ATLRetro

Monday February 27

Seminal surf punk band Agent Orange play The Masquerade. The Lemonheads punk out at The Earl. From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner, during Mai Tai Monday at Smith’s Olde Bar. Northside Tavern hosts its weekly Blues Jam. Head over to Fat Matt’s Rib Shack for dinner and a show, with local blues/jazz band Dry White Toast performing at 8 p.m.

Tuesday, February 28

During Darkland County Tuesdays at Eddie’s Attic, see artists from the Stephen King/John Mellencamp production preview its music leading up to the premiere of GHOST BROTHERS OF DARKLAND COUNTY at the Alliance Theatre on April 4. Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 p.m. Little G. Weevil blues it down at Darwin’s Burgers & Blues in Marietta. Crosstown Allstars rock the blues at Fat Matt’s Rib Shack. Nathan Nelson & Entertainment Crackers bring on the blues at Northside Tavern. Dance the night away at Tues. Retro in the Metro nights at Midtown’s Deadwood Saloon featuring video mixes of ’80s, ’90s and 2Ks hits.

Wednesday, February 29

For the movie lover in all of us, EmoryUniversity continues its Painting with Light: 13 Masterpieces of the Art of Cinematography (1928-2002) with a free screening of A MIDSUMMER NIGHT’S DREAM (1935), the beautiful classic film starring Merle Oberon, Mickey Rooney and James Cagney, in White Hall 208. The Atlanta Funk Society turns the main room of Smith’s Olde Bar into the funkiest place in Atlanta on Wed. nights. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. Frankie’s Blues Mission jazzes up Fat Matt’s Rib Shack. Danny “Mudcat” Dudeck blues it down at Northside Tavern. Lefty Williams strums at Moe’s Original Bar-B-Que. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays at Pub 71 in Brookhaven

Dexter Romweber

Guns N Roses returns for a more intimate show at The Tabernacle. Dexter Romweber Duo brings a rockabilly spirit to The Earl, with Andrew and the Disapyramids and Orbo & The Longshots opening. Relax with a tropical cocktail at vintage tiki bar Trader Vic’s where Tongo Hiti play Retro-Polynesian luxurious live lounge sounds, as well as trippy takes on iconic pop songs, every Thursday night. Big Mike’s off in Seattle till June performing with El Vez in Teatro ZinZanni’s CALIENTE SHOW, so Atlanta Funk Society’s Jonathan Lloyd will be filling in on vocals. Remember Lloyd’s Rockstead Review, his killer reggae collaboration with Kingsized? The Breeze Kings and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack. Rorey Carroll Band jams at Red Light Café’s weekly Bluegrass Thursday.

Friday, March 2

Unfortunately Meat is Murdered: the Faces of Smiths,  has been postponed. But James Leg of the Black Diamond Heavies belts out “psychedelic punk ass rock and soul” at Star Bar. The Nick Longo Band jazzes up Fernbank Museum of Natural History’s Martinis and IMAX. Cineprov! mocks GODZILLA VS. MOTHRA (1964) at Relapse Theatre.

Saturday, March 3

Shamrock with Yacht Rock Revue kicks off Atlanta’s St. Patrick’s Day shenanigans early this year with the ultimate U2 tribute experience at Park Tavern at Piedmont Park. The event begins at 2 p.m. and live music starts at 4 p.m. with special guests Saturday Night Beaver presenting a glamorous stage show that celebrates the artists that brought sex appeal to popular music such as Rick James, Rod Stewart and George Michael. Then U2 tribute band Uno Dos Tres Catorce performs followed by two sets by Yacht Rock Revue. Drink and eat up with an ultimate Bloody Mary bar, green beer and plenty of hearty fare. Read our ‘Tis the Season preview interview with Yacht Rock Revue here.

THE GOLDEN TICKET

The Legendary Shack*Shakers rock The Earl. Named after a metaphor for musical freedom, Montana Skies delve into a variety of classic music from Pink Floyd to Rush to Vivaldi, as well as their own originals, in the vintage setting of Callanwolde Fine Arts Center. The High Museum of Art continues its MOMA movie series with showings of a 35 mm print of George Cukor’s IT SHOULD HAPPEN TO YOU (1954) collected by the New York museum at 2 p.m. and 8 p.m. The Atlanta Opera opens THE GOLDEN TICKET, based on Roald Dahl’s CHARLIE AND THE CHOCOLATE FACTORY, at Cobb Energy Performing Arts Centre. Read our Kool Kat interview with director Michael Shell here.

And as usual, DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno late into the wee hours.

The Supremes at the Apollo Theater. Photo courtesy of The Apollo Theater Foundation, Inc. Photo by Kwame Brathwaite.

Sunday, March 4

It’s the last day to explore one of America’s most iconic theaters in AIN’T NOTHING LIKE THE REAL THING: HOW THE APOLLO THEATER SHAPED AMERICAN ENTERTAINMENT, a special exhibition at the Atlanta History Center . Presented by the Smithsonian’s National Museum of African American History and Culture, in collaboration with the Apollo Theater Foundation, the display includes historic and contemporary costumes, playbills, music scores, graphic images and recorded music. Rise and dine with Slack Tone Slim at 1 p.m. dunch at The Earl . Tony Bryant brings on the blues at Fat Matt’s, and Uncle Sugar blues it down at Northside Tavern.

Ongoing Exhibits

DragonCon is still months away, but get your con fix now as the giant nerds of Dad’s Garage explores the eccentric and outlandish realm of sci‐fi fandom in THE WRATH OF CON. Get ready for blaster battles, ridiculous costumes and celebrity sightings all rolled into one night of comedy! Through March 17.

MANDALA: SACRED CIRCLE IN TIBETAN BUDDHISM brings peace and harmony to the Michael C. Carlos Museum at Emory University. This amazing special exhibition explores Buddhism’s unique and beautiful perspective on sacred space and honor that through the tradition of mandalas. Be sure to read Lisa Stock’s Retro Review here. Through April 15

PICASSO TO WARHOL, a special art exhibition at the High Museum of Art, features over 100 works of art from 14 of the most influential artists of the 20th century. Through Apr. 29.

If you know of a cool happening coming up soon, send suggestions to ATLRetro@gmail.com.

Photo credit: Anka Jurena

At first glance with all the top hats and bustles, steampunk seems more like a refined tribute to Victoriana congeniality, but at AnachroCon, a three-day alternate history convention Feb. 24-26 at the Holiday Inn Select Perimeter, don’t expect to see everyone waltzing. A diverse musical genre has grown up that’s every bit as imaginative and DIY as the books and costumes. And perhaps no band puts the “punk” into steampunk sound than an in-your-face feisty little duo named Frenchy and the Punk who take the stage at 10 p.m. Sat. night.

Samantha Stephenson (Frenchy) and Scott Helland (the Punk) started their musical collaboration as the Gypsy Nomads in 2005, but she being French-born and he having played guitar in several punk bands, the nickname stuck. As for their musical style, one could call it eclectic stirring up and twisting around elements of cabaret, gypsy, Celtic and steampunk. The resultant unique sound has won them fans across the US and Europe, and like gypsy performers of old, they are constantly on the road, touring and performing at some of the biggest steampunk and faerie gatherings, including DragonCon, Steamcon, The Steampunk World’s Fair, Wicked Faire, Sirius Rising, Faerieworlds and FaerieCon.

While driving their van down I-75 towards Atlanta, Samantha was kind enough to answer a few questions about what attendees can expect from their act and in general at AnachroCon. Which means, of course, that this interview was composed literally in motion.

How did you and Scott first team up as a duo?

Yes! We met in 1998 while we were both living in NYC. We started collaborating in 2000 when Scott was doing solo shows. He had left the band he was in back in 1996 and had launched a solo project switching from bass guitar to acoustic guitar. I had been heavily involved in the performance arts since childhood and was focused more on painting and sculpture when we met. I was using his music for art installations, and he used one of my paintings for a CD cover. From 2000 through 2004, I was booking his 70+ shows a year and promoting his music on the radio and other media. From my own previous performance background as a dancer and singer, in 2005, I joined him onstage to play percussion on some of his instrumentals and it all snowballed from there. We released several CDs, one entirely in French and another a mix of French, English and instrumentals, then in 2010 we released HAPPY MADNESS.

