ATLRetro

The three-dimensional mandala of Guhasamaja from Gyuto Monastery in India- a large wooden palace, carved so intricately it would take you hours to notice all the details. Photo credit: Lisa Stock

By Lisa Stock
Contributing Writer

In a world often defined by small cubicles, cramped airplanes, thick traffic and crowded super-stores, personal space is greatly sought but not often achieved. Recently, I’ve limited mine to my smart phone, the steering wheel and whatever computer or TV screen is in front of me. My personal space has effectively become a cluttered mess of sometimes organized mayhem. Or so I thought, until I went to MANDALA: SACRED CIRCLE IN TIBETAN BUDDHISM at the Michael C. Carlos Museum at Emory University through April 15. The Buddhists have a unique and beautiful perspective on sacred space and honor that through the tradition of mandalas.

Mandala is the Sanskirt word for “circle” and can also mean “house” or “palace” in the Buddhist tradition. The mandala serves as an aid to meditation on the path to enlightenment, and helps to view the world in more harmonious ways. The term can be applied to everything from the sphere of the universe, to a circular painting, to the space you create around yourself. As presented in the exhibit, the art of mandalas is not limited to circular paintings but also manifests in tapestries, reliquaries and sculpture. The most impressive piece is the three-dimensional mandala of Guhasamaja from Gyuto Monastery inIndia- a large wooden palace, carved so intricately it would take you hours to notice all the details. But that’s the beauty of mandalas – you could easily stand there all day and look at them. They are said to bring peace and harmony to the creator and viewer.

A 16th century, 8-foot Buddhist cosmological scroll. Photo credit: Lisa Stock.

The message of the exhibit is the concept of sacred space. Each of us creates our own personal mandala of sacred space. It’s what we put out to our families, our coworkers and friends, and what we take inward as well. My mandala may seem narrow at times, but it can be a beautiful one. If I’m collecting photos on Pinterest of faraway places I’d like to visit and those inspire me to take a walk in the park at lunch to see the trees budding early, then that computer has become part of a tranquil mandala. Our sacred space is, truly, what we make it. This exhibit is definitely one you carry out into the world with you. To that point, from Feb. 1-11, monks from the Drepung-Loseling Monastery will construct a sand mandala on site. On April 15, the sand will be swept into a container and poured into the nearby stream so the blessing of the mandala can spread throughout the city.

In conjunction with MANDALA: SACRED CIRCLE IN TIBETAN BUDDHISM, the Carlos Museum are also offering an extensive list of related programs such as “Embodying Nirvana: Meditations on Buddhist Mandalas,” a lecture by John Dunne, Associate Professor of Religion at Emory University (Feb. 9, 7:30 p.m.); Artful Stories (for children on Feb. 18); AntiquiTEA – tea and a lecture on the importance of a rice mandala (March 6) and more. For more information and a complete schedule of events, click here.

Widdi Turner's whoopie pies make a delicious Valentine's gift.

By Jennifer Belgard
Contributing Editor

Widdi Turner is one of the most talented and busiest gals in the ATL. She’s an actor, producer, crafter, a baton twirling-go-go dancing-performer, and an adventurous baker. She’s a one woman whirlwind taking Atlanta by storm. This month celebrates the one-year anniversary of her No Big Whoop Bakery, and Widdi is taking it to new heights. Her delectable treats are the perfect gift this Valentine’s Day.

Widdi’s homemade Nutella Whoopie Pies are the number-one selling dessert at Wisteria Restaurant in Inman Park.  Her weekly specialty flavors are also available online, or at Casseroles in Morningside.  You can pick up her goodies and many others at the Turnin’ TriXXX Bake Sale Sunday, Feb. 12 at the Euclid Avenue Yacht Club in Little 5 Points from 2 p.m. to 6 p.m.

ATLRetro: Tell me a little about yourself.

Widdi Turner: Well, I do a little this, I do a little that!  I’ve worn a lot of hats in my life, which is probably why I first became an actor – I figured then I could be anything. In addition to acting – my biggest claim to fame would be appearances on GOOD EATS with Alton Brown – I also produce commercials, have my own crafts business [called] widdiwoo; twirl with Turnin’ TriXXX, Little 5 Points’ premier baton twirling troupe!; but mostly these days, I make whoopie pies – lots and lots of whoopie pies.

What led to the creation of No Big Whoop Bakery?

Speaking of Turnin’ TriXXX, we have a semi-annual bake sale at the Euclid Ave Yacht Club. Last year – one year ago this Valentine’s Day, in fact! – I introduced my whoopie pies along with cake pops and macaroons. The whoopie pies were the easiest of the three, so thankfully they were also the most popular!  And literally, after that day, the orders have never stopped coming in.  I had no intention of starting a business. It basically took on a life of its own, and I’m just tagging along for the ride.

Widdi Turner making whoopie pies.

I have about 10 that stay in constant rotation.  I recently cut the list down a little, although there are more flavors that I make if requested.  I do special events such as showers, wedding receptions, birthdays, etc.  I can personalize the wrapper that the treats come in with a special message, or display them unwrapped on platters in a decorative way.  I did one wedding reception where the bride was from Brazil and the groom was from India, so I created a whoopie pie of cardamom pistachio cake with mango buttercream filling.  They were a big hit!

Where do you find your inspiration?

It doesn’t hurt that I’m addicted to Food Network, Cooking Channel and TOP CHEF!  And of course, I could spend days exploring food blogs.  I try to think of foods I enjoy that demand to be recreated in whoopie pie form.  Being half-Asian, I’m familiar with flavors in Asian desserts, so I made a Japanese whoopie pie as a tsunami recovery fundraiser. It was a matcha tea cake with red bean paste buttercream and a swath of chestnut paste.  I called it the “Kibou Cake”; kibou means “hope” in Japanese.  Drinks can also be an inspiration, as the case is with one of my most popular flavors, the Irish Whoopie Bombe (Guinness chocolate cake, Jameson chocolate ganache and Bailey’s Irish Cream Cheese filling).

What has been your biggest challenge?

Basically I feel like I’m working 2+ full time jobs as I grow this business but still have to work “the day job.”  And it has grown to the point where I have to take the big leap soon of making it full time, but that takes money.  Right now I’m working on the business plan and fundraising ideas,  Wish me luck!

Widdi Turner's best-selling Nutella Whoopie Pies.

