ATLRetro

Is Amanda Palmer a Goth Goddess? A Steampunk diva? Sally Bowles? Super-heroine? The publicity photos for her new band the Grand Theft Orchestra suggest Geisha meets AMADEUS. Atlantans will find out tonight (Sat. Sept. 16) when she steals into the Variety Playhouse.  A creative chameleon who has played in many Retro eras from costume to sounds, Amanda Palmer has reimagined herself again with a new album, THEATRE IS EVIL, released on Sept. 11. Some critics have dubbed this album poppier than previous projects such as the Dresden Dolls, but we’re intrigued by the list of many of our favorite ’70s and ’80s Goth/alternative bands, which she lists as influences yet how she makes the songs very much her own.

THEATRE IS EVIL also is testament to her savvy social networking skills and a passionate fanbase. It’s already music industry legend how she produced the LP without label support through a Kickstarter campaign in which she asked for $100,000 but raised $1.2 million. You have to imagine plenty of musicians are tilting their heads and analyzing the hows and whys of her success – could crowdsourcing be the golden ticket to being able to stay true to your artistic vision without interference by over-zealous marketing suits?! In any case, Amanda sure seems to be living the artistic dream life with enough money to follow her creative bliss and even married to Neil Gaiman, award-winning leather-jacketed punk rock author of dark fantasy best-sellers and creator of the ultimate dream-weaver comic, SANDMAN.

Yet all the while Amanda stayed true to her busking performance art spirit  including fun Kickstarter incentives that radiated a reciprocative passion for her fans including an artbook, personal sketches and private concerts. And she even took a time out during a busy week on the tour bus to zip out a last minute Q&A for readers of a humble local blog like ATLRetro, for which we have to say she’s a mighty Kool Kat…

ATLRetro: On NPR’s ALL SONGS CONSIDERED, the two critics Bob Boilen and Robin Hilton  couldn’t get enough of THEATRE IS EVIL, even comparing it to Bowie’s THE LODGER. You’ve mentioned that you had The Swans, My Bloody Valentine, The Cars and VIOLATOR era Depeche Mode on your mind with particular songs. Since we’re ATLRetro, we have to ask which critic comparisons have pleased you the most and are there any other Retro musicians/bands who particularly influenced the work on this album?

Amanda Palmer: Oh, where can I start? Soft Cell. Gary Numan. The Cure, all over the place…I feel like some songs like “The Killing Type” are more early-era stripped down Cure whereas “Want it Back” is more KISS ME, KISS ME ,KISS ME me era, and “Smile” was directly an homage to “Plainsong” from DISENTEGRATION, right down to the fact that I chose it to kick off the record and the fact that we open the live show with it. One of my deepest and influential moments was the first 30 seconds of seeing The Cure live in around 1989, on The Prayer tour. They opened with Plainsong, and I felt like I was listening to the voice of god.

You embrace live performance with a passion and bravado unparalleled by many contemporary musical artists. Why the album title, THEATRE IS EVIL?

Because it’s hilarious.

Your songs not only tell stories but also always seem to have interesting stories behind how you came to write them. Pick one song on THEATRE IS EVIL that you’d like to tell Atlanta fans more about.

Wellllll – “Tour Heart Replica” has a good one. I was going through a really rough breakup, and I was visiting Neil Gaiman at his house with my whole touring crew, before we started dating. I was also really feeling the tour grind, the caged feeling. He took us to a trout farm. We piled into his car on a freezing Wisconsin day right before Christmas – a few of the actors in the tour, my opener and cellist Zoe Keating. The trout farm was this set of shacks where they had the trout swimming and swimming endlessly in circles in these big metal tubs. They clobbered a dozen of them to death and brought us into the fish surgery where they gutted them, and as the dude sliced into one of the fishes, he said “look” to us, and a fish heart was laying there in his hand, still beating. And for about 20 seconds, it kept going, in his hand, beating. “This happens sometimes,” he said. Then he put the heart on the counter and he left, and Neil followed him out. And Zoe and I stood in the room, looking at the fish heart on the metal counter. And it kept going, it kept beating. Everything about my life was reflected in that moment. And Zoe, Neil and I joked in the car that the moment was the perfect song, the perfect poem. And we all went off to write. Neil’s poem was published in a journal, and my song found its way onto the album.

Some of my favorite songs by you with the Dresden Dolls and solo have been those that have been angry/angsty but also clearly about empowerment and moving on. In other words, not getting derailed by relationships that end bitterly. Can you talk briefly about what those kind of songs do/mean for you or are you moving away from that thematically since you’re happily married to Neil?

Well, a lot of the album does feel like it’s about coming to peace with things. But in order to truly come to peace, you always have to peel the rug up and look at the truly rotting stuff. You can’t have one without the other, I think. To me songs are the perfect way of doing both things at once: the peeling up, and the coming to peace with what you find there. And then the best part: sharing what you find with everybody else, and seeing the heads nod in “you too?” agreement. You can find anything under the rug if you don’t feel alone in the finding.

Without giving away any crucial spoilers, can you share a little sneak peek into why no one should consider missing your show in Atlanta this Saturday whether or not they have seen you perform live before?

Well, I’m backstage in North Carolina right now, and we just had the audience split up into a “lamb of god” divide and wield disco balls and peace twigs at each other. ANYTHING is possible. But in seriousness: be prepared to dance. The dancing is key. Bring a tissue as well, for the sad bits.

