ATLRetro

Mark Jacoby as the Wizard in WICKED. Photo © Joan Marcus.

From the original L. Frank Baum novel to the 1939 musical movie version of THE WIZARD OF OZ, the tale of Dorothy Gale, her dog Toto and three misfits who deemed themselves incomplete without a physical brain, heart and courage could easily be called the quintessential American fantasy epic. Like Middle Earth is England in simpler, more magical times, Oz is an expression of Retro-Americana Midwestern know-how and whimsy. And that spunky little girl from Kansas, like her prairie counterpart Laura Ingalls Wilder, is an uniquely all-American heroine.

That is, until Gregory Maguire turned that heroine’s journey on its head, gave the Wicked Witch of the West a name, Elphaba, and had the chutzpah to suggest that things went down considerably differently and were rewritten by a government-run, propagandist media, as it were. (Shades of contemporary media politics? Well, the original Oz may have had some circa 1990 political satire between its pages, too.) The Broadway version of Maguire’s novel WICKED is more a twist on the familiar movie than the book, and whether or not you approve of tampering with a classic, the imaginative sets and costumes look even more magical on the Fabulous Fox Theatre stage, where it opens today and will be playing through Oct. 9 as part of the Broadway Across America series.

WICKED focuses on who’s the real good witch and who’s the real bad witch. But actor Mark Jacoby, a Georgia State University alumnus, got to tackle the conundrum of an all-American carnie man who landed in Oz accidentally and found himself, thanks to his seemingly magical balloon-borne arrival, declared Wizard and ruler of the capitol Emerald City. Jacoby is no stranger to playing sympathetic villains, having donned the mask of the PHANTOM OF THE OPERA for three years on Broadway. He’s also stepped into the shoes of many of American musical theater’s most iconic characters including SHOWBOAT’s Gaylord Ravenal (Tony Award nomination for Harold Prince revival), FIDDLER ON THE ROOF’s Tevye (Barrymore Award) and Father in the original Broadway run of RAGTIME. ATLRetro caught up with Mark recently to find out how he approached America’s most famous humbug in this villain-friendly version of Oz.

How is the character of the Wizard different in WICKED than in the 1939 movie WIZARD OF OZ and even the book? Do you think it is different? One of the intriguing things about this piece is how it’s been overlaid on the story we’re all so familiar with, mostly from the movie WIZARD OF OZ. They are the same people theoretically in context. You’re just looking at them from a different angle. I suppose an actor doesn’t have to take that literally. He can do what he wants. But I tend to think and the powers that be also do, that I should approach him as the same character we encountered in THE WIZARD OF OZ.  You just find out different things, and different things are emphasized. He’s flushed out a bit more. There’s more explanation as to how he got there, why he’s there, and what makes him tick.

The Wizard's dramatic counterfeit persona from the original Broadway company of WICKED. Photo © Joan Marcus.

I think the Wizard of Oz was someone who was in the right place at at the right time or the wrong place at the wrong time, whichever way you look at it. He’s regarded by the people of Oz as somewhat supernatural. As he says, I never asked for this, I was just blown here by the wings of chance. One could take that literally or is he telling a story? I choose to think he is talking literally. He has wound up in this situation, but he wasn’t malevolent. He wasn’t planning to become a tyrant or anyone overbearing with the population, but now he’s stuck with it. I’m not saying he’s a perfect man. He got hooked with all the adulation and all the power and all he has to do to maintain it.

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Photo credit: Shawn Doughtie

ATLRetro has been hearing a lot about Kool Kat of the Week Rod Hamdallah—from his fellow local musicians. Like his mentor, the sadly deceased Sean Costello, he’s been playing since very young and early gained a reputation as an Americana blues guitar prodigy. By age 17, he was sharing the stage with Sean and Dexter Romweber, as well as opening for top contemporary blues, funk, soul, rockabilly and roots performers such as Robert Randolph and the Family Band, Rosie Flores, Romweber and more. He’s only 21 now.