I am the baker at Casseroles in Morningside (1393 North Highland Ave behind Meringue), so they carry the pies, and Wisteria (471 North Highland Ave) carries my pies on their dessert menu. Currently they serve the Nutella Whoopie, and it’s their top selling item.  Did I mention I make my own Nutella?  You can also order from me by checking out my Facebook page and emailing me your order [at] widdi@nobigwhoopbakery.com.

Any specials for Valentine’s Day?

Agh!  Thanks for reminding me!  Well, I’ll be baking something – probably some new items to test out for the bakery – for the Turnin’ TriXXX Bake Sale that will be Sunday, Feb 12 at the Euclid Ave Yacht Club from 2 to 6 p.m.  And my Valentine’s Day specials will be posted on my Facebook page, so check back often!

All photos are courtesy of Widdi Turner and No Big Whoop Bakery!

By Jordan Barbeau
Contributing Writer

Monday February 6

Joe Gransden and his swingin’ 16 piece jazz band put on a special Valentine’s Day-themed show at Café 290, with special guest the Lovett-Ellington Band. From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner, during Mai Tai Monday at Smith’s Olde Bar. Northside Tavern hosts its weekly Blues Jam. To break up the Monday monotony, head over to Fat Matt’s Rib Shack for dinner and a show, with local blues/jazz band Dry White Toast performing at 8 p.m.

Tuesday, February 7

Johnny Sketch & the Dirty Notes and Kris Bell rock out New Orleans style at Smith’s Olde Bar. Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 p.m. Little G. Weevil blues it down at Darwin’s Burgers & Blues in Marietta. J.T. Speed rocks the blues Fat Matt’s Rib Shack. Nathan Nelson & Entertainment Crackers bring on the blues at Northside Tavern. Catch Tues. Retro in the Metro nights at Midtown’s Deadwood Saloon feature video mixes of ’80s, ’90s and 2Ks hits

Wednesday, February 8

For the movie lover in all of us, Emory University continues its Painting with Light: 13 Masterpieces of the Art of Cinematography (1928-2002) with a free screening of VISIONS OF LIGHT (1992), an acclaimed documentary from the American Film Institute on the history and art of motion picture cinematography, for free in White Hall 208. It’s rockabilly and honkytonk heaven at the Star Bar! Two different bands featuring inductees into our Kool Kats will be performing, including the Hot Rod Walt Trio (with Kool Kat Hot Rod Walt) and the Ghost Riders Car Club (with Kool Kat Spike Fullerton). Also performing is Andy Vaughan & the Drive Line. Actor/director/author Crispin Hellion Glover, of BACK TO THE FUTURE and more lately quirky books and indy movies fame, stops by the Plaza Theatre for the first of two nights of his fantastically eccentric one-of-a-kind one-man shows! He brings with him several feature films, a book signing and a Q&A for his undying fans! The ATL Collective comes to Eddie’s Attic, featuring the talents of Kodac Harrison and the Packway Handle Band. The Atlanta Funk Society turns the main room of Smith’s Olde Bar into the funkiest place in Atlanta on Wed. nights. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. Frankie’s Blues Mission jazzes up Fat Matt’s Rib Shack. Danny “Mudcat” Dudeck blues it down at Northside Tavern. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays at Pub 71 in Brookhaven.

Thursday, February 9

The Dirty Names and The Hollidays bring pure rock and roll with a touch of soul back to Five Spot. Crispin Glover makes a second appearance at the Plaza Theatre including a screening of his 2007 already cult classic EVERYTHING IS FINE. Relax with a tropical cocktail at vintage tiki bar Trader Vic’s where Tongo Hiti play Retro-Polynesian luxurious live lounge sounds, as well as trippy takes on iconic pop songs, every Thursday night. Big Mike’s off in Seattle till June performing with El Vez in Teatro ZinZanni’s CALIENTE SHOW, so Atlanta Funk Society’s Jonathan Lloyd will be filling in on vocals. Remember Lloyd’s Rockstead Review, his killer reggae collaboration with Kingsized ? The Breeze Kings and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack. Still House jam at Red Light Café’s weekly Bluegrass Thursday.

Friday, February 10

What’s better than giving to charity? Burlesque shows for charity, of course! The Syrens of the South present the Vixens Valentease Burlesque Show, a Valentine’s Burlesque event at Five Spot featuring many of Atlanta’s best-known performers including Katherine Lashe, Ruby Redmayne and magician Chad Sanborn and supporting a can drive for charity. Catch up on an ATLRetro feature about Chad here. Alternative rockers They Might Be Giants serve up some mighty rock with Jonathan Coulton at the Variety Playhouse. Pop rockers Fountains of Wayne, popularized by their smash hit “Stacey’s Mom,” rock The Loft, along with the rocking vehicle of Kool Kat Drew Beskin, the District Attorneys. For those in the mode for some jazzy stylings, The Strand Theatre holds both an afternoon and a special night chockfull of jazz performances sure to please even the most diehard fan. Performers include the Harrison High School Band in both shows and saxophonist Umcolisi Terrell and the Kennesaw State University Jazz Combo at night. The soulful Soulphonics & Ruby Velle leave an impression on The Earl, complimented by funky Cherry Royale. In support of the PushPush Theatre, Corky Siegel’s Chamber Blues Band headlines a special benefit concert at the Decatur theatre, complete with dinner, music and good times. Taryn and the Wednesday Trio jazz up Fernbank Museum of Natural History’s Martinis and IMAX.

Saturday, February 11

In honor of the release of their new CD, neo-glam alt rockers The Sexual Side Effects (of course, led by vivacious Kool Kat Amber Taylor) are throwing a big Valentine’s jam at the Masquerade! No real party would be complete without go-go dancers and DJs operating the tables, two things this party is going to have in spades. Or, in this case, hearts! For a smoother, more soulful evening, the Rialto Center at Georgia State University hosts Johnny Mercer & Friends, a show celebrating the jazz icon complete with Atlanta’s own jazz icons Joe Gransden and Maria Howell, accompanied by the GSU Jazz Band. Famous church-turned-concert-venue the Tabernacle plays house to the Yonder Mountain String Band and the Infamous Stringdusters. For more Valentine’s fun, head up to the Strand in Marietta, for a special Valentine’s presentation of the romantic Cary Grant classic, AN AFFAIR TO REMEMBER (1957). Looking to go way back in time? Early-music ensemble Lauda Musicam presents “A Valentine’s Day Celebration: Love Music of the Renaissance,” featuring period-authentic instruments only. Watch for a Really Retro feature on this historically creative group soon. Frankie’s Blues Mission gives Darwin’s Burgers and Blues some of its trademark blues.