Finally, we know that you are goddess queen of the Earth, so what secret weapon could we use to save us from your wrath?

A towel, obviously.

Splatter Cinema Presents ROBOCOP (1987); Dir: Paul Verhoeven; Starring Peter Weller, Nancy Allen and Dan O’Herlihy; Sat. Sept. 8; 9:30 PM; Plaza Theatre; Trailer here.

By Thomas Drake
Contributing Writer

Short: “I’ll buy that for a dollar.” “Dead or Alive, You’re coming With Me!”

Medium: Murphy (Peter Weller) is an old school cop who is part of a privatized police force in a decaying old Detroit. Detroit has been bought by the megaconglomerate, OCP, which plans to rebuild her in their shining image. Two competing robotics projects change Murphy’s life forever when the Ed-9000 project goes haywire and kills a major OCP exec, causing Project Robocop to initiate.  Murphy is fatally wounded in the line of duty, and since he is now an OCP employee, his corpse is OCP property as well. They turn him into a cyborg with three laws: “Serve the Public Trust”; “Protect the Innocent”; “Uphold the Law.”

Robocop is a hit with the locals and cleans up against the bad guys. However, the brain of Murphy begins having flashbacks of his former life.  Meanwhile, a vengeful OCP employee turns against Robocop to sabotoge the project and supplies street gangs with military weapons. Shenanigans.

Maximum Verbosity: When I try to explain the subgenre of cyberpunk to Slines, they look confused at the mention of  NEUROMANCER or SNOWCRASH.  Then I say ROBOCOP, and they usually get that. ROBOCOP was a pioneer of movies like it – a dark future where corporations ruled, near enough to feel familiar but far enough that they had the freedom to radically change society.  We do, in fact, have corporations buying up cities, influencing elections, and gaining a dominant hand in our daily lives.  We do, in fact, have anthro-modeled drones with guns being put together by the military to shoot people in war.  We do, in fact, have cyborgs with mind-linked artificial limbs; some of which are being developed for the military. We do, in fact, have privatized police forces.  We do, in fact, have “reality television” with interactive audience participation where they can indeed “buy that for a dollar.” In fact, we do have situations where corporations can require their citizens to sign away their basic rights that have been upheld by the federal courts. People like to talk about how prophetic BLADE RUNNER or MINORITY REPORT were about the direction things are going, but ROBOCOP is batting a much higher average.

Of course, the movie is not real life. Reality is much more nuanced and complicated; but at the same time, ROBOCOP is also very complicated and nuanced. On the basic surface, it’s just a standard action flick; bad guys wrong heroic cop; heroic cop fights them, gets the evidence and stops the bad guys. Sure, he’s a ROBOcop, but he’s still basically a cop. Indeed, ROBOCOP is basically just a cop movie; that’s the formula it follows.  In some ways you could ALMOST plug in bits of it (albiet badly) into most any cop movie and have it kind of work here. Eddie Murphy in armor anyone?

But beneath this surface, there is a complicated political statement being made about free enterprise vs the public good. It asks questions about what lines should be crossed? How far will we let corporations go?  Should we be allowed to sign away our rights?  Make no mistake, there is a thriving black market for organs, and there are many who are pushing to allow private citizens to sell their organs for a profit – living or dead.  Since corporations frequently take out life insurance policies on their employees, why not claim a profit on their organs if they die on the job?

The best manifestation of this lies in the media coverage and snarky commercials that weave between the major scenes. This is where the ROBO (sci fi) part of ROBOCOP really shines. You see the future (well…present now) of news. You see that the past is the present is the future in terms of how commercials work and what is sold. They set the tone of the action flick that makes it much more than an armored guy going around shooting people. Indeed, at its core, Robocop is really about what it means to be a human. Is it our memories? Murphy loses those at first, but they slowly come back. Is there a ghost in the machine? Is there a soul somewhere in our meat suit?  The movie struggles with these questions as Murphy watches his family from afar, cursed to only be able to watch his former family but unable to confront them based on the Frankenstein monster that he has become.

Peter Weller and Kurtwood Smith in ROBOCOP. Photo courtesy of Orion Pictures Corp. 1987

The play of the laws is also exceedingly well done and a fantastic nod to Isaac Asimov’s Three Laws of Robotics. Indeed, ROBOCOP, much like Asimovian robots, has a secret “zeroth” law, though these two are diametically opposed. Asimovian robots are compelled to serve humanity as a whole. OCP robots are compelled to serve their corporation executives at the exclusion of the innocent, the law or the public trust.

The contrast couldn’t be more clear.

Peter Weller’s performance as Murphy is fantastic. He sets the bar so high that I doubt the remake will really do the character justice by comparison. Equally impressive is the rather understated performance of his partner played by Nancy Allen. She doesn’t have much screen time, but she is the foil that encourages Murphy to see himself more as a man and less as just a machine. A bond forms between them, and she also gives the audience a connection to the character. As a sidekick she’s pretty damn impressive, especially compared to the abilities exhibited by Robocop himself. The entire cast does a fantastic job, but I’d like to make a special shout out to the crime boss played by Kurtwood Smith, who knocks it out of the park as a bad guy who is both a stereotype and an extremely complex character at the same time.  Smith has gone on to do some very impressive work since then.