Frenchy and the Punk perform at the Time Traveler's Ball at DragonCon 2011. Photo credit: Mark Rossmore.

You’ve been compared to Siouxsie Sioux and your music could be said to have a punk energy about it that might be surprising to folks who think old-world and gypsy means polka retreads. Is that why you’re Frenchy and the Punk?

We started under the name The Gypsy Nomads but we were also dubbed Frenchy and the Punk early on. We thought about switching the name for a few years as it seemed more fitting and finally committed to it last year. I was born in France and come from French and British parentage. French was my first language although I started school in England. The song “Yes, I’m French” on the HAPPY MADNESS CD is a comical song of my coming to America. I get compared to Siouxsie a lot as I have a similar vocal style; ironically she is also of French and English parents and there is even a slight physical resemblance. Scott started playing in bands when he was 13 years old. He was the bass player of Deep Wound, the seminal Western Massachusetts hardcore punk band that he co-founded with Lou Barlow. The band also included J Mascis. Lou and J later formed Dinosaur Jr. Scott continued in the punk scene with the Outpatients. So his moniker of “the punk” comes from his musical beginnings.

Our music and performance style are high energy so we do get the gypsy punk label quite a bit, but there are so many different influences in our sound. The name really is a reflection of who we are as opposed to a music style. We do what we do, how people define us really boils down to their own interpretation based on their own frame of reference. The pervading consensus seems to be that we are spirited and fun, sonic anti-depressant! We are a visceral, theatrical band, we love to perform and we especially love to inspire people to move.

Did your music lead you to steampunk or was it vice-versa, you discovered steampunk and then embraced a musical style that fit into it?

We’ve always played the music that came naturally to us. Our sound is very eclectic with elements of cabaret, vaudeville, punk, rock, world, french chanson and folk. We also have a segment of our show that is all-drum instrumentals which can be described as a cross between Taiko and Blue Man Group. Scott has played drums since he was a kid,  and I was obsessed with the drumming and percussive sound of the samba school when I lived in Brazil for a short time as a child. We did not actively seek out the steampunk scene but rather we were embraced by it. Having lived in Europe as a kid and studied the visual arts – sculpture and painting – I was very drawn to the creative aesthetic and maker’s spirit of the movement. The people that populate the scene are crossovers from other scenes we were already a part of so it was a very organic process. I am the lyricist of the group,  and my personal history happens to blend well with the steampunk spirit. We also play faerie festivals which have strong roots in European folklore. Scott’s blending of old world melodies with the more modern live looping technique gels well with the steampunk idea of bringing the old and new together. The guitar looping also gives us a very full rich sound making it hard to believe there are only two people on stage.

Do you have anything special planned for your AnachroCon performance?

We will be sneaking in some of our brand new songs this weekend so we’re very excited about that, and you never know, there are lots of bands playing so there are likely to be some spur of the moment collaborations.

Other than your performance, what are you personally most excited about at AnachroCon?

These events are like reunions, we look forward to seeing the Atlanta crew again. We haven’t seen them since we played DragonCon last fall. Whether it be a convention or a festival, it is always fun to reunite with people that we may not have seen in quite a while. We do this musical life full-time, year round and we travel all over the U.S., as well as Europe, playing shows. The performers and attendees are equally nomadic so you never know who will show up. We’ve played shows with almost everyone on the bill before so it’ll be great to share the stage with them all again. It’s quite the cast of characters!

Photo credit: Frank Siciliano.

What about a steampunk convention is most likely to surprise someone who is new to the subculture and has never attended one before?

If someone hasn’t been to a convention like this before they will probably be surprised at the costuming as it can be quite elaborate and make you feel like you are in a different time period. That should not deter anyone from going though, even if they don’t have the steampunk costume, they should check it out. There will be lots of really cool vendors who have great accessories that they can throw on for some last minute steampunk flair! Also, I have heard mentioned from attendees that they are amazed at the wide age range at these events and also the sheer high spirited mood and vibe that seems to pervade. And of course, there’ll be tons of awesome live music, DJ’ing and other performances.

What’s next for Frenchy and the Punk?

We are working on a 2 CD release set for this spring thanks to a very successful Kickstarter campaign last Fall. We have lots of conventions and festivals coming up in April and May, as well as a European tour in June. All of our dates are on our tour page of [our] website. And we post our goings-on on our Facebook page regularly. Overall, we continue to build the world of Frenchy and the Punk with our music and art. And to your readers, don’t forget that there is nothing quite like seeing live music! There are lots of independent bands out there like us who drive all over tarnation to bring their sounds to you. By attending the shows you not only have an unforgettable experience you also keep independent music alive, and we thank you!

For the full scoop on the rest of what’s going on at AnachroCon, be sure to check out our Ultimate Guide here.

Science fiction used to be all about the future, but in steampunk, it’s gone back to the past to create a steam-powered alternate Victorian era full of airships, goggles and rayguns where Tesla trumps Edison. If you think that steampunk is just about creative costumes, there will be plenty walking the halls of AnachroCon, this weekend (Feb. 24-26) at the Holiday Inn Select Perimeter, but there will also be so much more from literary to art to performances. Read more about the many facets of this fast-growing subculture in our recent interview with STEAMPUNK BIBLE co-author S.J. Chambers, then head on down to AnachroCon to experience the city’s biggest annual steampunk gathering live.

As Anachrocon’s Website says, it’s the “place in the South for Steampunk, History, Alternate History, Science, Music, Classic Sci-Fi Literature and the most amazing costuming you’ve ever seen!” Here’s our top nine coolest things to do at Anachrocon. For times and locations, check the full con schedule here.

Mad Sonictist Veronique Chevalier.

1. Costumes Extraordinaire

Men in top hats, boots and goggles. Ladies in their finest Victorian dresses with rayguns tucked into their beaded evening bags. Gizmos galore. In the case of steampunk, accessories make the outfit and it’s not just a look but a way of life for some followers who meticulously craft their eccentric wardrobes in home workshops. Expect to see an amazing array of hall costumes, but the best of the best compete in the Costume Contest at 5 p.m. on Saturday. Or learn to make your own from award-winning costumers in the Fashion and Fabrication programming tracks.

Frenchy & the Punk.

2. A Marvelous Menagerie of Musical Acts

If steampunk has a look, thanks to a motley menagerie of talented musicians, it also has a sound – a diverse blend of jazz, ragtime, gypsy, classical, goth and even a touch of rock n roll. At Anachrocon, you can hear some of the best in the region and nation including The Hellblinki Sextet (do we need to say more than pirate cabaret to pique your interest?!), The Extraordinary Contraptions, Frenchy and the Punk, Aeronauts, The Ghosts Project, The Gin Rebellion, The Vauxhall Garden Variety Players, Play It With Moxie and more. Dance the night away to several DJs including “self-described eccentric audio arranger and morally ambiguous scientist” Dr. Q, the mad mastermind behind The Artifice Club which stages quarterly steampunk shindigs and is the official sponsor of the Friday night main entertainment track provocatively titled Fallout Frenzy. Read an interview with Dr. Q here about The Artifice Club here.

Talloolah Love. Photo credit: Mark Turnley.

3. Trick or Tease: Burly-Q and Carnivale Steampunk-style

Burlesque arose out of vaudeville and sideshow hoochie-coo, all of which go back to the bawdy dancers, singers and comedians of the Victorian music hall. Circuses and carnival sideshows for general public pleasure also came of age in the 19th century. See steampunk versions of both this weekend. Award-winning Atlanta burlesque beauty Talloolah Love  invites you to Burlesque At the End of the World (Fri. midnight) featuring  flavors of Bertolt Brecht, The Muppets, and Hollywood heresy; “you’ve never seen a burlesque show like this!” Guest stars include Knoxville’s Rosey Lady, the Blooming Beauty of Burlesque; Katherine Lashe of Syrens of the South Productions; The Chameleon Queen; and Sadie Hawkins and Barbilicious of Blast-Off Burlesque. Meanwhile under the motto of “Doing the extrordinary with the ordinary,” the talented performers of Oklahoma’s Carnival Epsilon (Fri. 5 p.m.) test the limits the human body can be pushed to with sharp blades, burning fire and a silver fork. And Wicked Hips Bellydance, a professional troupe with members from the US and Europe, presents an art form once considered so risque that it would have inspired proper Victorian ladies to grasp their smelling salts (Sat. 7 p.m., Sun. noon).