Monster-loving artist (and Kool Kat) Chris Hamer unveils some new works at Rev Coffee. The Earl is home to quite the southern show, featuring the talents of The Whiskey Gentry, Have Gun Will Travel and Damion Suomi and the Minor Prophets. For more down-home, southern-style flavor, Smith’s Olde Bar showcases the John King Band, Joanna Duff, Trey Broussard and 1880s Dance Party. Film buffs will appreciate the High Museum of Art’s contribution to the weekend, as they are serving up a special showing of NEVER FEAR (THE YOUNG LOVERS). Directed by Ida Lupino and the only Hollywood feature directed by a woman with a 35mm collected by New York’s MOMA, this ’50s classic centers on a young dancer struggling with polio and love. And as usual, DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno late into the wee hours.

Sunday, February 12

For the gal in need of a Retro ‘do, head out to Decatur as local Burlesque heroine Talloolah Love gives a how-to in Vintage Hair for the Modern Woman. Baton twirlers Turnin’ Trixx hold their semi-annual fund-raising bake sale at the Euclid Ave Yacht Club. Rise and dine with Front Porch Session Players at 1 p.m. dunch at The Earl . Tony Bryant brings on the blues at Fat Matt’s, and Uncle Sugar blues it down at Northside Tavern.

Ongoing Exhibits

Explore one of America’s most iconic theaters in AIN’T NOTHING LIKE THE REAL THING: HOW THE APOLLO THEATER SHAPED AMERICAN ENTERTAINMENT, a special exhibition at the Atlanta History Center . Presented by the Smithsonian’s National Museum of African American History and Culture, in collaboration with the Apollo Theater Foundation, the display includes historic and contemporary costumes, playbills, music scores, graphic images and recorded music. Through March 4, 2012.

PICASSO TO WARHOL, a special art exhibition at the High Museum of Art, features over 100 works of art from 14 of the most influential artists of the 20th century. Through Apr. 29, 2012.

If you know of a cool happening coming up soon, send suggestions to ATLRetro@gmail.com.

Blair Crimmins and the Hookers. Photo credit: Scott McKibben.

With HUGO and THE ARTIST nominated for a bevy of Oscars this year, silent films seem to be getting a lot of love lately reimagined in creative ways for the 21st century. From what we’ve heard about OLD MAN CABBAGE, a short film co-produced by popular neo- ragtime band Blair Crimmins and the Hookers and Atlanta’s Ninja Puppet Productions, it sounds like a fantastic local addition to the oeuvre and a great reason to come out to the historic Plaza Theatre again this Sat. Feb. 4 at 10 p.m. But the night’s much more than just seeing a cool movie – Blair and the band will be playing the soundtrack live as the film unwinds on the big screen and then a complete concert afterwards in the alluring art-deco setting of the Plaza stage.

Based on a Blair Crimmins & the Hookers song and set in a farm forgotten by time, OLD MAN CABBAGE tells the tale of two dust bowl farm kids who find their lives flipped upside down when they are caught in an accident with an abusive father. Like so many classic children heroines, they run away to join the circus, only this particular one is distinctly supernatural. Without giving too much away, the cast features performers from the Imperial OPA Circus, well-known to the steampunk community. OLD MAN CABBAGE is directed by Raymond Carr, the founder of Ninja Puppet Productions, a collection of artists and professionals dedicted to the creation of innovative art and storytelling of all sorts.

As we pointed out in a previous short feature on Blair, you might think of ragtime as kind of quaint, but you wouldn’t be talking about his and the Hookers’ take on this 1920s form of jazz. Remember that they didn’t call the Twenties Roaring for nothing. In fact, you might even describe Crimmins’ high-energy style as “in your face” as rock ‘n’ roll. Except the groupies would be flapper girls, and the band is playing instruments your grandparents would approve of from banjo to accordion, saxophone to piano, trumpet to trombone—and may be accompanied by antics inspired by the best vaudeville comedy. Oh, did we mention that while the music swings, the lyrics to many of the songs are also delightfully decadent and dark.

ATLRetro has thought for a long time that it’s high time for Blair to be Kool Kat of the Week, but this week we had no excuse but to catch up with one of the Atlanta Retro scene’s most talented performers to get a sneak peek into what promises to be a sensationally surreal Saturday night at the Plaza. Tickets to the screening and concert are just $10 in advance and can be purchased here or $12 at the door.

What’s the story behind OLD MAN CABBAGE and your involvement with Ninja Puppet Productions?

“Old Man Cabbage” is a track off THE MUSICAL STYLINGS OF, which tells the story about a young man who moves into an old house and becomes possessed by the ghost of an old ragtime musician who lives there. It’s a biographical dramatization on how I became so enamored with early jazz. Raymond Carr took that ghost story and expanded it to give more backstory to the characters, and instead of the haunted house created a whole speakeasy of specters who reenact their gruesome demise every night. Quite a story. I won’t give the whole thing away.

So is it an extended music video or is it a movie? And what’s the running time?

Raymond calls it a short narrative film. I jokingly refer to it as my jazzy version of “Thriller.”  The film runs about 15 minutes long.

Is it performed with puppets or human characters since Imperial OPA is involved?

You won’t find any puppets or ninjas in the film, although we did use some sets built in miniature and green screens.  We brought in a lot of other local talent and used the video as an vehicle to showcase our Atlanta favorites. The circus group Imperial OPA, the cabaret troupe Davina and The Harlots, some aerial acrobats and a number of fantastic swing dancers all put their talents in the film, not to mention the people behind the scenes in makeup and costume who brought the prohibition style to the screen.

There seems to be a rebirth in fascination with circuses and carnivals, from the popularity of Cirque de Soleil to books like THE NIGHT CIRCUS, by Erin Morgenstern, which explore their darker, more mysterious side. There’s even that surreal, crazy Guinness commercial. Do you have any thoughts on the current appeal of circuses and where does OLD MAN CABBAGE fit in?