As a side note, if you like to see bad guys turned to goo and properly punished for their arrogance – shot, stabbed, burned and maimed – this is a movie for you. Eighties movies were very good at this kind of thing, and ROBOCOP delivers it wholesale.  It is a movie that makes you think, makes you feel, and makes you cackle with glee at the destruction of evil. If you’re into that kind of thing

Monday, Sept. 3

Northside Tavern hosts its weekly Blues Jam featuring Lola Gulley. Head over to Fat Matt’s Rib Shack for BBQ and Peah Boy & Stephen T.

Tuesday, Sept. 4

Recent Kool Kat Calu Cordeira mixes tiki libations at Mai Tai Tahitian Tuesday starting at 9 p.m. at the Dark Horse Tavern tonight. Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 p.m. Burning Time rock the blues at Fat Matt’s Rib Shack. Nathan Nelson & Entertainment Crackers blues it down at Northside Tavern. Dance the night away at Tues. Retro in the Metro nights at Midtown’s Deadwood Saloon featuring video mixes of ’80s, ’90s and 2Ks hits.

Wednesday, Sept. 5

Cobb Energy Centre goes classic goth with Dead Can Dance. Yippee-ki-yay, The Plaza is screening a 35mm print of DIE HARD (1988) tonight at 9:30 p.m. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. Frankie’s Blues Mission plays Fat Matt’s Rib Shack. Danny “Mudcat” Dudeck blues it down at Northside Tavern. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays at Pub 71 in Brookhaven.

Thursday Sept. 6

Chris Isaak rocks Cobb Energy Centre. Go Goth again when Jesus and Mary Chain haunt Variety Playhouse. Eat, drink and play a classic game with an adult spin every Thursday night as Mon Cherie presents Mad Lib-Ations, Atlanta’s newest Retro weekly pastime, starting at 7 p.m. at the Corner Tavern in Little 5 Points. The fun-filled night includes games and prizes from some of the city’s most fun Retro retailers, Psychobilly Freakout and punk faves spun by The Right Reverend Andy and a raffle. Relax with a tropical cocktail at vintage tiki bar Trader Vic’s where Tongo Hiti play Retro-Polynesian luxurious live lounge sounds, as well as trippy takes on iconic pop songs, every Thursday night. Every first Thursday at 8 p.m., Drink and Ink at Milltown Tavern Arts provides artists with 2-for-1 Pabst Blue ribbons and Binders art supplies brings out new products to test. The Breeze Kings and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack. Mike Z Trio honkytonks it up at Big Tex.

Friday, Sept. 7

Kool Kat Rod Hamdallah plays The Earl with The Goddamn Gallows and J.D. Wilkes & The Dirt Daubers. Rockoholics are at Fat Matt’s Rib Shack. Quentin Tarantino favorite The Street Fighter (1974) with martial arts superstar Sonny Chiba is on the big screen at GSU’s Cinefest at 9 p.m.The Plaza starts a three-day run of the Stanley Kubrick classic FULL METAL JACKET (1987). Frankie’s Blues Mission brings on the blues at Johnny MacCracken’s. Danny “Mudcat” Dudeck blues it down at Northside Tavern. The Backyard Birds play Big Tex. Bonaventure Quartet swings Steve’s Live Music. Derryl Rivers and Company perform blues, jazz and a slight bit of funk under the dinosaurs at Fernbank Museum of Natural History Martinis & IMAX.

Saturday, Sept. 8

Battle of the Burgers starting at noon at John Howell Park features not just red meat but really great rockabilly, honkytonk and Redneck Underground bands including Hot Rod Walt Trio, Whiskey Belt, Slim Chance & the Convicts, Wesley Cook and Sailing to Denver.Unknown Hinson plays The Brothers and Sisters Festival at Masquerade with Blackberry Smoke, North Mississippi All-Stars, Reynolds & Williams Band and Nathan Nelson & the Entertainment Crackers. Kayla Taylor Jazz performs their Big Show of the year at Mable House Barnes Amphitheatre as part of the free South Cobb Arts Candlelight Concert series. If you missed our Kool Kat interview with Kayla, catch up here. “Come quietly or there will be trouble” when Splatter Cinema serves up a rare chance to see a 35mm print of ROBOCOP (1987) at 9:30 p.m. on the big screen at The Plaza. Tommy Dean Trio plays Big Tex. Beverly “Guitar” Watkins is at Fat Matt’s.  is at Variety Playhouse. Ike Stubblefield brings on the blues piano-style at Northside Tavern. And as usual, DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno late into the wee hours.

Sunday, Sept. 9

Snake Legs rock the blues at Fat Matt’s, and Uncle Sugar blues it down at Northside Tavern.  Bernadette Seacrest and her R.L. Martin plays dunch at 1 p.m. at The Earl. Frankie’s Blues Mission, Snave & The Grass and Lola are at Smith’s Olde Bar.

If you know of a cool happening coming up soon, send suggestions to ATLRetro@gmail.com.

Monday, Aug. 20

Northside Tavern hosts its weekly Blues Jam featuring Lola Gulley. Head over to Fat Matt’s Rib Shack for BBQ and Dry White Toast.

Tuesday, Aug. 21

Recent Kool Kat Calu Cordeira mixes tiki libations at Mai Tai Tahitian Tuesday starting at 9 p.m. at the Dark Horse Tavern tonight. Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 p.m. Crosstown Allstars rock the blues at Fat Matt’s Rib Shack. Nathan Nelson & Entertainment Crackers blues it down at Northside Tavern. Dance the night away at Tues. Retro in the Metro nights at Midtown’s Deadwood Saloon featuring video mixes of ’80s, ’90s and 2Ks hits.