4. History, Science and the End of the World, Oh My!

Nikola Tesla.

Yes, the whole idea of steampunk is based on an alternate history and a different direction in science and energy. Costumes are not mandatory to attend these bonafide actual history and science with fascinating panels on such topics as “the history of passive-resistance and non-violent protest” (Fri. 3 p.m.);  “evolution of small arms” (Fri. 5 p.m.), “Sex in Classical Greece and Rome” (Fri. 11 p.m.), Van Gogh at Remy (Sat. 5 p.m.) and much more including culinary discussions, Vikings, shipwrecks and a Sunday-morning gnostic mass. Well, with the Mayan calendar’s abrupt end this year, we give them some slack for a few more apocalyptic (and maybe not so hard-factual) programs such as “This is the Way the World Ends; Eschatology 101″ (Fri. 2 p.m.), “Mayan Calendar 2012″ (if the world’s coming to an end, it only makes sense there’s also a mead-making 101 class out by the pool at the same time), and “Surviving Those Pesky Zombie Apocalypses” (Sat 8 p.m.). Does that mean we’ll see some Walking Dead Steampunks drunk on mead? Well, we can only hope.

The Traveling Revelers.

5. A Little Etiquette & Indulgence Can Do You Good

The Victorian Age was known for being prim and proper, unlike our uncouth contemporary era, so it seems only fitting that AnachroCon’s newest last-minute programming track is centered on Etiquette & Indulgence. Run by Peter Beer Slayer and Richard Carnival, “their mission [is] to make the world a better place by providing instruction on the Social Graces and how to truly enjoy life by using their combined powers to become the Traveling Revelers!” Take ConSociology classes on “how to meet people at cons” (Fri. 3 p.m.);  “the zen of flirting” (Fri. 7 p.m.); “the art of social cues, green lights/red lights” (Sat. noon),and enjoy a “morning refresher” course (ok, early afternoon, Sun. 1 p.m.). Or engage in proper Tea Dueling at 11 a.m. Sun. morning.

Bill Pacer as Benjamin Franklin.

6. Viva the Revolution – Meet the Founding Fathers

Tea Partiers and Ultra-Liberals, take note! OK, AnachroCon isn’t breaking out the Ouija Board (well, not right now anyway; we kind of think there has to be some Ouija-ing going on somewhere), but professional Thomas Jefferson and Benjamin Franklin impersonators (J.D. Sutton and Bill Pacer) will be on hand to share their wisdom on government, electricity and even provide a Q&A. Find out what the founding fathers really thought about freedom of religion, gay rights and sleeping with French prostitutes – we dare you to ask them!

7. Astounding  Alt-History Literature & Pop Culture Panels

At the end of the day, it’s sometimes forgotten that steampunk started not as an aesthetic movement but in the pages of books and now is a lively literary genre. Panels discuss classic influences from Edgar Allan Poe (Sat. 1 p.m.) to a Victorian Science Fiction Roundtable (Sat. 9 p.m.) where we imagine the names Jules Verne and H.G. Wells might get a few mentions. More topics include how to write alternate history (Sat 4 p.m.), modern steampunk literature (Sat. noon) and Growing Up Steampunk (Fri. 7 p.m.). Author guests include Mark P. Donnelly, Kathryn Hinds, O.M. Grey, Emilie P. Bush, Kimberly Richardson, Alan Gilbreath and Dan Hollifield.

Enhanced sonic phaser by Venusian Airship Pirate Trading Co.

8. Sensational Steampunk Marketplace

Need a pair of goggles, a trusty ray gun, a corset, jewelry, custom leather items? All of these and more are available in the Vendor Room, a veritable bazaar of steampunk-related merchandise, with a little Medieval-Renaissance-Celtic thrown in for fun. Well, steampunk does share some roots in modern fantasy which is often inspired by those eras. Be sure to also visit the Artisans Room where you can buy unique, one-of-a-kind creations by jeweler Corey Frison (Labrys Creations), art prints and jewelry by Kerry Mafeo (Fantastic Visions), chainmail by Thandor (and watch him craft it before your very eyes!), the geekiest T-shirts on the planet from Aardvark Screen Printing and works by award-winning artist and illustrator Mark Helwig.

9. Steampunk Boba Fett

Do we really have to say anything else but those three words? OK, you may have seen the Elvis Stormtrooper at DragonCon but Steampunk Boba Fett has taken this helmeted STAR WARS mercenary to a new level of eccentric creativity. Dubbing himself humbly, “the galaxy’s most feared Steampunk Bounty Hunter since 1878 (Earth Time),” to see him is to be inspired! Now go home and get to work on your costume so you’ll be ready to enjoy Anachrocon this weekend!

Rebecca DeShon of HoopEssence. Photo credit: Stephanie Anderson.

Hula hoops made of willow, grapevines and stiff grasses date back all the way to prehistoric times, but most people today probably think of them as the girls’ must-have plastic toy manufactured by Wham-O starting in the late 1950s. The quintessential toy, however, has made a comeback in recent years into hoop dance, and if you missed this twisting trend, you can catch up at the Atlanta premiere of the acclaimed documentary THE HOOPING LIFE (2010) at 7 Stages in Little Five Points on Friday Feb. 24 (doors at 8 p.m.; show at 9 p.m.).

THE HOOPING LIFE not only delves into hula hoop history but also tells eight extraordinary stories of hoop enthusiasts who have embraced it as an art form, a teacher’s aid and even an instrument of redemption. The screening will be accompanied by live performances including a spectacular aerial number by Emerald Dove (Hot Toddies Flaming Cabaret); hoop dance by Maria Valentin aka Riahoopaleena all the way from New York City; stunts by Luna Trix Hoops Performance & Fire Arts of Columbia, SC; hoops and juggling by James Abele; and acts by Gesche Anneliesa of Musee du Coeur and  Ashly Connor of Imperial Opa Circus.

The entire night’s festivities have been organized by this week’s Kool Kat Rebecca DeShon, proprietress of HoopEssence, Atlanta’s own Hoop Dance performance company and school. ATLRetro recently caught up with Rebecca, to find out more about THE HOOPING LIFE, as well as how she got into hooping, how hooping has transformed her life and what it’s like to live la vida hoop dance.

ATLRetro: Hula hoops seemed to be less popular for a while, but now are enjoying a Renaissance of sorts not just with girls but grown-ups, too. Why do you think it’s back in vogue?

Rebecca DeShon: Hoop dance and hula hooping have really exploded into so many scenes. What was once thought of as just a fad in the underground club scene has really blossomed into a tool for dance, self expression, fitness, meditation and so much more. In my opinion, we are only just beginning to see this full immersion of society in hula hooping. Some hoopers like to call it a “Revolution,” if you will. I think part of the reason it is becoming so much more popular is the development of hand-crafted hula hoops which open up hooping to people of all ages and fitness levels. Besides, it just feels like a lot of fun, which is more than you can say about a lot of other fitness routines. Who doesn’t want that?

For the uninitiated, what’s the difference between hula-hooping and hoop dance? 

Modern hoop dance has come such a long way since the stereotypical image most people think of from hula hooping in the ‘50s. People are now completely expressing themselves in dance both inside the hoop and using the hoop as a prop to tell a story through dance. We are repurposing an object that was only to be flung around the waist in endless rotation or simply rolled on the ground into what is now a vast array of styles and forms of hooping or hoop dance. Today we see hoopers not just simply flinging dozens of hoops around their waist like you see in the circus, but truly dancing in and with the hula hoop as a dance partner. It is now such an extraordinary companion for artistic self expression.

Hoop dance just means that we are actually dancing with our hoops and at times incorporating many different “tricks.”  Hooping has expanded so far between styles that we are actually seeing entire “genres” of hoop dance styles. It is an incredible art form! With the proper hand-crafted hoop, patience, practice and determination, I know that anyone can be a hoop dancer. I, for one, have no professional dance training, so I can assure you that you don’t have to be a “dancer” to become a hoop dancer.

I understand fans from all of the Southeast are coming to Atlanta for the screening. What’s so special about THE HOOPING LIFE as a movie?