There certainly seems to be a renewed interest, and I’m glad to see troupes exploring all the different facets of the circus tradition. From the classic freak and sideshow acts to the more bohemian variety stuff, many young performers finding their place on the periphery of mainstream performance theater. I don’t know if that’s entirely new, but I can say I [have seen] a lot of very interesting [acts] just in the last few years.  I do think that Atlanta is grabbing a place in art and culture that can now compete with some other big cities.  There is a very youthful and unjaded excitement in the artistic community here.

How did you prepare for scoring OLD MAN CABBAGE?

I prepared for scoring the film by watching other silent movies. Of course, the classics METROPOLIS and CABINET OF DR. CALIGARI, which are always fantastic, but I also watched THE GOLEM for the first time, which was one of the earliest monster movies ever made. It was filmed in 1920 about a rabbi who makes a giant man out of clay and brings him to life to protect the Jewish neighborhoods of Prague. I really dug that one and would recommend that to anyone with an interest in silent film.

Anything you’d like to share about the why behind the 1920s speakeasy setting and what the filmmakers did to ensure set, costumes and music were authentic?  

There wasn’t a lot of discussion on why the film should have a Prohibition era style.  That’s where my inspiration lies. That’s where home is for me. I know Raymond did a lot of research and studied old photos to ensure that film looked authentic.

And it’s silent, which seems even more apropos given the popularity and Oscar nominations for THE ARTIST and HUGO, two movies that pay tribute to the silent era. I’m supposing that was just lucky timing? 

Current trends always herd people to different areas to search for new life, to find something that they’ve been lacking, an oasis. I can see people who are finding that needed refreshment in the silent film era. Being beat over the head with the GLEE stick and AMERICAN IDOL will get anyone to pay for a ticket to silence.

Blair Crimmins. Photo credit: Katie Bricker.

What else do you have planned for Saturday night at the Plaza and do we need to dig out our bowties, golf caps, spats and flapper dresses?

Seeing a well-dressed crowd always brings a smile to my face. You won’t be the only one dressed up if you choose to do so. Davina and The Harlots will be dancing onstage and throughout the room in full flapper gear. The OPA will also be working the crowd in their usual fashion. The whole evening promises to be taste of pandemonium.

How did you personally discover and fall in love with ‘20s ragtime music and vaudeville?

It’s just music that endlessly amuses me. You know when you’re doing something you truly comfortable with as an artist because you never get tired of it. Once my writing steered in the right direction, the ship took off on its own.

Your gigs are always packed and your music and performances embrace the past but sell so well in the 21st century. Are you surprised to see how many people enjoy a musical style that’s nearly a century old in a time of fast-passing fads? Any thoughts on why Retro is so hip?

I don’t think it’s a fad or new thing. I feel as if people of every generation reach an age when they discover something cool from the past. Chances are, if you find something that you identify with, you’ll find a whole group of people that love it, too. As you watch new people discover it, there is a tendency to think “Wow, this is really catching on”; the reality is that it has never gone anywhere.  Its popularity is always fluctuating but never dies or becomes reborn. Some of the bad trends die and hopefully never wake up, i.e. polyester suits, but the really good stuff sticks around forever for generations to enjoy.

After Saturday’s screening, will OLD MAN CABBAGE be heading out on the film festival circuit or what are the plans for the film?

Yeah, Raymond is going to talk more about that at the film premiere.

And of course, what’s next for Blair Crimmins & the Hookers? 

We have a lot of great touring on the books for this year. There will definitely be new singles out this year and maybe a record. I’ve already been talking with some of my favorite local artists about the next music video, and I’ve got some other film opportunities in the pipe. Things are about to get real busy for The Hookers. I’m trying to do as much as I possibly can and never lose an opportunity to let the music take me somewhere new.

Bryan Fenkart as Huey Calhoun and the Broadway Cast. Photo credit: Randy Morrison

By Jordan Barbeau
Contributing Writer

The Tony Awards are the theater equivalent to the Oscars – the most prestigious awards any production or stage actor/actress can earn. As huge of a feat as this is, MEMPHIS, a Broadway hit show about a boy with rock ‘n’ roll in his heart, easily did just that. With its emotionally gripping story and fun numbers, MEMPHIS had no trouble winning the award for Best Musical in 2010. Overwhelming praise from fans and critics alike, along with its earning of this prestigious award, prompted a national tour of the show, and lucky for Atlantans, it’s here at the Fox Theatre for a week run from Tues. Jan. 31 through Sun. Feb. 5.

Julie Johnson, a singer and actress from Texas, holds the distinct honor of getting to portray one of the more interesting characters in the play – the mother of the main character, Huey. Scared and staunchly against her son’s plans, “Mama” does everything in her power to keep her son away from “black music,” refusing to accept his love of the art. It can’t be a coincidence that she has the same name, Gladys, as the mother of Elvis Presley, Memphis’s most famous rock n roll son.

Julie Johnson.

Julie, unlike her character, fully appreciates and embraces the art of singing and performing. According to the actress, it’s been her destiny since she was a child to perform in front of people. “It’s almost like my DNA was in the shape of a microphone,” she laughs. One glance at the list of Julie’s past productions assures that no one is going to argue that fact. Besides being an accomplished solo artist, Julie has performed in plenty of Broadway productions ranging from SWEENEY TODD to CABARET.

Even to an experienced actress such as herself, one would think that performing in such a widely loved production in front of thousands of people a year would be intimidating. To Julie, this is apparently not the case. She says the fact that the audience already knows and loves the play makes it easier. “It’s like being an ambassador,” she says of bringing the once Broadway-exclusive show to those around the country. “You feel like Bruce Springsteen.”

It goes without saying that one cannot perform in a musical about 1950s rock ‘n’ roll without having some prior knowledge of the genre. It would be like a child trying to run before he learned how to crawl. Julie is no exception. W hen asked about the time period, Julie says that her favorite artist from the ‘50s is one of the most famous blues artists of all time, Mr. B. B. King himself.

Felicia Boswell (Felicia) and the Touring Cast of MEMPHIS. Photo credit: Paul Kolnik.

Huey’s mom may be a very close-minded character, but Julie does not fault her for that. In fact, she understands her fears, having grown up surrounded by similar feelings and thoughts. In the end, despite all of the initial hesitation to accept the change, Julie says that the music is what makes everyone and everything whole, allowing folks to do what seemed impossible – unifying a split time.

Fortunately for the people of Atlanta, Julie says that audiences here will connect with MEMPHIS even more than most, due to the city’s deep roots in black music. She adds that she has not had the opportunity to spend much time here in the great ATL, but when MEMPHIS comes to the Fox this week, Julie hopes to explore the city and see what she’s been missing!