The Serenaders

Wednesday, Aug. 22

The Serenaders swing at Twain’s. Ted Nugent brings some “Cat Scratch Fever” (and likely some guns) to Center Stage. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. Frankie’s Blues Mission plays Fat Matt’s Rib Shack. Danny “Mudcat” Dudeck blues it down at Northside Tavern. The Decatur Bluegrass Association strums at Java Monkey.Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays at Pub 71 in Brookhaven.

The Sexual Side Effects

Thursday Aug. 23

Our favorite neo-glam band the Sexual Side Effects, fronted by Kool Kat Amber Taylor, rocks 529, with The Issues, Hip to Death Cardova and Story of a Life. Mike Z Trio plays Big Tex. Old Southern Moonshine Revival and John King Band are at Peachtree Tavern. Eat, drink and play a classic game with an adult spin every Thursday night as Mon Cherie presents Mad Lib-Ations, Atlanta’s newest Retro weekly pastime, starting at 7 p.m. at the Corner Tavern in Little 5 Points. The fun-filled night includes games and prizes from some of the city’s most fun Retro retailers, Psychobilly Freakout and punk faves spun by The Right Reverend Andy and a raffle. Relax with a tropical cocktail at vintage tiki bar Trader Vic’s where Tongo Hiti play Retro-Polynesian luxurious live lounge sounds, as well as trippy takes on iconic pop songs, every Thursday night. The Breeze Kings and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack. Frankie’s Blues Mission is at The Family Dog. The Barbwire Bluegrass Band jams at Red Light Cafe’s weekly Bluegrass Thursday.

Friday, Aug. 24

PushPush Theatre in Decatur throws a Garage Sale and Party. In other words, support a great local community theater and shop for Retro-finds at bargain prices including costumes, props, kitchen and catering supplies, housewares, tools, shop supplies, furniture and toys, beer and snacks! Today from 4 – 7 p.m. is sneak preview day for those willing to help tote out a box or two from the office to the stage.  We all know that rock n roll is the devil’s music, so ensure your entry to Hell at the 13 Year Anniversary Show for The Evils, featuring recent Kool Kat Jet Terror, and also performances by the Casket Creatures and Till Someone Loses an Eye. Caroline and the Ramblers honkytonk an intimate show at Big Tex; if you missed Caroline’s recent Kool Kat interview, catch up here. Country music legend Loretta Lynn plays Chastain. Burlesque divas The Syrens of the South tease and titillate at their 5 Year Anniversary Show at the Five Spot at 10 p.m., with a Student Showcase at 8 p.m. And Danny “Mudcat” Dudeck blues it down at Northside Tavern. Or go off to see THE WIZARD OF OZ (1939) at the Earl Smith Strand Theatre in Marietta.

Saturday, August 25

Professor Morte  and The Silver Scream Spookshow crew set sail on THE GOLDEN VOYAGE OF SINBAD (1974), a rare chance to see a Ray Harryhausen monster classic in 35mm on the big screen at The Plaza Theatre. As usual, there’s a kooky kids matinee at 1 p.m. and the preshow is a racier adult show at 10 p.m. See a mighty fine slate of local bands including Whiskey Belt (2 p.m.), browse vendors and enjoy family activities at the Summer Shade Festival in historic Grant Park.  Also playing today: Donkey, The Futura Bold, 68-75, The Wheeler Boys, The Villains, Jimmy Galloway, Men of Soul, Stovall and more. Relive the wild nights of classic ’80s Atlanta clubs Weekends and Rob Lowe favorite Club Rio at a Reunion Party tonight at Tongue & Groove. Head to The High for a free screening of  THE PROJECTIONIST (1970), director Harry Hurlitz’s crazy fantasy about a projectionist with fantasies of being a superhero and Rodney Dangerfield as villain The Bat, part of the museum’s Archival Gotham: NYC On Film series. PushPush Theatre’s Garage Sale and Party continues from 9 a.m. to 4 p.m. Tommy Dean Trio plays Big Tex. Ron Cooley & The Hard Times are at Fat Matt’s. Loudon Wainwright III is at Variety Playhouse. And as usual, DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno late into the wee hours.

The Whiskey Gentry.

Sunday, August 26

PushPush Theatre’s Garage Sale and Party continues from 10 a.m. to 3 p.m., while the great music goes on at Summer Shade Festival in Grant Park with The Whiskey Gentry; The Higher Choir; The Old Ceremony; Copius Jones; Stonerider; Kick the Robot and more.  Tony Bryant brings on the blues at Fat Matt’s, and Uncle Sugar blues it down at Northside Tavern. Ghost Riders Car Club makes it a honkytonk dunch at 1 p.m. at The Earl. And organists Ron Carter (Kool Kat here), Ken Double, Larry Davis and Rick McGee accompany four silent classic comedies at The Strand at 3 p.m., including Harold Lloyd in BUMPING INTO BROADWAY, The Little Rascals in DOG HEAVEN,  Charlie Chaplin in A NIGHT AT THE SHOW, and Laurel and Hardy in BIG BUSINESS.

If you know of a cool happening coming up soon, send suggestions to ATLRetro@gmail.com.