Anyone who’s heard Rod live—and live is the way he should be heard—talks about the dark lyrics, full-throttle energy and deep swamp passion he puts into his heavy licks. That hard-edged sound has earned him comparisons to Skip James, Captain Beefheart, Charlie Patton, Tom Waits and more recently the White Stripes. He looks the part, too—thick dark pompadour, sideburns, usually dressed in black.

This year Rod’s released a couple of singles, “Think About It” and a cover of Skip James’ “Devil Got My Woman” and has been playing Atlanta and touring the Southeast furiously. You can catch him next at The Five Spot on Friday, Sept. 16. We caught up with him recently to find out more about what made his influences, teaming up with drummer and frequent collaborator Gabe Pline, what he’s got planned for this gig and those recordings we’re looking forward to.

What happened at age 16 to get you, a Jersey boy into punk rock and skateboarding, so revved up about Southern blues and Americana?

I’ve always loved traditional music and was interested in what influenced punk rock. When I moved to Atlanta, live music became something I was around all the time. I watched guys like Sean Costello play around town and immediately wanted to play blues  and traditional American music.

What about Donnie McCormick and Sean Costello made them such an influence on you in the early days?

Sean was a great mentor and friend. He let me share the stage with him when others didn’t. He also turned me on to Donnie McCormick. I loved the inspiration and soul that came from them. [Editor’s note: Read a tribute by Rod to Sean Costello here.]

Rod Hamdallah and Gabe Pline. Photo credit: Scott Livignale.

How did you hook up with Gabe Pline?

Gabe and I would play together once and a while at jams and etc. He was a good person to talk to, where we could relate on music and personal pasts. I’ve always loves Gabe’s style of playing and his attitude on stage. He is definitely a big part of where I am today.

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By Philip Nutman
Contributing Blogger

Splatter Cinema Presents WITCHFINDER GENERAL (aka THE CONQUEROR WORM) (1968); Dir: Michael Reeves; Starring: Vincent Price, Ian Ogilvy; Tues. Sept. 13; 9:30 PM; Plaza Theatre; Trailer here.

ATLRetro’s excited – one of our favorite horror movies of all time is coming to the Plaza Theatre for an ultra-rare 35 mm screening this week as the cool ghouls at Splatter Cinema present WITCHFINDER GENERAL, the notorious 1968 British wench burning fest starring the fabulous Vincent Price at his most evil.

Recut and retitled THE CONQUEROR WORM by American International Pictures for the US market (the title is a steal from an Edgar Allan Poe poem to make people think it was another Price-Poe flick), this movie is for my money Saint Vincent’s best, most brutal and sadistic performance, a study in ice-cold evil. The print of this much-censored movie the Splatter gang are screening is a British X-rated one, which, sadly, doesn’t include the restored footage from a UK DVD released a few years ago. But since most of the shocking, sadistic, violent footage has been lost over the years, this isn’t a big deal – except for purists such as myself – as this film packs a punch to the guts regardless. (Only seconds were trimmed from several scenes, tightening some of the torture and longer takes of witches being burned alive – material that’s long been a source of conjecture amongst obsessive fans. The screenplay was pre-censored by the British Board of Film Censors before a foot of film was shot back in the ‘60s.

Based on the turgid 1966 historical novel by Ronald Bassett, the film has its roots in truth but is a seriously fictionalized account of the infamous exploits of 17th century self-styled “witchfinder” Matthew Hopkins, who committed hundreds of atrocities during the English civil war as Royalists fought Parliamentary forces for control of the countryside, staining the verdant pastures red. The real Hopkins was a sadistic misogynist who lined his pockets by extracting confessions from innocent women who were accused of witchcraft by paranoid villagers. As played by Price, the character is a power-hungry, puritanical, sexually repressed manipulator of the first order who meets his match in Richard Marshall, a young soldier played by Ian Ogilvy (best known for playing sleuth Simon Templar in the ‘70s Brit TV series THE RETURN OF THE SAINT). When Hopkins and his vile assistant, Stearne, victimize a vicar and his daughter, the soldier’s true love, vengeance becomes the order of the day, and Marshall abandons his political convictions, going crazy as he hunts down and confronts the men who have destroyed his life.