Monday January 30

From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner, during Mai Tai Monday at Smith’s Olde Bar. Northside Tavern hosts its weekly Blues Jam. To break up the Monday monotony, head over to Fat Matt’s Rib Shack for dinner and a show, with local blues/jazz band Dry White Toast performing at 8 p.m.

Tuesday, January 31

MEMPHIS, a Tony Award-winning Broadway musical about the birth of rock ‘n’ roll in the city that boasts Elvis, Jerry Lee Lewis and Sun Records, opens at the Fox Theatre tonight and runs through Sun. Feb. 5. Be sure to read Jordan Barbeau‘s exclusive ATLRetro interview with star Julie Johnson soon. Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 p.m. Little G. Weevil blues it down at Darwin’s Burgers & Blues in Marietta. J.T. Speed rocks the blues Fat Matt’s Rib Shack. Nathan Nelson & Entertainment Crackers bring on the blues at Northside Tavern. Catch Tues. Retro in the Metro nights at Midtown’s Deadwood Saloon feature video mixes of ’80s, ’90s and 2Ks hits

Wednesday, February 1

The Atlanta Burlesque and Cabaret Society meets at Manuel’s Tavern at 8 p.m. See a 35mm print of SHANGHAI EXPRESS (1932) starring Marlene Dietrich for free in White Hall 208 at Emory University, this week’s featured film in the Painting with Light: 13 Masterpieces of the Art of Cinematography (1928-2002) series presented by the Emory Cinematheque Series. Swing noir chanteuse Bernadette Seacrest & Her Kris Dales bring a heady mix of rockabilly and jazz to The Earl. The Star Bar rocks to Mice in Cars, New Terminusand Swank Sinatra.  The Atlanta Funk Society turns the main room of Smith’s Olde Bar into the funkiest place in Atlanta on Wed. nights. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. Frankie’s Blues Mission jazzes up Fat Matt’s Rib Shack. Danny “Mudcat” Dudeck blues it down at Northside Tavern. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays at Pub 71 in Brookhaven.

Thursday, February 2

Celebrate Groundhog Day by reliving the ’80s with thrash metal giants Anthrax at The Tabernacle. Save your bucks and hear some rockin’ garage bands, The Pinx, The Burmese Crush, The Accidents and Hot Wives during Freefall Thursday at the Star Bar. The Italian Film Series at Georgia State University’s Cinefest continues with the classic space exploration comedy TOTO IN THE MOON (1958). Relax with a tropical cocktail at vintage tiki bar Trader Vic’s where Tongo Hiti play Retro-Polynesian luxurious live lounge sounds, as well as trippy takes on iconic pop songs, every Thursday night. Big Mike’s off in Seattle till June performing with El Vez in Teatro ZinZanni’s CALIENTE SHOW, so Atlanta Funk Society’s Jonathan Lloyd will be filling in on vocals. Remember Lloyd’s Rockstead Review, his killer reggae collaboration with Kingsized ? The Breeze Kings and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack. The Boxcars jam at Red Light Café’s weekly Bluegrass Thursday.

Friday, February 3

The Star Bar and the Right Rev. Andy throw Hollyfest IV, an annual celebration of music from Buddy Holly, Ritchie Valens and The Big Bopper featuring a dozen of Atlanta’s best underground bands performing favorite songs by the three legends who perished in an airplane accident on The Night the Music Died. Confirmed groups include The Cogburns; Superpill; Junior, Dolan and Cash; Red Rocket Deluxe: Downer Brothers: Sonoramic Commando: Drop Dead Nasty; Grim Rooster; The Suicide Doors; Caroline & the Ramblers; Whiskey Belt; and Rockbridge Heights.

Mon Cherie Presents the latest in her Va-Va-Voom burlesque show series, “My Gal is Red Hot” at The Shelter. It’s hard to believe that innovative indie singer-songwriter Ani DiFranco has been performing for 20 years. She’ll be bringing her alt-folk to Variety Playhouse with genre-bending Pearl and the Beard opening. Atlanta singer-songrwriter Michelle Malone performs at Peachtree Tavern. Innovative Texas songwriter/musician Darden Smith headlines Eddie’s Attic. CineProv launches a MST3K type B-movie series with the Vincent Price classic HOUSE ON HAUNTED HILL at 8 p.m. at Relapse Comedy Theatre. Contemporary jazz and R&B band Epitome swings into Fernbank Museum of Natural History’s Martinis and IMAX.

Saturday, February 4

The art-deco historic Plaza Theatre presents yet another unique night at the movies at 10 p.m. when local ragtime heroes Blair Crimmins & the Hookers provide a live soundtrack to OLD MAN CABBAGE, a silent movie about two runaways who join a ghostly circus that appears inside a 1920s speakeasy. The film, an example of a new long-form narrative music video, is a collaboration between Ninja Puppet Productions and also features the magnificent Imperial OPA Circus performers. The band will present a full set concert after the screening. And yeah we think this’ll be cool that Blair is our Kool Kat of the Week!

The High Museum of Art also presents a special cinematic program, A MOMA Treasury of Short Films, at 2 p.m. in the Rich Theatre. The six rare shorts include THE GREAT TRAIN ROBBERY (1903); NEWMAN LAUGH-O-GRAMS (1921), produced by an young Walt Disney; ORCHARD STREET, directed by Ken Jacobs; and more.

Jazz/blues chanteuse Francine Reed opens for country artist and bass fiddler extraordinaire David Ball at Smith’s Olde Bar  Georgia Symphony Orchestra Jazz stages a concert at Marietta’s vintage Strand Theatre. And as usual, DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno late into the wee hours.

Sunday, February 5

Beef up your vintage comic book collection today from 11 am-5 p.m. at Atlanta Comic Convention. The small show at Marriott Atlanta Century Center is cheap to attend (just $5), features a great assortment of dealers, and you can pick up a few autographs, too, from Jason Flowers, Jason Pearson, James Burns, Bobby Nash and some zombie actors from THE WALKING DEAD. Rise and dine with Christ, Lord at 1 p.m. dunch at The Earl . Tony Bryant brings on the blues at Fat Matt’s, and Uncle Sugar blues it down at Northside Tavern.

The Supremes at the Apollo Theater. Photo courtesy of The Apollo Theater Foundation, Inc. Photo by Kwame Brathwaite.