We are thrilled to report that we have fans and performers coming from all over the US for this event! They are coming from as far away as CA, NYC and Texas! Chicago, South Carolina, North Carolina, Tennessee, Florida, Alabama and all over the state of GA. THE HOOPING LIFE is a feature-length film that has been six years in the making. It is a labor of love in the form of a documentary film which has not been released for public screenings until Jan 2012. We have been waiting for this event for so long and are so super thrilled to see its final release. THE HOOPING LIFE documentary is important not just for hoopers but for those who don’t know its amazing life-changing benefits. The film has been shot all over the world by the hoopers themselves. This film covers eight story lines from eight very different aspects of just how dynamic hooping can be. It is the first film of its kind!

Will any of the filmmakers be there?

Currently the filmmakers are super busy working on the music video for “Hooping Life”, the original music by Basement Jaxx which was created just for this amazing film. While nothing has been set in stone, we have heard rumors of interest in them making the trip. Honestly, with an event like this, you really just never know who might show up! Surprise guests will be there and you just need to be present to see exactly who!

Rebecca DeShon hoop dances with fire at Hellbilly Family Reunion (Elliott Street Pub 2011). Photo credit: Erick Jara.

What else is happening Friday night at 7 Stages in addition to the screening?

We have a spectacular evening of entertainment planned for our guests!! Doors open at 8 with live entertainment right from the start! We will have hooping gifts, hoops and merchandise for your shopping pleasure, a “red carpet” photo session for guests, HUGE prize giveaways, a carnival-like atmosphere with jugglers/stilt walkers/hoopers and that is just the pre-show!! At 9 p.m., the stage shows begin with live performers for your pleasure Maria Valentin from NYC, Lunatrix Performance & Circus Arts (SC), Ashly Connor (Imperial Opa Circus), Emerald Dove on aerial silks (Hot Toddies Flaming Cabaret), Gesche Annelesia (Musee du Coeur) and many more performances. After the live performances, we have the Atlanta Premiere of THE HOOPING LIFE film. Directly following the film, we will invite all guests to come up on stage and give the hoop a twirl themselves for a huge hooper dance party. We also have visuals being projected on the screen from start to finish. This is going to be an incredible evening like no other in Atlanta.

How did you first discover that you loved to hula hoop?

I was actually gifted my first ever adult hand-crafted hula hoop in 2008 from a friend, Beki Bear, as a going away gift before embarking on a journey to New York for a while. That first northern winter, I found myself stuck indoors buried under snow and very cold with nothing but my hula hoop. I picked up my hoop, began playing with it and really found myself embracing it. I was so surprised at how much I was enjoying playing with the hoop. I felt great about learning a new skill and have always loved dancing so I was hooked right away, head over heels. I began searching online, hungry to learn more about hooping. At the time there were very few resources to learn from and, unless you lived in California or were willing to travel many miles, not many instructors around. I found a great resource called Hooping.org which I like to call “the holy grail of Hooping.” You can find endless information about hooping from this site. I didn’t realize then that I would use the hoop as a tool for self-empowerment or use it to help others to do the same.

How did you start performing professionally and what’s your favorite gig so far?

I guess you could say I just stumbled into performing during my hooping development. As a hoop dancer beginning my journey inRochester,NY, performing came pretty naturally for me. Hoop dance was so unique that people couldn’t help but stop and watch. I love what I do and want to inspire others to try it out and experience the joy, so performing just came with the part. My first gig was just a couple of months after beginning my hoop dance journey. I got to perform as part of My Life with the Thrill Kill Kult at Water Street Music Hall in Rochester, NY. At first I was terrified, but I really enjoyed the crowd’s response and the adrenaline rush of performing so after that first gig I was instantly hooked. I have been blessed with a lot of really fun gigs.

Rebecca DeShon performs at The High for College Night with Dance Truck. Photo Credit: Matt Gilbert.

Many of my gigs are corporate events, which gives me the opportunity to perform in some really exciting venues. Last year I was hired to perform at The Georgia Aquarium dressed up as a mermaid. I also loved hooping at The High Museum of Art a couple weeks ago for College Night. Next month I am particularly looking forward to a gig at Chateau Elan for Verizon Wireless (we are conducting an LED Circus of sorts). I also participate in a lot of smaller gigs in club style settings as well as my work with charity organizations such as East Atlanta Kids Club, Atlanta Streets Alive and Atlanta Women’s Foundation.

On March 3, I will be performing and doing class demos for Atlanta Dance Marathon at Zoo Atlanta – which is a benefit for Atlanta Children’s Network Hospitals. I really love community-based work and feel hooping can be used as a tool for outreach on so many levels. It is simply a joy to share what I do! I dedicate a lot of time and energy into my practice, sometimes at the cost of sleep. It brings me so much joy to share the experience of hooping that I really find it is worth the effort.

You’ve said that hula hooping has changed your life. Can you talk just a bit about how and what is it about hula-hooping that you personally find so special?

Hooping or hoop dance has changed my life in dramatic ways and I continue to grow daily through what I learn inside the hoop. Initially I saw the physical benefits of hooping right away. My body is more fit and trim with great muscle tone – all from what I once thought of as just a simple child’s toy. Later, I noticed my stress being melted away from hooping, anxiety being relieved, and, of course, exercising produces endorphins that helped to naturally chase away any blues or depression.

Rebecca DeShon. Body paint & photo by Stephanie Anderson (Neon Armour).

Hooping gives me a great feeling of accomplishment, even when I am not performing for others. It is nice to feel good about yourself and what you are doing. Hooping has led me to make some of the most incredible friends and expanded into what is today a global community of hoop dancers. My life suddenly had direction and purpose once I began hooping. I found myself thinking and living more positively and healthier. The list goes on and on… I could speak for days about how hooping has changed my life: from the most simple things to complexities even I find hard to believe at times. Hoop dance has literally caused a chain reaction of positivity and prosperity in my life.

The hoop has a way of changing your attitude. Once you get the hang of hooping and get past the initial learning curve – this only takes a few minutes with the proper hoop and instruction – it is so unbelievably difficult to not be happy and giggle while hooping. You will find that if you are in the presence of hoopers, we are generally pretty happy and positive. I feel most of us work hard to spread that love to others. I am so fortunate to have found an outlet in hooping that lets me get past the miseries and frustrations that life puts in our way, and focus that energy towards something positive for myself and for those around me.

How did hula hooping grow from a hobby into you founding Hoopessence? 

Hooping began as a hobby that I discovered I just couldn’t keep to myself. I wanted to share the love and joy with everyone I met. So I learned how to hand-craft hoops and began teaching everyone who would listen. I found it is not hard to get others excited about hooping once they see you hoop and hear/see the magical benefits of it all; they want to try it too. I found that hooping and sharing the benefits was a calling for me. I became a certified hoop dance instructor within my first year of hooping and since then have built my own teaching style.

Now, my own HoopEssence teacher trainings are in the works. I just want to share the love with as many people as possible. So it comes pretty easy for me. Turning any hobby into a business is very challenging however. What you once did for fun can feel forced and unnatural once you try to earn a living from your hobby. It is a very delicate balance. I love what I do so much that I am willing to work hard and make sacrifices to do what I do. I am also really fortunate to be married to an amazingly supportive man who assists in any way he can with my business. He is constantly empowering me to excel and grow. For that I am thankful. If it was just me on my own, I’m not sure could not make a living from hooping; a business needs the support of a great team.

Rebecca DeShon. Photo credit: Stephanie Anderson.

What types of classes do you offer at HoopEssence?

I offer classes in all things hoop at HoopEssence. Beginner basics, intermediate hooping, specialty hooping classes (i.e. minis, isolations, multiple hoops), workshops, hoop crafting workshops, private lessons, dancing in and out of your hoop, children classes and community jams. You name it, I hoop it! If you are just getting into hooping, I teach you all the basics of this great hobby in my Hooping 101 Series. Hooping 101 is four Sunday classes from 1-2:30pm with my next series starting March 4. You may find all the info about my next Hooping 101 series here.

I am also teaching intermediate and advance hoop dance classes at various locations throughout the Metro Atlanta area. You may find all the information and more through my website www.hoopessence.com. I am always looking out for new venues and private lesson students as well. If you would like to book a lesson or want to see hoop dance in your neighborhood, drop me a line and say hello. I am always here to help. With the upcoming spring and summer months, I have a lot of free outdoor events (called Hoop Jams) where I bring hoops, tunes and people can come join in on the fun with no obligations.

Any secrets to buying a great hula hoop?