Richard Marshall (Ian Ogilvy) and Vincent Price in WITCHFINDER GENERAL, aka THE CONQUEROR WORM. Photo credit: AIP

Written and directed by Michael Reeves, a very young, ambitious director, whom critics hailed as the Great White Hope of British horror cinema, this movie turned out to be his swan song as he died at age 25 of an accidental drug overdose shortly after completing the film. His next scheduled project was THE OBLONG BOX (1969), another Price-Poe vehicle, and one wonders how that would have turned out considering Price couldn’t stand the young director, whom he thought arrogant and disliked the way he was being commanded as an actor – which makes Price’s understated performance even more tribute-worthy.

Barbilicious performs with LUST. Photo courtesy of Barbilicious.

With Blast-Off Burlesque’s World Tour about to take off this weekend at 7 Stages (if you haven’t bought tickets yet, book ‘em here! Only two more shows on Sat at 7:30 p.m. & 10:30 p.m.), we asked those gorgeous gals and guys about their craziest real-life travel experiences. And did they have some stories to tell—from wicked weather to dodgy directions.

In the third of this three-part series, Barbilicious was having a great time on tour with her band LUST until she headed to a rather unusual gig in Canyon, Texas…

Road Trips with my band LUST have always brought surprises, victories, defeats, and just plain weirdness. We used to take an annual West Coast Tour and go from Atlanta to the West Coast and back. A big loop that rolls down to New Orleans, then up through TX, NM, AZ and CA. Texas is a HUGE state, so in between Houston, Dallas, Austin and our favorite El Paso, there are little entertainment-starved places like Canyon, TX.

Canyon is a beautiful place located in Central TX, and cold as hell in February. After a wonderful show in Lubbock, TX, where we played for a couple of Black Metal dudes and their girlfriends in a room in a house, and had a grand tour of Buddy Holly‘s high school gym, we are looking forward to what Canyon would bring. Of course, we are pretty much broke, gas is expensive, and we need to get to the next place, so anywhere to play is always going to be better than not playing, right?

Dickie Van Dyke & Barbilicious. Photo credit: Derek Jackson.

Where’s the gig? It’s a little ambiguous, but we do have a phone number. After some phone tagging and crackly connections, we get directions. This was before smart phones and Google maps, so we get to pull out the ole’ paper one. Why that seems to be right in the middle of a State Park. Another call, wait don’t go there, go here instead. Why, that seems to be another State Park. It’s getting dark, and really cold, it’s 28 degrees, and yes, we’re playing in a State Park. Illegally.

There is more confusion, what gazebo will we be playing at? We need one with an outlet. There are no lights, the park is closed, it’s fucking freezing. After winding around the park, we finally pull up to a gazebo, where our headlights catch glimpse of a young punker pacing back and forth, all bundled up, and waiting for us to arrive.

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Friday, Sept. 9

Blast-Off Burlesque launch their two-night World Tour tonight at 9 p.m. (doors at 8 p.m.) at 7 Stages. If you missed our exclusive Blast-Off Road Trips from Hell series, catch up with the first part here. The Beach Boys surf down into Cobb Energy Performing Arts Centre. Solo artist Julie Dexter performs a variety of music from jazz to soul and beyond at Fernbank Museum of Natural History’s Martinis and IMAX. Big Mike and croons the classics at Ray’s on the River with the Kingsized Jazz Trio, Rich Rowlinson on piano and Father Tim Delaney on upright bass. Spanky & the Love Handles play funky dirty dance-able blues at Fat Matt’s, while the Hollidays are being soulful at Northside Tavern. Whiskey Belt honky-tonks it up at Hottie Hawg’s.