Ongoing Exhibits

Explore one of America’s most iconic theaters in AIN’T NOTHING LIKE THE REAL THING: HOW THE APOLLO THEATER SHAPED AMERICAN ENTERTAINMENT, a special exhibition at the Atlanta History Center . Presented by the Smithsonian’s National Museum of African American History and Culture, in collaboration with the Apollo Theater Foundation, the display includes historic and contemporary costumes, playbills, music scores, graphic images and recorded music. Through March 4, 2012.

PICASSO TO WARHOL, a special art exhibition at the High Museum of Art, features over 100 works of art from 14 of the most influential artists of the 20th century. Through Apr. 29, 2012.

If you know of a cool happening coming up soon, send suggestions to ATLRetro@gmail.com.

This Saturday night Jan. 28 at the Plaza Theatre, redneck street poet laureate Deacon Lunchbox will live again at the “The Love that Won’t Shut Up Memorial Show and Screening: A celebration of the lives, loves, music and friends of Benjamin and Deacon Lunchbox.” If you say, “who?” then shame on you; it’s time to get educated and why we’re declaring Deacon our first posthumous Kool Kat.

For Atlanta’s Cabbagetown alt-music scene, the April 1992 auto accident that cut short the lives of Timothy Tyson Ruttenber, aka Deacon Lunchbox, drummer Rob Clayton and bassist Robert Hayes of the incredible Jody Grind was the Day the Music Died—as impactful as the plane crash that stole away Buddy Hollen. Ritchie Valens and The Big Bopper was to a nation falling in love with rock ‘n’ roll in 1959. The Jody Grind was on the cusp of a national breakthrough and had been featured recently in Rolling Stone. Deacon Lunchbox coined the term “Redneck Underground” and had a crazy style all his own that went beyond performance artist and street poet and was, well… Cabbagetown personified and then some. The Sat. night event at the Plaza also honors Benjamin Smoke, the marvelously manic cross-dressing lead vocalist of Smoke and the Opal Foxx Quartet whose life was cut too short by hepatitis C in 1999. If you don’t know about Deacon, Benjamin and how pivotal the Cabbagetown art/music scene was back in the late 1980s/’90s, Creative Loafing wrote a great piece about it in the June 24, 2010 issue called “The Triumph and Tragedy of the Cabbagetown Sound.” The article was composed as an oral history featuring interviews with more than a dozen people who were part of that scene.

The Plaza event includes screenings of the short film, LAWRENCE OF LAWRENCEVILLE HIGHWAY by Neil Fried, which starred Deacon, and the documentary BENJAMIN SMOKE (2000) by Jem Cohen and Pete Sillen, as well as an amazing line-up of Atlanta independent music scene  veterans who were collaborators and friends with Deacon and Benjamin including Smoke That City, Debbey Richardson, Slim Chance and many others. The Jody Grind’s lead vocalist Kelly Hogan even is coming down from Chicago. And you know the Deacon Lunchbox set by Jim Stacy (AM Gold, Grand Moff Tarkin, GreasePaint, LaBrea Stompers, Pallookaville, Starlight Drive-In, etc.) will be something to behold. We hope the rumors are true  that he’ll be doing a choice selection of Deacon’s signature Atlanta-inspired numbers such as “Omni Beer” and “Lewis Grizzard, I’m Calling You Out!” Amazingly this whole crazy shindig is just $10, with proceeds supporting the nonprofit Plaza. Think about dropping a little extra at the door, though, because independent cinemas like the Plaza are having a really rough time right now and we don’t want to be singing about the Day the Movies Died in Atlanta, too. As Deacon would say, “Brown bag it Ladies and Gents!”

ATLRetro asked Jim Stacy to share a few personal memories of Deacon, one Kool Kat that Cabbagetown and Atlanta lost way too soon. If you have any stories to share about Deacon, drop us a line at atlretro@gmail.com and we’ll add them to this feature, too. Hope to see you Saturday at the Plaza when the South may not rise again, but Cabbagetown sure will.

ATLRetro: In your opinion, what was special about Deacon Lunchbox?

Jim Stacy: For me he was like an older brother or uncle. He was, for sure, one of my heroes. He was the first time I had seen someone craft a persona that was more than just a performance foil. He was Tim, but Deacon was larger than Tim. Deacon could be more outspoken because he was a character. Now that’s not to say that Deacon wasn’t Tim and Tim wasn’t Deacon; it’s just Deacon amplified whatever Tim needed to say. I was really influenced by this process. I’ve spent my career inventing persona after persona to do the same thing. I think being able to provide a voice from a Character rather than “a Guy” allows for much more concise points to be made, in a shorter time, with no questions. It works like this: Here’s this guy on stage, he looks like this, he said this, he did this, this is what I think about what he just did and said.

Deacon, it was almost a cartoon of Tim. Though he looked and acted like Tim, when he put on the “Deacon” persona, the audience didn’t have to get to know the performer, they only needed to get to know Deacon, listen to what he said and then viscerally react. That all can happen through a Character. It’s no different than Alice Cooper or Ziggy Stardust. I just didn’t know it could be done by regular people.

Do you have a favorite memory/story about Deacon?

I have tons, but the most special is not really the most fun. Deacon called me either before or after the last show the day they were killed. He always started the conversation with, “FUCK YOU!” I don’t remember when. He called asking if I wanted to do another Psycholympics with him at the old Cotton Club. Told me we’d talk more after he got home. It was sometime later I got the call Robert, Robert and Deacon had been killed.

I still have a random dream where an old dial phone will ring and I’ll pick it up and someone will yell “FUCK YOU!” out of it.

Before the wreck, during Desert Storm I, he called me, telling me I had been drafted and hadn’t shown up at my induction. Told me that a car would be pulling up to “Get your pansy ass ready to serve your Country.” He had me convinced for 15 minutes I was going in the Army that night.

What will you be doing Sat. night at The Love That Won’t Shut Up Memorial?

I’ll be doing a few Deacon numbers as Deacon on some of Deacon’s props. It will be a pale substitute for the real thing. Pale indeed.

By Jordan Barbeau
Contributing Writer

Monday, January 23

From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner, during Mai Tai Monday at Smith’s Olde Bar. Northside Tavern hosts its weekly Blues Jam. To break up the Monday monotony, head over to Fat Matt’s Rib Shack for dinner and a show, with local blues/jazz band Dry White Toast performing at 8 p.m.