A great hula hoop is a hand-crafted adult hula hoop. The hoops that you find in the dollar store just don’t cut it and can leave you feeling hopeless as a hooper. You can find hoops of all sizes and all the colors of the rainbow through my website  www.hoopessence.com/products-page. I hand-craft each hoop and fancy myself as somewhat of a “hoop sizing expert”. If you find yourself in the market for a new hoop or are just simply curious to what its all about, please feel free to call or drop a line with your questions. I would be more than happy to assist you in choosing. It can be a bit overwhelming for the beginner with all the options available from sizes, weight, colors, material, LED and even fire hoops. Check out my website and also be sure to sign up for my email newsletter where I send out coupons for deep discounts on all things hoop!

Tickets for THE HOOPING LIFE are just $15 when purchased online in advance before midnight on Feb. 21.  Any remaining tickets will be available at the door only for $20 each, but be warned, at press time, there were only 50 seats left so we highly recommend purchasing in advance here.

Find HoopEssence on Facebook and Twitter.

By Jennifer Belgard
Contributing Editor

Dirk Hays has been a force to reckon with since his arrival on the Atlanta Art scene in the early ‘80s. His style is a Dirty South Cocktail: a nostalgia-laced, moonshine Mai Tai served up in a flaming, coconut zombie-monkey cup garnished with a Fez. Dirk’s alter ego, Uncle Daddy, is behind the bar this time shaking up his own country concoctions. So, grab a bar stool, a Psychedelic Sarsaparilla, and sit a spell with us. Let Uncle Daddy spin a yarn.

ATLRetro: Tell me a little about yourself.

Dirk Hays: I grew up in a small town in Alabama and my dad was a sign painter, so I used to spend a lot of time hanging out at the sign shop and watching him work. I spent a lot of my childhood drawing and listening to music for hours on end. I loved comic books and would draw my favorite characters from them. When I was 15 or 16, I discovered underground comics and that clearly shaped my drawing style, along with other artists of the time, such as Big Daddy Roth and Basil Wolverton, and the crew at MAD magazine.

I have a degree in Visual Communications from Auburn University and worked in advertising for a few years after moving to Atlanta in 1982. During those years, I worked off and on at the Center for Puppetry Arts and developed a love for sculpture. I started making and selling my art about this time and enjoyed doing that solely for about 13 years, until I had the opportunity to learn to tattoo. I’ve owned and operated East Atlanta Tattoo for the past 10 years and I also play washtub bass in Uncle Daddy and the Kissin’ Cousins. I enjoy camping, working in my vegetable garden and hanging out with my wife [Editor’s Note: That’s Kool Kat Barbilicious Hays of Blast-Off Burlesque] and dogs. Oh, and bacon.

What led to the creation of Uncle Daddy’s Woodland Critters series?

I’ve always preferred painting on wood for some reason; maybe that goes back to watching my dad paint signs on wood, I don’t know. Sometimes the confines of a canvas with straight edges seems to restrict me and I tend to prefer cut out irregular shapes. The pieces started taking more of a sculptural bent, with the addition of various layers, a few years ago, with another series of work that I was doing. The idea for the critters has been with me for a while now, but only gelled recently. I made an owl one day and put the picture up on Facebook and had 60 some responses within no time. People were asking about prices and if I was doing any other animals, so it seemed like there was a good deal of interest right off the bat. I decided to work on this series under my band persona of Uncle Daddy, and I make them in my workshop on Woodland Avenue, so the name kind of came from that.

You repurpose materials like barn siding for the Critters. What other materials do you use and why? 

I’ve always been a big trash scavenger for art materials. I like the mix of something old and weathered with the freshly painted, bright colors, in some instances. Mainly, the critters are made of birch plywood that I cut out on the bandsaw, paint with a combination of spray and acrylic, and then glue together.

One of my favorite Critters is the O KISSUM. Tell me a little bit about what influences your work.

Well, obviously music and pop culture are big influences, as well as the comic artists that I spoke of earlier. I like to inject a little humor into the work when I can and that was just a silly idea that occurred to me as I was making the possum. Sometimes the different pieces laying around on my work table unassembled, seem to gravitate toward each other in unexpected ways. Mixing the elements up a little allows for more variety in the series and something outside the box. Is that an udder on that rabbit? Horns on a beaver? Why not? Anything can happen in this forest, and the weirder the better for my tastes.

Where can we find Uncle Daddy’s Woodland Critters?

I’ve only been doing this series since the beginning of December, and most of the sales have been through Facebook, or in my driveway, up to this point. I recently placed a few at HodgePodge Coffeehouse and Gallery, 720 Moreland Avenue, in East Atlanta. I’m also speaking with the nice folks at Pine Street Market in Avondale Estates about showing some there, as well. I don’t have the space at the tattoo shop any longer to display art, since we gave up the gallery there, so I’m looking for a few locations around town to place them. People can still contact me through Facebook, and if you like the page, you can keep up with any updates there. I usually post any new critters as soon as they’re done, too, so you can get first dibs on new creations. I also do commissions, so if you have an idea for a critter, other than a portrait of your dog, hit me up and I’ll see if I can make it happen.

Any new projects or events coming up?

Just working on new critters, getting ready for spring. I’d like to show the work at some local art/craft festivals, if the stars align just right and I can make it work between band gigs and running the tattoo shop.

About the Author: ATLRetro Contributing Editor Jennifer Belgard is Co-Conspirator at Libertine, Curator of Curios at Diamond*Star*Halo,  Barkeep at Euclid Avenue Yacht Club, and Co-Coordinator of Chaos for the Little 5 Points Halloween Parade & Festival.  In her spare time she enjoys Turnin’ TriXXX and playing Queen of Your Distraction.

By Jordan Barbeau
Contributing Writer

Monday February 20

Joe Gransden and his swingin’ 16 piece jazz band put on a special Valentine’s Day-themed show at Café 290, with special guest stars from Hot Shoe Records including Audrey Shakir, Tyrone Jackson, The Sax All-Stars, Kate Myers and more. From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner, during Mai Tai Monday at Smith’s Olde Bar. Northside Tavern hosts its weekly Blues Jam. Head over to Fat Matt’s Rib Shack for dinner and a show, with local blues/jazz band Dry White Toast performing at 8 p.m.

Tuesday, February 21

Jazz up your Mardi Gras with Fat Tuesday On the Rooftop of Marietta’s art deco Earl Smith Strand Theatre featuring Atlanta’s own Jacob Deaton. Frankie’s Blues Mission provides some of the best jazz and blues the ATL has to offer at Two Urban Licks. Whole Lotta Dixie and some extra guests scratch behind the ear of The Family Dog. Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 p.m. Little G. Weevil blues it down at Darwin’s Burgers & Blues in Marietta. Crosstown Allstars rock the blues at Fat Matt’s Rib Shack. Nathan Nelson & Entertainment Crackers bring on the blues at Northside Tavern. Dance the night away at Tues. Retro in the Metro nights at Midtown’s Deadwood Saloon featuring video mixes of ’80s, ’90s and 2Ks hits.

Wednesday, February 22

For the movie lover in all of us, EmoryUniversitycontinues its Painting with Light: 13 Masterpieces of the Art of Cinematography (1928-2002) with a free screening of T-MEN (1947), a noir film about two undercover U.S. Treasury agents who attempt to bust a counterfeiting ring, in White Hall 208. Lefty Williams shows off why he’s not just the world’s finest one-armed guitarist but a truly great guitarist at Moe’s Original Bar-B-Que. In honor of Black History Month, opening tonight and running through Feb. 26, TheatreSouth Atlanta presents a special production of the Broadway gospel musical I HAVE A DREAM about the ideas and beliefs of Martin Luther King, Jr. The Atlanta Funk Society turns the main room of Smith’s Olde Bar into the funkiest place in Atlanta on Wed. nights. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. Frankie’s Blues Mission jazzes up Fat Matt’s Rib Shack. Danny “Mudcat” Dudeck blues it down at Northside Tavern. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays at Pub 71 in Brookhaven

Thursday, February 23

Relax with a tropical cocktail at vintage tiki bar Trader Vic’s where Tongo Hiti play Retro-Polynesian luxurious live lounge sounds, as well as trippy takes on iconic pop songs, every Thursday night. Big Mike’s off in Seattle till June performing with El Vez in Teatro ZinZanni’s CALIENTE SHOW, so Atlanta Funk Society’s Jonathan Lloyd will be filling in on vocals. Remember Lloyd’s Rockstead Review, his killer reggae collaboration with Kingsized? The Breeze Kings and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.  The Darrell Webb Band jam at Red Light Café’s weekly Bluegrass Thursday.