Atlanta-based director James Anthony Bickert’s biker/horror/sexploitation mash-up, “DEAR GOD NO!” was shot entirely on Super 16mm film, using practical effects, and limited to technology of the era that the film is set in. What could be more ’70s exploitation-inspired fun than rival biker gangs on a rape and murder find themselves battling a different enemy – a flesh-eating killing machine that lives in the forest! Anyway, this crazy (or crazed?) movie features a murder of local talent, including Shane Morton (Silver Scream Spookshow, Gargantua, Atlanta Zombie Apocalypse), Madeline Brumby (Silver Scream Spookshow, Dracula the Rock Opera), Jim Stacy (Palookaville, AM Gold, GET DELICIOUS!), Nick Morgan (Splatter Cinema), and many more. Catch its world premiere on the big screen at the Plaza tonight at 9:30 p.m.

Saturday Sept. 10

With 9-11 just a day away, show your support for our brave men and women overseas by jumping on your motorcycle or into your Mini-Cooper and joining PinUps for Soldiers’ Memorial Ride. Registration/breakfast begins at 10 a.m. at The American Legion Post 127, Buford, Georgia with the first bike/mini leaving out at 11:30am.  They also have the Armored Party Bus for those who want to participate but do not have a bike or a Mini-Cooper. Jason Lee and The Cyclones play at 5 p.m. Read more about PinUps for Soliders in this week’s Kool Kat feature on Dena Stahl here. Or support local heroic firefighters and police officers at Smyrna’s Heroes Gala & Auction, and enjoy live entertainment by Kingsized,the burlesque beauties of Dames Aflame and Wesley Cook, along with delicious food and both live and silent auctions!

The King of Pops serves up sweet old-fashioned ice-cold goodness under the marquee of The Plaza Theatre starting at 2:30 p.m. to celebrate an encore 35 mm screening of PEE WEE’S BIG ADVENTURE at 3 PM. Read our Retro Review by ATLRetro’s newest blogger Tom Drake here.

It’s the last big date of the season for the Atlanta Rollergirls as The Apocalypstix battle theDenim Demons in a 5 p.m. grudge match and then the Toxic Shocks take on the Sake Tuyas in the Champ bout at 7:30 p.m. at Yaarab Shrine Center.

Blast-Off Burlesque guide audiences on two more World Tour shows tonight taking off at 7:30 p.m. (doors at 6:30) and 10:30 p.m. (doors at 9:45 p.m.) at 7 Stages.

After the show, head to Masquerade for a sci-fi-themed Mon Cherie’s Rockabilly Lounge, featuring Psycho DeVilles, DJ Rev. Andy of Garage 71 spinning Psychobilly Freakout, jello shots from Mon Cherie’s Pin-Up Beauties and local burlesque stars Evil Sarah, The Chameleon Queen, Stormy Knight, Fonda Lingue and Scarlett Page.

And hell, yeah, it’s an all-star honky tonk/Retrobilly 80th Birthday Tribute to honor Country Music Legend George Jones Saturday night at Star Bar with Caroline & the Ramblers, The Stumblers, Ghost Riders Car Club, Slim Chance & the Convicts, Serenaders and Joel Burkhart. All proceeds benefit Down Syndrome Association of Atlanta.

Blues pianist Ike Stubblefield tickles the ivories at Northside Tavern.  Cazanovas bring Chicago style blues to Hottie Hawg’s BBQ. And DJ Romeo Colognetransforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno late into the wee hours.

Paramount Theatre, Atlanta. Photo courtesy of Callanwolde.

Sunday Sept. 11

Hear about Atlanta’s long-gone magical movie palaces and neighborhood theaters, their organs and theatre organists of the 1920s, ’30s and ’40s in Pipes on Peachtree, a panel discussion featuring organ technician/historian John Tanner and Joe Patten, Atlanta’s Phantom of the Fox in the Retro setting of 1920 Gothic-Tudor mansion, Callanwolde Fine Arts Center at 3 p.m. Tickets are $10 in advance & $12 in advance. For a sneak preview, check out our recent Kool Kat feature on Strand organist Ron Carter here. Also, The Washboard Confessional plays blues “dunch” between 1-4 PM at The Earl. Snake Legs bring on the blues at Fat Matt’s.