ATLRetro has been planning to launch a cocktail and food section ever since we revved up, but we wanted to ensure that when we did, it would be a regular feature that you could count on. The ground rules would be simple – Retro location in a vintage building; Retro cuisine from the best in classic diners and blue plates to tantalizing tiki (guess where, we dare you!); venues that have been around long enough to be Atlanta institutions; and/or worthy additions to the city’s cocktail scene. In other words, when you want to dress up in your swanky suit or vintage dress and slowly sip a fantastic drink with that special date, spouse or just friends, where should you go? We’ll alternate between supper club and happy hour pieces and promise at least one of each every month, always posting on a Wednesday to help you plan your weekend.

Appropriately, we think, ATLRetro first piece is a Happy Hour because everyone on MAD MEN knows that a great cocktail is the essential apertif to a delicious expense-account dinner, isn’t it? Our drink of the week is Vodka, and with hundreds of different vodkas on the menu, Czar Ice Bar, in Buckhead’s Andrews Entertainment District, has perhaps the largest selection in Atlanta. Normally heading to Buckhead might be a bit too neo-trendy for us, but we found Czar Ice Bar to be a surprise charm with a touch of old world class worthy of James Bond. Atmospherically the intimate blue-lit space was the perfect retreat from summer heat with a bar literally made of ice and a dramatic blue glass ceiling, seasoned with a taste of old Russia thanks to ornate seating, bottles lined in cathedral windows and towering paintings of pre-Soviet nobles. Oh, yeah, we could easily imagine Pierce Brosnan seated at it in a tux sipping a martini with a sexy spy in a slinky evening dress.

We recently caught up with co-owner Stephen de Haan to find out more about Czar Ice Bar’s striking interior design, generous vodka selection, and why sushi is on the menu (we can attest Master Sushi Chef Saito Saito‘s creations are both original and scrumptious). Of course, we also asked for some advice on crafting the perfect vodka cocktail and how to stock your own bar at home.

ATLRetro: What’s the story behind Czar Ice Bar?

Stephen de Haan: Czar Ice Bar developed from our passion for amazing cocktails. Specifically, with hundreds of different vodkas, flavors and house-made infusions, we have an amazing palate to paint with. Also, with the success of Prohibition around craft cocktails, we saw a void in the market. Specifically around women who enjoy vodka both in flavor and because it has the lowest calories for any spirit, and who are looking for a sexy nonsmoking environment. How did the owners get the idea for it? We developed Czar around this idea of a sexy environment focused on vodka. Initially Cold-war era Soviet Union comes to mind, but we went back further to the aristocracy of the Russian Empire during the period of the Czars. We were inspired by the Winter Palace, specifically the sitting room, and what would a modern day Czar’s sitting room look and feel like. Combine this palatial feel with a modern vodka-based cocktail program and Master Sushi Chef Saito’s sushi masterpieces, and you have a place where any Russian princess would want to relax.

How many different vodkas are on the menu, and how do you select which vodkas to serve?

We have over 300 vodkas. They have all been tasted and selected by [myself]. The first criteria is the nose; they need to be clean, not offensive like rubbing alcohol. The second is the mouth feel. All of our vodkas are smooth, with very little after-bite. Also we look for uniqueness, for example, vodkas that have unique distillates, such as Russian Bear which is distilled from molasses, and Pau which is distilled from pineapple in Hawaii. We love a the story behind the brand, the people, the process, and how it impacts the final product.

Vodka is often thought of as not having a lot of taste nuances when consumed straight-up. Other than flavor-infused vodkas, what are a few aspects that differentiate vodkas and makes one better than another for drinking straight or in cocktails?

When comparing the traditional vodkas side by side you will find a large difference between a potato vodka, or a winter wheat, or corn vodka. Once you know the flavor profile for each and find a preference, then explore the others in that category to find a personal favorite. Also, some people with a gluten sensitivity have not thought about the vodka, and the clouded head may not be a hangover, rather a reaction to some part of the distillate. A switch in vodka may be all it take to keep you feeling well and the head clear. Then again sometimes it is just imbibing a bit too much.

What traditional vodka cocktails do you serve (i.e. martini, cosmopolitan, etc.)?

Of course, we have traditional martinis; our Czar Martini features Imperia vodka 8 times distilled and is made in a traditional style with a Dolin Dry Vermouth-rinsed cocktail glass served with blue cheese-stuffed olives. We also serve cosmopolitans, apple martinis and the like. One unique feature is a California Cosmo with your choice of 14 different orange-flavored vodkas.

What are a few of your more favorite, more innovative creations, and any anecdotes about how you came up with them?

Recently for National Donut Day, we featured our own house-made Krispy Kreme vodka. We chopped one dozen doughnuts, paired with Van Gogh Caramel vodka and spun it in our laboratory centrifuge at 4,000 rpm for 20 mintues. The result, a clear smooth Krispy Kreme vodka.

What’s your philosophy behind a vodka cocktail? For example, are there some mixers that are go better with vodka than others?

Very simple. Fresh is best, less is more. Start with a smooth clean vodka like Van Gogh Blue, and mix it with any fresh juice. You need not overdo the juice because a clean vodka will already disappear in the drink.

Any secret to the perfect martini? And is it shaken or stirred?

The perfect martini, is almost like the perfect BBQ. Every region, every person has their take on the perfect martini. Some believe the vermouth should stay in the next room, others a spritz, and still others a rinse. The Czar Martini is what I consider the perfect martini. Made with eight times distilled Imperia Vodka from Russia, shaken ice cold, served in a Dolin vermouth rinsed martini glass with Cabrales Blue Cheese-stuffed olives.

Sushi is traditionally paired with sake, so why sushi at a vodka bar?