Friday, February 24

It’s another jam-packed Friday in Retro Atlanta.  Never fear, steampunks!  Anachrocon is here. This 3-day alternate history convention continues through Sun. Feb. 26 at The Holiday Inn Select Perimeter. Friday night features a Burlesque at the End of the World show produced by the fabulous Talloolah Love at midnight, panels, dealers’ room and performances by a laundry list of steampunk bands, such as The Hellblinki Sextet, Aeronauts, Carnival Epsilon, DJ Dr. Q, and more. Read up on all the Really Retro happenings in our exclusive sneak preview.

Kool Kat Andy Ditzler‘s latest Film Love: George Kuchar celebrates the life and productions of the late filmmaker. Head over to Masquerade as Moon Taxi and The Apache Relay rock the house in a show opened by Athens’ District Attorneys (fronted by Kool Kat Drew Beskin). Hoop Essence presents a special screening of the documentary film THE HOOPING LIFE, a documentary about changing the world through the use of nothing but a hula-hoop, along with a fun line-up of live hoop dance performances, at 7 Stages. To get the full spin, be sure and read this week’s Kool Kat profile on HoopEssence founder Rebecca Deshon. Big Sandy & his Fly Rite Boys kicks some honkytonk/rockabilly into the Star Bar with a show opened by similarly talented Atlanta favorite sons of the Redneck Underground Slim Chance & the Convicts. Bogey and the Viceroy jazz up Fernbank Museum of Natural History’s Martinis and IMAX with Swing Dance Night.

Saturday, February 25

Anachrocon continues with a huge day of performances, including Jennifer Teeter, Eli August, Extraordinary Contraptions, Frenchy and the Punk (read a new ATLRetro feature on that dynamic duo here), and many more, as well as writer and artist panels, a costume contest, dealer’s room and more. Again, see our exclusive preview for more details. If THE HOOPING LIFE inspires you to hoop dance, Maria Valentin, aka Riahoopaleena, teaches a  Hoop Rhythm class today at 2:30 p.m. at Ladies Workout Express at Toco Hills. Professor Morte and the Silver Scream Spookshow gang dare you to brave PLANET OF THE VAMPIRES (1965) with a family matinee at 1 pm and 10 pm adult show at the Plaza Theatre.

Frenchy & the Punk.

Eddie’s Attic serves up a show of very soulful proportions, featuring the talents of veteran Atlanta singer/songwriters Michelle Malone, Dede Vogt and Caroline Aiken. The Dark Star Orchestra bring back the famous sounds of The Grateful Dead to the Variety Playhouse. Former John Coltrane Quartet member McCoy Tyner and his Trio create incredible jazz stylings at the Rialto Center, with special guest Joe Lovano, a Grammy Award-winning jazz saxophonist. The High Museum of Art continues its MOMA movie series with showings of a 35 mm print of DW Griffith‘s ABRAHAM LINCOLN (1930) collected by the New York museum at 2 p.m. and 8 p.m. Big C and the Ringers jazz it up at Fat Matt’s. And as usual, DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno late into the wee hours.

Sunday, February 26

Anachrocon winds down with a performance by Wicked Hips Bellydance and an End of Show Jam Session. For the anarchist in us all, head over to Contraband Cinema‘s Skip the Oscars (and Give to the Plaza), a pop culture collage of truly independent, anti-copyright illegal art and anti-Hollywood messages and some old Hollywood clips at the  Plaza Theatre. Joe Gransden teams up with The Trio to show us what jazz is all about at The Family Dog. Francine Reed and her soulful voice please the ears of those at Eddie’s Attic. Rise and dine with Bonaventure Quartet at 1 p.m. dunch at The Earl . Tony Bryant brings on the blues at Fat Matt’s, and Uncle Sugar blues it down at Northside Tavern.

Ongoing Exhibits

Explore one of America’s most iconic theaters in AIN’T NOTHING LIKE THE REAL THING: HOW THE APOLLO THEATER SHAPED AMERICAN ENTERTAINMENT, a special exhibition at the Atlanta History Center . Presented by the Smithsonian’s National Museum of African American History and Culture, in collaboration with the Apollo Theater Foundation, the display includes historic and contemporary costumes, playbills, music scores, graphic images and recorded music. Through March 4, 2012.

MANDALA: SACRED CIRCLE IN TIBETAN BUDDHISM brings peace and harmony to the Michael C. Carlos Museum at Emory University. This amazing special exhibition explores Buddhism’s unique and beautiful perspective on sacred space and honor that through the tradition of mandalas. Be sure to read Lisa Stock’s Retro Review here. Through April 15

PICASSO TO WARHOL, a special art exhibition at the High Museum of Art, features over 100 works of art from 14 of the most influential artists of the 20th century. Through Apr. 29.

If you know of a cool happening coming up soon, send suggestions to ATLRetro@gmail.com.

By Jordan Barbeau
Contributing Writer

Monday February 13

Bitter about Valentine’s Day? Don’t worry: everybody’s been there at least once. For those who want a bit of a darker V Day, head over to the Basement, beneath Graveyard Tavern, for  LOVE WILL TEAR US APART, the Anti-Valentine’s Day Goth Ball. True to the Joy Division anthem, darkness and rock music abound in a night full of gothic costumes and performances from bands such as Dead Parris, Jade Lemons and the Crimson Lust and more! Davina and The Vagabonds, the band with a “new spin on an old sound,” bring some soul to Smith’s Olde Bar. From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner, during Mai Tai Monday at Smith’s Olde Bar. Northside Tavern hosts its weekly Blues Jam. To break up the Monday monotony, head over to Fat Matt’s Rib Shack for dinner and a show, with local blues/jazz band Dry White Toast performing at 8 p.m.

Tuesday, February 14 Valentine’s Day

What’s more romantic than dancing? Dancing on Valentine’s Day! The Enchantment Under the Stars at the Star Bar provides a night full of dancing for couples and single people alike, so you have no reason not to put on those boogie shoes and get to steppin’. Also performing is one of Atlanta’s hottest ’60s revival cover bands, Andrew and the Disapyramids, featuring Kool Kat Joshua Longino. Splatter Cinema presents a special Valentine’s showing of the 1992 cult classic horror film, CANDYMAN at the Plaza Theater. Be sure to read Philip Nutman’s Retro Review here. Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 p.m. Little G. Weevil blues it down at Darwin’s Burgers & Blues in Marietta. Crosstown Allstars rock the blues Fat Matt’s Rib Shack. Nathan Nelson & Entertainment Crackers bring on the blues at Northside Tavern. Catch Tues. Retro in the Metro nights at Midtown’s Deadwood Saloon feature video mixes of ’80s, ’90s and 2Ks hits.

Wednesday, February 15

Alabama bluegrass/honkytonk band The Pine Hill Haints boos it up at the Star Bar, with the help of Serious Sam Barett. For the movie lover in all of us, Emory University continues its Painting with Light: 13 Masterpieces of the Art of Cinematography (1928-2002) with a free screening of a darkly cynical Burt Lancaster/Tony Randall number called SWEET SMELL OF SUCCESS (1957), for free in White Hall 208.  The Atlanta Funk Society turns the main room of Smith’s Olde Bar into the funkiest place in Atlanta on Wed. nights. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. Frankie’s Blues Mission jazzes up Fat Matt’s Rib Shack. Danny “Mudcat” Dudeck blues it down at Northside Tavern. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays at Pub 71 in Brookhaven.