Radcliffe Bailey with "Bat"

Closes Sept. 11

RADCLIFFE BAILEY: MEMORY AS MEDICINE, the most comprehensive exhibition of the Atlanta artist’s works to date, runs through Sept. 11 at the High Museum of Art. Read more about the artist and this powerful exhibition in this Kool Kat.

JOHN MARIN’S WATERCOLORS: A MEDIUM FOR MODERNISM, a companion exhibit also at the High this summer through Sept. 11, surveys the work of the man named America’s number one artist in a 1948 LOOK magazine survey. While his name is not a household one today, this exhibition reminds us of his important place in the modernist movement and why watercolors became such a powerful instrument for avante-garde art in the hands of him and other artists in the Stieglitz Circle,including Georgia O’Keefe.

Closes Sept. 24

The Museum of Design Atlanta (MODA)‘s current exhibit WaterDream: The Evolution of Bathroom Design, runs through Sept. 24 in the dynamic new Midtown space. Displays take visitors through a four-part journey into the bathroom from the birth of minimalist aesthetics in 20th century design to current concepts.

Tune back in on Monday for This Week in Retro Atlanta If you know of a cool happening, send suggestions to ATLRetro@gmail.com.

With Blast-Off Burlesque’s World Tour about to take off this weekend at 7 Stages (if you haven’t bought tickets yet, book ‘em here! Fri at 9 p.m., and Sat at 7:30 p.m. & 10:30 p.m.), we asked those gorgeous gals and guys about their craziest real-life travel experiences. And did they have some stories to tell—from wicked weather to dodgy directions.

In the second of this three-part series, guest star and regular show contributor Jim Stacy (GET DELICIOUS!, Palookaville, AM Gold, Starlight Drive-In, etc) goes fishing in Florida with his dad. Let’s just say the weather started getting rough and the tiny ship was tossed. If not for the courage of the fearless crew…

I was about 9 years old and my family had gone to Daytona Beach, Florida for vacation. My Father and I decided to go Deep Sea Fishing, a ritual for he and I to this day. As we got further out and started catching fish the Captain came down and said a tropical storm was coming in but should pass to the south of us. We moved a few miles further out just to make sure the storm was well away from us and continued to fish our asses off.

The storm approached land where my Mother and siblings were safe in the Beach House awaiting a fish dinner. The storm had other ideas. It bounces off the shallows and comes at a beeline back towards us.

The Captain stows all gear as green and black asshole clouds bank up on us and we run. Skeedaddle as fast as the 40-foot cabin forward fishing boat will go. The storm gets us. We hunker in the Galley as we race at a 70° up the face of a wave, to crest it, race back down and have another wave smash over the bridge.

Jim Stacy plays with the Wizard of Oz, pictured here with real Munchkin Karl Stover, Blast-Off Burlesque & other Plaza friends. Photo Credit: ATLRetro..

So the waves smash out all the Galley windows and smash the coolers full of Lunch and Dinner. A steady tide of glass, broken wood, styrofoam, ice, fish and gear wash around my ankles as I see my new Chuck Taylor’s get deeper and deeper in the storm water.

We end up being 9 hours late getting back. My frantic Mother and brothers and sister are standing at the dock.

We lost all the fish.

Coming Soon: Vintage Vacation: Road Trips from Hell with Blast-Off Burlesque, Part 3: Barbilicious Gets Lost in Texas.

Read Part 1: Blizzard in North Carolina here.

With Blast-Off Burlesque’s World Tour about to take off this weekend at 7 Stages (if you haven’t bought tickets yet, book ‘em here,! Fri at 9 p.m., and Sat at 7:30 p.m. & 10:30 p.m.), we asked those gorgeous gals and guys about their craziest real-life travel experiences. And did they have some stories to tell—from wicked weather to dodgy directions.