Think Russia and caviar. Caviar is used in many sushi dishes so taking the next step only seems natural. Also, with Master Chef Saito’s house-made sauces that he garnishes many of his dishes with, we are using the same ingredients, mango, fresh orange, etc.

Are there any particular sushi/vodka pairings that you recommend from your menu, both for the conservative and the more adventurous diner?

I particularly like the Smash Hit, a martini made with 360 Georgia Peach Vodka, fresh mint and fresh-squeezed lemon juice paired with the Lobster Roll. The sweetness of the lobster is enhanced with this clean sweet peach martini. On the more adventurous side, I would recommend the one of Chef Saito’s special dishes, the Pacific Ocean. With a wonton sheet and sail, mixed fish, fresh cucumber, cream cheese and Shiro Dashi sauce, it pairs nicely with a Square One Organic Cucumber martini.

The interior design of Czar Ice Bar combines traditional elements of old Russia with the giant portraits and bar items displayed in spaces resembling cathedral windows with a very contemporary club atmosphere—blue lights and 2st century furnishings. Who was the designer and how did you come up with the look?

I researched many images of the Czar Palaces and relayed those to my partner Stan Weaver who took the ideas and ran with them creating our own modern interpretation of these palaces. We are very proud how all of the elements came together.

Do you have any advice to our readers on how to stock their home vodka bar?

I see a lot of vodka that has spent tons of dollars on advertising producing a premium image. Those are ok, but I prefer to look at the artisanal small batch vodkas. On the label they will say small batch or pot-distilled. These are made by artisans one batch at a time creating the best product possible.

Finally how did you create the ice bar? If it has not been done regionally before, how did you develop it?

The ice bar itself, 27 feet long, four inches thick of solid ice was a huge undertaking. We first found an ice skating rink manufacturer that “thought” it could be done but never had himself. They went to great lengths for us custom-manufacturing the refrigeration mat that freezes the ice. After that, we worked with local fabricators for a custom pan to house this in. Next was working with a number of engineers to review the cooling load specifications. Initially we thought we were going to have to use medical grade chillers, but soon found a source with a unit that met our very strict guidelines. As we installed it looking at different insulation technologies developed by NASA so that a guest’s legs sitting at the bar would not be cold from the immense slab of ice resting inches above them. But there are not so many effective cures for handling and treating depression symptoms as Buy Klonopin Online .The whole process was an experiment in itself, but it could not have turned out better.

All photographs are courtesy of Czar Ice Bar and used with permission.

By James Kelly
Contributing Music Editor

While most of my favorite music comes from right here in the deep south, I still have a real taste for the British Invasion, the one that’s been constantly going on since the early ’60s. But over the years I have also had the great joy of discovering music from many other countries and regions, so this week’s column s dedicated to what is commonly referred to as “World Music.” I’m sure I listened to lots of different things as a kid, since my dad was such a music fanatic, but my first real connection to “world music” was when I heard Ravi Shankar performing with George Harrison. It opened my ears, and my mind. So, from the corners of the globe, here’s what has been making my feet shuffle.

Le Super Borgou de Parakou
THE BARIBA SOUND

Most of the music on this fine compilation originates in Benin, a small country in South Africa bordering Nigeria. Pulled from archives, a lot of this has never been heard in years, or even played outside Africa. Recorded between 1970-1976, the band was mostly led by the late Moussa Mama, who reportedly was exposed to a variety of western music by his dad. There’s a lot of ’60s pop influences heard in the 15 tracks, and the steady groove throughout is a perfect example of classic Afro-Beat. Throw in some rumba, pachanga and some “Bariba Soul,” and you have a nonstop dance party! The rhythms are incredibly infectious, and there is something celebratory about the beat that makes me smile. Unfortunately, I cannot understand a word they say, but it sounds great, has lots of energy and deserves some attention.

Paco de Lucía
EN VIVO CONCIERTOS – Live in Spain 2010

I first became familiar with legendary flamenco guitarist Paco de Lucía in the ’70s, after discovering an import copy of his amazing ENTRE DOS AGUAS in the cutouts at a record store in Memphis. Hearing the lightning fast playing, the intense rhythms and the start-stop precision for the first time was transformative, and Paco became a hero in my house. He later joined forces with noted Fusion Jazz guitarists John McLaughlin (Miles Davis, Mahavishnu Orchestra), and Larry Coryell, who was replaced by Al DiMeola (Return to Forever) in THE GUITAR TRIO. In addition to his own albums, Paco has recorded songs for films such as DON JUAN DEMARCO and more recently the beautiful soundtrack of VICKY CRISTINA BARCELONA. Fast forward 30 years from ENTRE DOS AGUAS, and Paco’s newest release is a double live CD, featuring a nice retrospective of his own compositions, and one piece by McLaughlin. With a second guitarist, harmonica, bass and two singers, it’s a foot-stomping, mind-boggling display of incredible Spanish/flamenco virtuosity. I’m still blown away by his playing.

The Touré́ -Raichel Collective
THE TEL AVIV SESSION

The combined talents of Israeli pianist Idan Raishel and Mali guitarist Vieux Farka Touré́́ take center stage on this unique and creative endeavor. These informally recorded jam sessions emerged over an afternoon, and the amazing improvisational collection is a celebration of rich musical culture and collaboration. Vieux displays an amazing and enchanting acoustic fingerpicking style, and Idan’s gentle keyboards accentuate and complement the delicate and melodic excursions. Joined by several other players and singer Cabra Casey (born in Israel, of Ethiopian descent), the music flows like a summer brook, hypnotic, magnetic and intensely beautiful. Each track begins with a subtle chord progression and, as each player gradually integrates into the groove, becomes a fully realized entity, with stylistic touches from all over the world, blending into a thing of real beauty. This is one of the most amazing records I have heard this year.