Thursday, February 16

Minette Magnifique does BURLESQUE at the Warren City Club. This show will be rife with the girls and Burlesque style you’ve come to know and love. Troupe member Vyolet Venom is this week’s Kool Kat, and be sure to catch up on our past features on the alluring Baroness VonSchmalhausen, aka Shellie Schmals, and Madame Kellyn Willey. The Togas, GG King and COPS rock a hard-edged pre-weekend show at the Earl. Frankie’s Blues Mission play some post- V Day blues at Atlanta’s The Family Dog. The Star Bar gets taken over by poppier, surfier and a bit grungy tonight, with Mood Rings, Red Sea, El Fossil and Young Again. Twain’s goes all groovy rockabilly with Steel String Session. Relax with a tropical cocktail at vintage tiki bar Trader Vic’s where Tongo Hiti play Retro-Polynesian luxurious live lounge sounds, as well as trippy takes on iconic pop songs, every Thursday night. Big Mike’s off in Seattle till June performing with El Vez in Teatro ZinZanni’s CALIENTE SHOW, so Atlanta Funk Society’s Jonathan Lloyd will be filling in on vocals. Remember Lloyd’s Rockstead Review, his killer reggae collaboration with Kingsized ? The Breeze Kings and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack. Still Housejam at Red Light Café’s weekly Bluegrass Thursday.

Dames Aflame.

Friday, February 17

Dames Aflame‘s annual Valentine’s POP! show is back again, with all the beautiful women, comedy and music anyone could want, all packed inside Le Madison Rouge at Paris on Ponce. One-armed guitar player Lefty Williams shows off his incredible talent at Smith’s Olde Bar, with Underhill Rose also on the bill. Raised on a music diet of Johnny Cash and Roy Acuff by famous dad Westerns author Larry (LONESOME DOVE), James McMurtry brings his fierce lyrics, along with Johnny Burke, to the Variety Playhouse. The Masquerade gets back in black with an AC/DC Tribute tonight, featuring Back N Black and Steppheavy.  The Highlander gets rocked hard by Iron Whip, Beitthemeans and Dusty Booze and the Baby Haters. Burning Time lights the stage at Fat Matt’s. The Salsambo Dance Studio jazzes up Fernbank Museum of Natural History’s Martinis and IMAX for Salsa Night. Legendary Jazz organist Ike Stubblefield plays Friday Jazz at the High Museum of Art.

Saturday, February 18
Nothing in this life is better than free entertainment, but when it’s some of Atlanta’s top Western-inspired rockers, it’s even sweeter. That’s why we’re thrilled to see Stevie Tombstone playing live again at Trackside Tavern with Walk from the Gallows and Muleskinner Macqueen. Van Dyke Parks and eclectic alternative musician Jeffrey Butzer (Read our ‘Tis the Season piece on Jeffrey’s A Charlie Brown Christmas here) fire up The Earl. The Highlander hosts the most rocking event of the evening, featuring Hip to Death, Swank Sinatra and Mack Messiah. The legendary Delbert McClinton plays Variety Playhouse.The Atlanta Symphony Orchestra welcomes special guest star Bernadette Peters. The Park Tavern hosts a diverse star-studded show, with performances from The Breeze Kings, The Squirrelheads, Half Dozen Brass Band, Ian Schumacher and Ryan Hickey & the Saints. Whiskey Please throws one back at The Family Dog. For those looking for some more rip-roarin’, liquor-inspired honkytonk fun, head over to the Star Bar for I Want Whisky, Caroline and the Ramblers and more. Film buffs will appreciate the High Museum of Art’s contribution to the weekend, as they are serving up a special showing of Melvin von Peeble’s classic about a black man on the run from the law, SWEET SWEDBACK’S BAADASSSSS SONG (1971), with a 35mm print collected by New York’s MOMA. And as usual, DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno late into the wee hours.

Sunday, February 19

Proud Texan, ex-politician, author and singer Kinky Friedman brings his unabashedly open style to Smith’s Olde Bar, accompanied by Dead Fingers and Kacie Jones. The Trio and blues/jazz chanteuse extraordinaire Francine Reed turn The Family Dog into an intimate setting for the night. Rise and dine with E.V.P. at 1 p.m. dunch at The Earl . Tony Bryant brings on the blues at Fat Matt’s, and Uncle Sugar blues it down at Northside Tavern.

The Supremes at the Apollo Theater. Photo courtesy of The Apollo Theater Foundation, Inc. Photo by Kwame Brathwaite.

Ongoing Exhibits

Explore one of America’s most iconic theaters in AIN’T NOTHING LIKE THE REAL THING: HOW THE APOLLO THEATER SHAPED AMERICAN ENTERTAINMENT, a special exhibition at the Atlanta History Center . Presented by the Smithsonian’s National Museum of African American History and Culture, in collaboration with the Apollo Theater Foundation, the display includes historic and contemporary costumes, playbills, music scores, graphic images and recorded music. Through March 4, 2012.

MANDALA: SACRED CIRCLE IN TIBETAN BUDDHISM brings peace and harmony to the Michael C. Carlos Museum at Emory University. This amazing special exhibition explores Buddhism’s unique and beautiful perspective on sacred space and honor that through the tradition of mandalas. Be sure to read Lisa Stock’s Retro Review here. Through April 15

PICASSO TO WARHOL, a special art exhibition at the High Museum of Art, features over 100 works of art from 14 of the most influential artists of the 20th century. Through Apr. 29, 2012.

If you know of a cool happening coming up soon, send suggestions to ATLRetro@gmail.com.

By Philip Nutman
Contributing Writer

Splatter Cinema Presents CANDYMAN (1992); Dir: Bernard Rose; Based on the short story by Clive Barker; Starring Tony Todd, Virginia Madsen, Xander Berkeley; Tues. Feb. 14 9:30 PM; Plaza Theatre; Trailer here.

Based on the Clive Barker short story, “The Forbidden,” which appeared in the fifth volume of his BOOKS OF BLOOD, CANDYMAN (1992) was a considerable hit with horror fans and made actor Tony Todd something of a horror icon. His credits also include the Tom Savini remake of George Romero’s NIGHT OF THE LIVING DEAD (1990), THE CROW (1994), THE ROCK (1996) and FINAL DESTINATION (2000), among many others.

While not heavy on the gore quotient, CANDYMAN is one scary movie. The original story was set in England, but the filmic version was transposed to an American setting ­ specifically, Chicago ­ to make it more commercial. Ironically, the movie was made by a British director, Bernard Rose, who had previously made the incredibly creepy PAPERHOUSE (1988).

CANDYMAN stars Virginia Madsen (sister of Michael, of RESERVOIR DOGS ear-slicing infamy) and Xander Berkeley. Xander is perhaps best known for playing George Mason, Jack Bauer’s arsehole boss, in the first incarnation of the hit TV series 24; Jack had to blow his brains out. And since we here at ATLRetro know our pop culture trivia, Tony Todd played an African terrorist in a later season.

Virginia Madsen in CANDYMAN (TriStar Pictures, 1992)

We don’t believe in plot spoilers, so we’re not going to tell you the narrative of CANDYMAN. If you’ve never read the Barker story, you should hunt it down (Note: IN THE FLESH was the American title of the fifth volume of THE BOOKS OF BLOOD) or if you have never seen this movie, then you’re in for a scary treat thanks to the fine folks at Splatter Cinema and the wonderful Plaza Theatre. If you’ve seen the film, you know what we’re talking about. Horror movies are always better seen on the big screen. Either way, do yourself a favor and go see CANDYMAN.

Contributing Writer Philip Nutman has been FANGORIA magazine’s longest running reporter ­ 30 years this May ­ and knows a thing or two about horror flicks. He is also the author of the cult classic zombie novel, WET WORK, and just wrapped filming ABED, the sickest zombie movie ever, in Grand Rapids, Michigan.

By Jennifer Belgrad
Contributing Editor

All right, it’s down to the wire. Do you know what you’re getting your Kool Kat? No ideas? Don’t Panic. I got you. In no particular order, here are five fantastic and local gift suggestions for your special someone:

Plaza Theatre Memberships: What could be more perfect? A whole year of date nights taken care of in one fell swoop and you support Atlanta’s oldest continuously running independent cinema, which opened in 1939! There’s even a deal for a couple’s membership. Done!
Film Fan: $45 – Membership card, Plaza T shirt, one free movie pass, 1.50 off one regular admission Sunday – Thursday*, one invitation to our annual membership party. ($29 is tax deductible)
Double Feature Fan: $80 – Two membership cards, two Plaza T shirts, two free movie passes, 1.50 off regular admission for Two Sunday – Thursday*, Two invitations to annual membership party. ($48 is tax deductible)
Cast and Crew: $250 – Two tickets to the Silver Scream Spook Show + Two membership cards, two Plaza T shirts, four free movie passes + 1.50 off regular admission for Two every day*, Two invitations to annual membership party.  ($182 is tax deductible)

R. Land Art: Personally, I like to buy art for my guy. It’s something special and no home is complete without it. R. Land is ARTlanta’s favorite son. He will not steer you wrong. BUNNY FOO FOO is a classic, but it’s hard to beat AHA SPECKLES (<—– My not so subtle hint).