In the first of this three-part series, the entire Blast-Off gang braves a blizzard but our intrepid entertainers know the show must go on…

In January 2009, Blast-Off was heading to Asheville to put on two nights of a “best of” show at North Carolina Stage Company. We were psyched about it, because it was the first time we’d really taken the show on the road, rather than traveling to guest in other folks’ shows.

As the date approached, we kept an eye on the weather. It was January, after all. And as luck would have it, a snow – and ice – storm synched up with our travel plans. We were planning on heading up in two groups, one on Thursday evening and one Friday. The storm had a similar plan of attack.

Sadie Hawkins. Photo courtesy of Sadie Hawkins.

Barbilicious and Dickie Van Dyke were first to make the journey from Atlanta to North Carolina. They made it just ahead of the storm. Sadie Hawkins had been in Washington, DC for her day job. It was snowing there, too, and she was playing the weather delay game with Delta. Finally, a flight got through, and she made it home just as Atlanta’s weather started to get exciting. She was scheduled to drive up to Asheville with her partner – and Blast-Off’s sound man – Bryant. The goings were slow, but they made it up there in the wee hours.

Now, when team Blast-Off goes to Asheville, we stay in a cabin in the woods. Seriously. Disastrid’s mother has a rustic place at the base of a mountain, off of a curvy road and next to a babbling creek. It’s remote enough that there’s no cell service. It has power and water – and a landline phone.

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By Spookie Susie
Contributing Blogger

Watching. Waiting. Worrying. Night after sleepless night, Dena Stahl got up, took care of her children, worked, managed her household and anxiously awaited the safe return of her husband, Sergeant Travis Stahl, from the war in Afghanistan. When Dena learned from her husband about all the soldiers who didn’t receive care packages from home, she teamed up with longtime friend, photographer Danielle Thiery Camp, to remedy that.

Together they founded Pinups for Soldiers (PUFS), a nonprofit group that produces an annual World War II style calendar to raise funds for our troops overseas. With the 10th anniversary of 9-11 coming up this Sunday, we caught up with Dena to learn more about Pinups for Soldiers, their 2012 calendar, their Sept. 10 Memorial Ride/Poker Run and other upcoming events to support their worthy cause.

Danielle Thiery Camp & Dena Stahl. Photo courtesy of Dena Stahl.

How did you meet Danielle Camp, and what made you two decide to start Pinups for Soldiers?

Danielle and I have been friends for over 18 years. Danielle wanted to do a pinup shoot and asked if I was interested in helping her build her portfolio. I reached out to my friends for ideas, and one of them mentioned that she had always wanted to do a pinup calendar. It was March 2010 and my husband, SGT Travis Stahl was deployed to Afghanistan serving our country. During his deployment I became aware that there were many soldiers who did not receive care packages from home. Travis began giving items from the care packages I was sending to those soldiers. We decided that if we were going to make a pinup calendar, we were going to make it a nonprofit and use it to raise money so that we could send care packages to soldiers stationed overseas.

Tell us about having your husband deployed.

Having a husband deployed is one of the hardest things I have ever been through. A year of sleepless nights waiting on a phone call, email or text to confirm he is okay, the constant worry and not knowing where he is or what is going on, the fear that enters your body any time there is a knock on the front door, the empty spot in the bed beside me, handling everything on the home front on my own…is all very hard. However I am honored to be a soldier’s wife. He is my husband, my hero, and his dedication not only to me and our family, but to our amazing country makes me so proud.

Travis & Dena Stahl. Photo courtesy of Dena Stahl.

How many units does PUFS help? Do you have a most memorable request for assistance?

Currently we are supporting three units totaling almost 200. The units are stationed in Afghanistan, Iraq and Kuwait. We have a unit that is about to deploy, bringing us to almost 600! We are always touched when we receive emails from soldiers. For me, they are all memorable. The requests we get range from necessities to soldiers wanting pictures. Our motto is “Brightening Lives Protecting Ours,” and that is our mission and we take it to heart. We feel as if the American Soldier is a true patriot and should be honored and appreciated. We want them all to know that they are not forgotten.

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