The Chieftains
VOICE OF AGES

Continuing a tradition that has produced some of their finest albums, Ireland’s Chieftains collaborate with a number of interesting and oddly matched singers to create another entertaining package of song. With lovely ballads by Imelda May and Lisa Hannigan, a raucous shouter featuring the incredibly talented (and currently very popular) Carolina Chocolate Drops, and, of course, a few of their own instrumentals, the Chieftains prove once again that music is universal. Particularly intriguing is the heartfelt take on “Hard Times Come Again No More” by Scotsman Paulo Nutini. Critically adored artists such as the Punch Brothers, the Decemberists and Bon Iver all make more than adequate contributions. While it’s not the best of this series, there’s not a lot to complain about.

Ian Tyson
RAVEN SINGER

While including a Canadian cowboy artist in a column on “world music” might seem like a stretch, last time I checked Canada was part of the “world.” Ian Tyson first made his mark in the music world as part of the ’60s “Great Folk Scare” duo Ian & Sylvia. Their gentle harmonies and knack for covering great songs made them one of the most popular acts of the era. Tyson eventually left music and became a real cowboy for many years, but his love of singing and the discovery of many great cowboy songs pulled him back into the business, but on his own terms. Sadly, he literally destroyed his once clear voice one fateful night, and now sounds more like early Tom Waits than an old folkie. But he still sounds great IMHO (I worship at the altar of Tom Waits), and the material on RAVEN SINGER works on several levels. Tyson is believable, for one thing. Even with what sounds like some strained vocal effort, he brings the stories to life, and gives each song a real sense of authenticity. At 78 years old, Ian Tyson is still making great music, with no plans to ride off into the sunset.

For almost a decade, the Right Reverend Andy Hawley has been at the pulpit of Atlanta’s rockabilly revival as the DJ of Psychobilly Freakout (now airing Mondays from 8-10 p.m. on Garage 71 Internet radio and live at area events) and also for the many ‘billy events he has organized. This Saturday August 10, he’s hosting a Rumble in Little 5 Points at the Star Bar, long the temple of Atlanta’s rockabilly/psychobilly scene, with a great line-up headlined by Hi-Test and including Sonoramic Commando, Atomic Boogie, Junior, Dolan & Cash and Grim Rooster, so we thought it’s high time we declare the minister of one of our favorite Retro musical styles Kool Kat of the Week…

ATLRetro: What’s so special about Hi-Test and why does their return warrant a Rumble?

Rev Andy: Hi-Test is one of those bands that any other band would have a hard time following. Their music is in-your-face and when you listen it goes straight to your core. They put on one hell of a stage show and all four guys are incredibly talented musicians! If you’ve never seen Hi-Test, then you’re truly missing out.

What else is happening at The Rumble?

A: We’re also having an unofficial CD release for Sonoramic Commando’s new album HANG AROUND [Ed. note: Read Slim’s Retro Review here], and you need to come early to catch the new punk country band Grim Rooster!

How did you discover rockabilly/psychobilly? And was there a key turning point when you decided to devote your life to keeping these Retro music styles alive?

I grew up with parents who listened to Elvis, Cash and all those old cats from the Sun Records days. When I hit high school, I stopped listening and began buying heavy metal albums. Toward my late twenties, I migrated back to what I grew up on and eventually went to my first local rockabilly show, which featured Sonoramic Commando. When I had the chance to start a ‘billy radio show, I grabbed the bull by the horns.

How did you become a Right Reverend?

It began as something fun I decided to do one afternoon. I came in to do my show at Album 88 (88.5FM) and told the DJ before my show went on I had become ordained through the Universal Life Church. Without prompting her, she ended her shift by saying, “Coming up next is Psychobilly Freakout with Reverend Andy!” Years later, Sully from daveFM would add the “Right” part to add some flourish. Now, I’m active outside the studio with my role as the high priest of rock ‘n’ roll getting folks deep fried and sanctified with the help of roots music!

Why Psychobilly Freakout?

This name (and song) encapsulated the theme for what I wanted my show to become. Honestly, it came down to naming it this or “Rockabilly Rebel,” after a Hillbilly Hellcats song. The program director for Album 88 wanted to differentiate my show from the country show, so I went with the Freakout. The first time I interviewed Jim Heath (Reverend Horton Heat), I told him I had named my show after one of his songs. He told me, “You better make it live up to the name,” and I think I have, eight years going.

For the uninitiated, what makes a great rockabilly and/or psychobilly band?

The band should capture your attention with their sound and stage presence. It may add to the stereotype, but they need to be dressed the part – no loafers on stage! A great rockabilly band should be sonically sound, know and love their songs, and avoid being “shoegazers” on stage. If someone wants to start a band, go watch and listen to Gene Vincent, Elvis Presley, Billy Lee Riley, and figure out how their music speaks to you. Turn that sound into your own. Little Richard once told me, “Everything has already been done. You just have to pick something up and figure out how to make it your own.”

How long have you been doing your Monday night shows on Garage 71?