PIGMATA: One of my local heroes, Jim Stacy, brings us more salty goodness. For foodies he’s best known for serving up corndogs through Pallookaville and PBS’s GET DELICIOUS, but now there’s PIGMATA. Artisan meats, cured and smoked, homemade Brunswick Stew, fresh Half Sour Pickles, Corndog Casseroles, and whatever his fabulously fiendish mind dreams up next. Are you hungry yet?  Like it on Facebook to see updated specials or email Jim (laffo@pallookaville.com) for goods available right now.

Photo credit: Jennifer Belgard.

The Beer Growler: I know, I know.  I’ve already written about them, but their growlers are a seriously great gift (especially paired with anything from PIGMATA). Some Valentine’s-inspired options include:  Original Sin’s Hard Cider (dry traditional cider made with two types of champagne yeast), Ommengang’s Aphrodite (Aphrodite has champagne-like carbonation. Plus enchanting flavors with whispers of raspberry and pear, and hints of funk and tartness created by the Brett yeast. Grains of paradise are infused into the nectar, and when poured Aphrodite is crowned with a luxuriously shimmering rose-pink head), or Southern Tier’s Choklat (Belgian bittersweet chocolate is combined with dark malts to make this rich chocolate stout).  Your sweetie a teetotaler? No worries. They also carry Abita Root Beer (Sweetened w/ pure Louisiana cane sugar, the resulting taste is reminiscent of soft drinks made in the 1940s and 1950s, before bottlers turned to corn sugar and fructose. Caffeine-free). So good!

Chocolate F/X: It wouldn’t be right to skip the chocolate on Valentine’s Day. Atlanta RollerGirl Demi Gore whips up these badass confections named Best Local Chocolate in the AJC’s Best of the A 2011. There’s TAKEN (Be a Prisoner of Love with this heart-locket chocolate with the word “Taken” scrolled across the front. Packaged with 12 assorted truffles); FROM ANOTHER GALAXY for the STAR WARS lover (Includes one white chocolate with chile-spiced praline pecans Storm Trooper; one milk chocolate, peanut butter and pink Himalyan sea salt Yoda; and one dark chocolate with dried cherries and chipotle peppers Boba Fett in a gift box. Totally out of this world!), and, of course, YOU’RE THE S#!T! (Molded chocolate pile o’ poo comes with writing on it in a nifty red keepsake box. A fun, loving gesture for that special someone in your life!).

See?  That wasn’t so bad.  If you’re lucky, maybe you’ll get some (tee hee). Happy Valentine’s Day!

Joanne Mei plays the recorder and Darryl Payne the flute in Lauda Musicam of Atlanta.

Chances are, if most people have any impression of romantic music in Medieval, Renaissance and Baroque times, it’s either courtesy of a scruffy bard at the Georgia Renaissance Festival or an image of a troubadour standing beneath Juliet’s balcony – the Really Retro version of a mariachi band. However, like the serious and silly love songs of jazz, blues and rock, romantic music was much more diverse and delightful than these stereotypes suggest. Contemporary Romeos and Juliets will have a chance to find out for themselves when local early music ensemble, Lauda Musicam of Atlanta present “Love and Lust: A Valentine’s Day Concert,” this Sat. Feb. 11 at 8 p.m. at Holy Trinity Parish in Decatur.

ATLRetro caught up with Joanne Mei, who plays the recorder in Lauda Musicam; about the 50-member instrumental ensemble of recorders, viols, harpsichord, sackbuts, shawms, harps, crumhorns, cornettos, and percussion, as well as the history and sound of Medieval, Renaissance and Baroque music; and why this Saturday’s concert will be a Really Retro romantic night to remember.

Any thoughts on the love song in the Middle Ages and the Renaissance. Were love songs different in an era of arranged marriages and stark class divides? Would a troubadour have sung one of these songs under my balcony window?

The Renaissance was a very romantic time if you weren’t dying of plague. The Catholic Church had a huge influence over the period which led composers to find unusual ways to express themselves. At the time, marriage for the upper classes had little to do with love. Courtly love as interpreted by poets and troubadours emerged as a way for people to express their passion. If you were a medieval noblewoman, you may have had a troubadour singing your virtues. If you were a washer woman, forget about it.

Lauda Musicam of Atlanta.

Tell us why we won’t be bored and why seeing this old music performed live in 2012 is both fun and enjoyable and the perfect way to spend date night with your 21st century Valentine.

If you have never heard early music, as performed on reproductions of period instruments, you are in for a real treat. Take your true love back in time for a unique, romantic evening with Lauda Musicam of Atlanta.

What does Lauda Musicam mean?  

It is a Latin phrase that means “In praise of music.”  Sometimes folks misspell it “Lauda Musicum,” which means “In praise of the musician.”  We certainly intend the former!

For most folks, I’d guess that the three musical periods run together in our minds, but are there distinct difference between each like jazz, blues and rock n roll? Or were there different styles coexisting like today?  

There were absolutely distinct styles and they were just as diverse as today. Unlike today, though, music wasn’t frequently heard in concerts. Rather, music served primarily a social function.  Early musicians often refer to Medieval, Renaissance and Baroque as the three major style periods, but they overlap greatly, and each period is represented very differently from region to region.

Many instruments we consider standard today didn’t exist in those days, like the piano and the guitar. Are these older instruments harder to play or why did they drop out of fashion?

Early instruments are fairly easy to play, but it takes practice to play well. These instruments were eventually replaced by technology – keys and valves made playing louder, higher and faster more of a possibility.

Liz Thomas plays the harp in Lauda Musicam.

Is there any story about how you become interested in/develop a love for medieval, Renaissance and baroque music, and joined Lauda Musicam?  

After earning my PhD and getting a job, I found I had some time on my hands.  One of my coworkers asked if I might like to try the recorder. Recorders are those plastic instruments you see in toy stores that so many grade school kids learn to play as their first instrument. I tried a soprano recorder in 1994 and got hooked!

Can you talk a little bit about the concert on Sat. Feb. 11? What will the group be performing?

LMA will be performing Love Music of the Renaissance at the Holy Trinity Parish in Decatur at 8 p.m.  Performing with LMA will be Uncommon Practice, an a cappella group that sings vocal music before the 18th and 19th centuries. Countertenor Adrin Akins will provide his unique voice to selections while John Maschinot will perform traditional Celtic folk tunes on the bag pipes.

Has Lauda Musicam done any recordings? Or is one planned?

Our performances are usually recorded. The Lauda Musicam of Atlanta website  is under construction but should have recordings available for download soon. Be our friend on Facebook!

What’s next for Lauda Musicam?

Our next two concerts will be geared to families and children. LMA will perform standard early music fare. Music by some of the most well-known composers will make this concert fun for the newbie and the enthusiast alike!  Members will lead a “petting zoo” after the concert for people to see and try instruments and to ask questions.

Join us either on Sunday, May 6  at 3 p.m., at the Episcopal Church of the Good Shepherd, [in] Covington. Or Friday, May 18 at 8 p.m. at St. Bartholomew’s Episcopal Church at 1790 Lavista Road.

Robin Prechter, Joanne Mei and Patsy Woods of Lauda Musicam.

Are all Lauda Musicam’s concerts free?  

You can listen to all the hits from the 5th to the 18th centuries for free, but donations are accepted and appreciated.

What’s your day job when you’re not playing with Lauda Musicam, and do you play with any other musical groups?  

By day I manage a laboratory at CDC in Atlanta. I play recorders, Renaissance flute and the occasional percussion instrument. I also play penny whistles and sometimes perform Celtic rock music in pubs.

How do can someone become a member of Lauda Musicam of Atlanta?

Membership is open to amateur and pre-professional musicians with good music reading skills. Please contact [Lauda Musicam Director] Jody Miller at https://www.fippleflute.com/ or recorder96@aol.com.

Editor’s Note: Jody Miller also contributed some editing and checks for historical accuracy to this article. All photos courtesy of and copyright Lauda Musicam of Atlanta.