Tuesday, January 24

Gleefully unadulterated rock band Nashville Pussy comes to the Star Bar with a vengeance, bringing with them even more hard rock and roll in the form of The Forty-Fives and Six Shot Revival. Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 p.m. Little G. Weevil blues it down at Darwin’s Burgers & Blues in Marietta. J.T. Speed rocks the blues Fat Matt’s Rib Shack. Nathan Nelson & Entertainment Crackers bring on the blues at Northside Tavern. Catch Tues. Retro in the Metro nights at Midtown’s Deadwood Saloon feature video mixes of ’80s, ’90s and 2Ks hits

Wednesday, January 25

For those who drastically need to get the Led out once again, The Masquerade is holding a special reenactment show of one of the most famous rock bands of all time. Led Zeppelin II bring their idols to life on stage once again, down to the slightest detail that even the most hardcore fans may not catch. The Shadowboxers, a young R&B band from the ATL, brings their intelligent, soulful style to Eddie’s Attic. The Star Bar hosts the talents of gothic-folk Little Horn and alternative-country Meeks Family. The Atlanta Funk Society turns the main room of Smith’s Olde Bar into the funkiest place in Atlanta on Wed. nights. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. The Hollidays play Fat Matt’s Rib Shack. Danny “Mudcat” Dudeck blues it down at Northside Tavern. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays at Pub 71 in Brookhaven.

Thursday, January 26

Do you like Ping Pong? Do you like dogs? Do you like playing ping pong to help dogs? Of course you do! In that case, head over to Sister Louisa’s Church of the Living Room & Ping Pong Emporium for the Ping Pong Pity Party! This event is not only fun for the people, it’s fun for the dogs, too, because it raises money for Atlanta ResponsiBully Coalition, a pitbull rescue group! Kool Kat Spike Fullerton and his band the Ghost Riders Car Club bring their fun and funny rockabilly/honkytonk radio show to the Clermont Lounge. Yet another Kool Kat, Kayla Taylor, jazzes up the Paper Mill Grill. The Casanovas host a Blues Jam at Darwin’s Burgers & Blues. The Red Light Café’s weekly Bluegrass Thursday features Colliton, Dean & Lloyd. Relax with a tropical cocktail at vintage tiki bar Trader Vic’s where Tongo Hiti play Retro-Polynesian luxurious live lounge sounds, as well as trippy takes on iconic pop songs, every Thursday night. Big Mike’s off in Seattle till June performing with El Vez in Teatro ZinZanni’s CALIENTE SHOW, so Atlanta Funk Society’s Jonathan Lloyd will be filling in on vocals. Remember Lloyd’s Rockstead Review, his killer reggae collaboration with Kingsized ? The Breeze Kings and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.

Friday, January 27

One of the heavy-hitters on the rock scene of the ‘80s and ‘90s, Widespread Panic begins a three-night run at the Tabernacle. For a night full of adult fun, the Masquerade is home to yet another one of the infamous Mon Cherie shows. Mon Cherie’s Rockabilly Lounge will be a night full of Burlesque, pin-up girls and rockabilly band Hard Luck & Trouble, what some would consider the holy trinity of happiness. And of course, Rev. Andy spins Psychobilly Freakout. For a bit more active fun, Fernbank Museum’s Martinis and IMAX throws a special Swing Dance Night, complete with music from the acoustic swing group the Bonaventure Quartet, featuring chanteuse extraordinaire Amy Pike. Connor Christian & Southern Gothic serve up their heartfelt Americana music at The Earl. Smith’s Olde Bar holds a rocktastic show, featuring the talents of The Dirty Guv’nahs, The District Attorneys (including recent Kool Kat Drew Beskin) and The Longshot Saints.

Saturday, January 28

To honor the late Cabbagetown poet Deacon Lunchbox, the Plaza Theatre throws a special memorial show, The Love that Won’t Shut Up Memorial Show, featuring screenings of indie docs BENJAMIN SMOKE by Jem Cohen/Pete Sillen and LAWRENCE OF LAWRENCEVILLE HIGHWAY by Neil Fried and musical performances by some of Atlanta’s best Retro-inspired and Redneck Underground musicians, the incomparable Kelly Hogan, Smoke That City, Debbey Richardson, Slim Chance and many others. And we can only imagine the Deacon Lunchbox set by Jim Stacy. Watch out for a special posthumous Kool Kat on Deacon Lunchbox soon.

Soulful/roots singer/songwriter Edwin McCain, joined by Erick Baker, play at the Red Clay Theatre in Duluth. Widespread Panic continues to dominate the Tabernacle. Citing such great rock acts as influences as Black Sabbath, Pink Floyd and Grateful Dead, Turtle Folk’s show at Smith’s Olde Bar is sure to be one for a variety of ages. Folk singer/songwriter Eric Taylor brings his lyrical and guitar prowess to Eddie’s Attic. Darwin’s Burgers & Blues gets rocked by the soulful southern style of The Hollidays. Another Led Zeppelin tribute band graces the ATL, this time in the form of Zoso. Julea Thomerson of the BareKnuckle Betties and an ATLRetro Kool Kat and friend/mentor Danny “Mudcat” Dudeck play the blues together at Northside Tavern in a special show tonight. And as usual, DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno late into the wee hours.

Sunday, January 29

The first film in Marietta’s Strand Theatre silent movie series, SPARROWS, starring 1920s sweetheart Mary Pickford, will get a rare return to the big screen at 3pm with an organ pops pre-show and sing-a-long by Philip Allen, organist of Marietta’s First Baptist Church at 2:30 p.m. This is the fourth time Philip has accompanied SPARROWS, and he has developed a great musical score that will definitely ‘tug’ at those heart strings. Catch up on our Kool Kat interview with another of The Strand’s organists, Ron Carter, about the vintage theatre, its Mighty Allen Organ and scoring silent movies here. Widespread Panic continues rocking the Tabernacle for a third and final night. Eddie’s Attic gets treated to the classic rock sounds of The Farewell Drifters. Tag Team Goes to Hawaii at The Earl for dunch. Fatback Deluxe bring on the blues at Fat Matt’s, and Uncle Sugar blues it down at Northside Tavern.

Ongoing Theatre

CAVALIA: ODYSSEO takes the spirit, beauty and creativity of recent European acrobatic spectaculars such as Cirque de Soleil and applies it to horses. Let’s just say this is not your mamma’s Royal Lippizan Stallions circus show. Big tent at 864 Spring Street. Through Jan. 29.

