or in person) the Gordon Vernick Quartet hosted by the Red Light Café at 9pm!  

Thursday, November 4

RoleCall Theatre presents Mary Shelley’s Frankenstein through Nov. 13! Spook on down to L5P for the Little 5 Points Ghost Tours, through Nov. 6! Boogie down during the 80s Alternative New Wave Synth Pop online event every Thursday at 10pm! Don’t Go Into the Cellar Theatre Company presents their online Pod-Casket 11, every Thursday at 4pm! 

Friday, November 5

Stomp on over to the Tin Roof Cantina for one hellacious night with Kool Kat Spike Fullerton & the Ghost Rider’s Car Club! RoleCall Theatre presents Mary Shelley’s Frankenstein through Nov. 13! Get bewitched and catch a screening of Chris Columbus’s HARRY POTTER & THE SORCERER’S STONE (2001) at the Plaza Theatre at 4pm! Spook on over to the Fernbank for their Forest Night Walk! Get artsy and catch a new exhibit at Empire Arts Gallery, Revival, Renaissance, Rebirth! Make your way to the Outer Space at Waller’s Coffee Shop for a night with The Good Graces and more! Time Warp it up with Lips Down on Dixie at the Plaza Theatre’s screening of THE ROCKY HORROR PICTURE SHOW at 10pm! DJ FernandoF brings you Flashback Friday, with a live video blend of 70s, 80s, 90s and more at Hot Betty’s Breakfast Bar in Tucker!

Saturday, November 6

Rev on down to Smokin’ Cues in Stockbridge for a night with The Beat Creeps & Hellcat Razors! Get rocked at the Star Bar with their Only the Brittle Will Begotten! RoleCall Theatre presents Mary Shelley’s Frankenstein through Nov. 13! Have a night of laughs with a free online Riff of GHOSTBUSTERS at 9pm! Get down to Woodruff Park for German Bierfest Atlanta 2021! Make your way to the Outer Space at Waller’s Coffee Shop for their Artist Market Saturday event, every Saturday from 10am – 2pm, with live music! The Beverly Atlanta brings you their I Still Love the 90s Brunch Party every Saturday!

Sunday, November 7

Spend the night with Stewart Copeland: Police Deranged for Orchestra with the ASO! Get bewitched and catch a screening of Chris Columbus’s HARRY POTTER & THE SORCERER’S STONE (2001) at the Plaza Theatre at 4pm! Georgia Vintage Goods presents their Summerhill Sundays: A Vintage and Handmade Pop Up from 12pm – 6pm! Groove on over to Napoleon’s for An Evening of Steely Dan with Yacht Rock Schooner! Rock out with The Lemonheads at Terminal West! Check out Kool Kat Jeffrey Butzer’s new album THE SINGING BIRD’S SOFT TRAP

ONGOING

Spook it up as NETHERWORLD Haunted House celebrates its 25th season, through Nov. 13! 

Little 5 Points Ghost Tours, spookin’ it up through Nov. 6! 

RoleCall Theatre presents Mary Shelley’s Frankenstein through Nov. 13! 

Be transported to a post-Edwardian England and catch Downton Abbey: The Exhibition, through mid-January!

Category: This Week in ATLRetro | TAGS: None

© 2022 ATLRetro. All Rights Reserved. This blog is powered by Wordpress