Ongoing Exhibits

Explore one of America’s most iconic theaters in AIN’T NOTHING LIKE THE REAL THING: HOW THE APOLLO THEATER SHAPED AMERICAN ENTERTAINMENT, a special exhibition at the Atlanta History Center . Presented by the Smithsonian’s National Museum of African American History and Culture, in collaboration with the Apollo Theater Foundation, the display includes historic and contemporary costumes, playbills, music scores, graphic images and recorded music. Through March 4, 2012.

PICASSO TO WARHOL, a special art exhibition at the High Museum of Art, features over 100 works of art from 14 of the most influential artists of the 20th century. Through Apr. 29, 2012.

If you know of a cool happening coming up soon, send suggestions to ATLRetro@gmail.com.

Photo courtesy of Sofia Talvik.

Singer/songwriter Sofia Talvik may hail from Sweden but she’s no stranger to America, with five full-length albums and nine EPs, having blown away audiences at Austin’s SXSW and holding the distinction of being the first Swedish artist to play Lollapalooza. In fact, she’s likely more popular here than in her native Scandinavia. Her current two-year American tour rolls into the Drunken Unicorn this sat. Jan. 21 where she’ll be opening at the release party for Divine Isis‘s new EP SCREAM, with Pocket the Moon also on the night’s bill.

Photo courtesy of Sofia Talvik.

You’ve been compared to Joni Mitchell, Nick Drake, Belle and Sebastion, The Cranberries and Aimee Mann, but who do you consider your influences—especially more classic Retro performers (i.e. ‘60s, ‘70s or before)?

It’s hard to pin down influences I think. All the things you listen to and experience become your influence. I did listen to a lot of ’60s music when I was a teenager and I love Janis Joplin, but I don’t think anyone will hear her as an influence in my music. I actually started listening to Nick Drake – who by the way is one of the big 60’s artists – after being compared to him and I love his music, but he was way better at playing the guitar than I’ll ever be (laughs).

You’ve said you’ve had a stronger response to your music in America than in Sweden. What’s the music scene like in Sweden and how do you fit into it? And how does it compare with what you’ve experienced here?

I think mainly because Sweden is so much smaller than the US, there’s not enough people to keep the diversity going. If say five percent of the Swedish population listens to my music, compared to if five percent of the American population does, that’s a huge difference. That’s the difference that will make you being able to live off your music or not. I also think Sweden is more of a trend-sensitive country, so when something is in trend all the radio stations will play it, and if it goes out of trend, no one will care all of a sudden. Here in the US, everything goes on at once. You have radio stations that just play folk or just play pop here. There’s always an audience here for your music, you just have to find it, and that’s what I’m doing with this tour.

How does a Swedish artist come to write a song about “Florida”?

Well, in 2009, my husband was on an exchange program on his job and we stayed in Orlando,FL for three months. As Sweden is kind of a cold and rainy country, I was looking forward to coming to “The Sunshine State.” But the first two weeks when we arrived it rained constantly. My husband was working so I was basically just sitting in the apartment writing songs. “Florida” is like a diary note from those two weeks, and the forecast in the beginning of the song on the album is actually a real one from that time.

Is there any story about how you became the first Swedish female artist to score a spot at Lollapalooza?

I was part of an online music competition called Famecast and got to the finals in my genre. So they actually flew me over to Austin, TX where I got to perform for a jury and an audience. I didn’t win, but the booker for Lolla saw me there and I got the gig. Playing the Lollapalooza was one of the coolest things I’ve done. That festival is huuuuge!

You’ve got a VW bus on one of your posters and you’re traveling around the US in an Old RV. That sounds mighty Retro to us – how’d you score those wheels, where did you start, how long have you been on the road and what’s your favorite on-the-road Americana experience so far?

My tour is called Drivin’ & Dreaming, because it’s all about touring and living the dream. We actually don’t tour in a VW bus even though that would have been really cool, however, it would probably also have been a lot colder than a newer RV. My husband and I started out the tour in Florida in December where [we] bought this old Gulfstream Conquest from ’94 which we fixed up. It looked pretty good until we started tearing off the wallpaper and discovered it had water leaks all over. But we just tore everything out and now it’s really nice inside – our little home on the road.

So far the tour has been amazing. We’ve met so many wonderful people who invited us into their homes, for dinner and brunch, helping out with stuff etc. We’ve also got to see a lot. We were around Florida in December which was nice and warm and then we headed up to GA, SC and NC. Savannah, GA was wonderful and we stayed there for a few days. In Charleston, I woke up in the middle of the night because someone tried to steal the bikes we had mounted on the back of the RV. That was scary. But mostly it’s been positive experiences. One of the best things is that I get to do this with my husband. He actually quit his dayjob back in Sweden to come with me on tour.

You’ve also been described as emerging like a Lady of the Forest, the slideshow accompanying your current shows brings the mystical world of Scandinavia to life, and your Website asks “do you believe in fairy tales?”  Now that sounds like your music also has roots in the rich folktales and traditional music of Sweden or do you mean something else and more universal?

I think I’d label my music as a mix between the melancholy of Scandinavia and the mysteriousness of the American South. You won’t find me singing about trolls and elves or anything, but I guess my music does have a bit of that overworldly feel to it. I think you can definitely tell that I’m not American in my way of writing lyrics and melodies, even though I am singing in English.

What would you like to share about this Saturday’s show at the Drunken Unicorn? We’ve heard that you’re performing with an acoustic guitar and some 3D video visuals.

I’m really looking forward to playing there, and I hope there will be a big crowd that will be there for the music. I’m solo on stage, and my music isn’t crafted to overpower drunk people talking and watching TV (laughs). I’ve been fortunate enough to be able to play a lot of listening rooms and coffee shops on the tour, and I always try to make my show the best one so far. A girl with an acoustic guitar – you may think you’ve heard it before, but I promise there’s more in this show than that.

What’s next for Sofia Talvik?

My new album, THE OWLS ARE NOT WHAT THEY SEEM, will be released January 31 and is up for pre-orders on my Website now. My tour will go on for two years so that will also keep me busy. In February, I’m doing an official showcase at the Folk Alliance International Conference in Memphis, so I’m really looking forward to that too. In the nearest future, thoug,h I think we’ll have to find a campground so we can charge our house battery in the RV a little.