Last month marks three years on Garage 71, but my show has been around much longer. I started it on Album 88 in August of 2004, so the show has now been around 8 years! It had a brief stint on WREK (91.1FM) and as a podcast. No matter what, this is my show and I’m sure the name will be associated with me for years to come.

What are a few bands and performers who are exciting you now?

I’m really digging the sound of JD McPherson [Ed. note: Read our Retro Review of JD’s latest album here]. Holy crap, this guy has captured the classic essence of rockabilly and jump blues, and he’s very exciting to watch perform! Check out King Sickabilly & His Full Moon Boys if you’re into Johnny Cash. His songs, even toned down, speak volumes. Exploring the past I’ve recently acquired a love for The Queers and The Cult. I don’t know how I let those two bands stay under my radar for so long. And if you don’t own any, go buy some Lone Wolf OMB and Ronnie Dawson right now!

You DJ regularly at Mon Cherie’s Rockabilly Lounge (bimonthly at Masquerade), her new Mad Lib-Ations (Thursdays at Corner Tavern in L5P)and many other of her events. How did you both meet each other and why do you enjoy working with her so much?

I believe a mutual friend had us meet a few years ago. When she began working on her first Rockabilly Lounge, said friend told her her event wouldn’t be complete without getting me involved. Since then, she and I have worked together on many events and you’re guaranteed a good time! If you can’t enjoy yourself at one of our shows, then you should be flogged.

What’s next for the Right Reverend Andy, i.e. what should our readers mark their calendars for?

I have a few more events in the works before the end of the year. I’m working on bringing Hillbilly Casino back to Atlanta, a Rocket 350 reunion, and one of the musicians I mentioned in this article will be playing Atlanta in November (his manager asked I not discuss details). I’m also collaborating on a book about rockabilly lifestyle from the past 60 years – this is in the very early stages. I’m lending my voice to the Left 4 Dead 2 video game – you’ll find me voicing multiple characters in some upcoming downloadable content! I’m a geek at heart, so hearing my voice in a video game is pretty darn cool! You’ll also find my own Website launching in the next couple of weeks so people can keep track of my new and ongoing projects.

Until the Website launches, keep up with Reverend Andy at rightrevandy.blogspot.com and twitter.com/revandy. All photos are courtesy of Andy Hawley.

Monday, Aug. 6

Northside Tavern hosts its weekly Blues Jam featuring Lola Gulley. Head over to Fat Matt’s Rib Shack for BBQ and Dry White Toast.

Tuesday, Aug. 7

Recent Kool Kat Calu Cordeira mixes tiki libations at Mai Tai Tahitian Tuesday starting at 9 p.m. at the Dark Horse Tavern tonight. Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 p.m. Crosstown Allstars rock the blues at Fat Matt’s Rib Shack. Nathan Nelson & Entertainment Crackers blues it down at Northside Tavern. Dance the night away at Tues. Retro in the Metro nights at Midtown’s Deadwood Saloon featuring video mixes of ’80s, ’90s and 2Ks hits.

Wednesday, Aug. 8

Watch the skies for Nazis in flying saucers in the Finnish neo-cult movie IRON SKY, featuring Udo Kier, tonight exclusively at The Plaza Theatre. Read our preview here. The Atlanta Symphony Orchestra pays tribute to the music of master movie soundtrack composer/Boston Pops maestro John Williams at Chastain. England in 1819 is back in Atlanta at Drunken Unicorn with The Industry and Ocean vs. Daughter. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. Frankie’s Blues Mission plays Fat Matt’s Rib Shack. Danny “Mudcat” Dudeck blues it down at Northside Tavern. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays at Pub 71 in Brookhaven.

Thursday Aug. 9

Ghost Riders Car Club honkytonks it at Clermont Lounge. WonderRoot brings you an evening of short films by local artists including animation, experimental, narrative, music videos and much more at The Plaza at 9:30 p.m. Eat, drink and play a classic game with an adult spin every Thursday night as Mon Cherie presents Mad Lib-Ations, Atlanta’s newest Retro weekly pastime, starting at 7 p.m. at the Corner Tavern in Little 5 Points. The fun-filled night includes games and prizes from some of the city’s most fun Retro retailers, Psychobilly Freakout and punk faves spun by The Right Reverend Andy and a raffle. Relax with a tropical cocktail at vintage tiki bar Trader Vic’s where Tongo Hiti play Retro-Polynesian luxurious live lounge sounds, as well as trippy takes on iconic pop songs, every Thursday night. The Breeze Kings and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack. Frankie’s Blues Mission is at The Family Dog. The Red Light All-Stars jam at Red Light Café’s weekly Bluegrass Thursday.

Friday, Aug. 10

Twenties Ragtime revivalists Blair Crimmins & The Hula Hookers, cabaret/burlesque-inspired Davina & The Harlots, The Clap, Ghost Bikini, Jeffrey Butzer and The Little 5 Points Rockstar Orchestra get together for a somewhat tiki-themed Summer Sounds concert to raise money for risk-taking independent theatre company 7 Stages, including their highly anticipated DRACULA: THE ROCK OPERA at The Goat Farm. Also starting today is AleCon, a weekend-long performing arts convention hosted by popular Ren-rock band Three Quarter Ale in celebration of their 10th anniversary. Read our Really Retro preview with Rivka Levin here soon. Book your pumpkin carriage, put on your glass slippers and return to Once Upon A Time with Ritual’s Fairy Tales ball at The Shelter. Old-school country legend Merle Haggard plays Atlanta Botanical Garden. Will Scruggs Plays Pretty for the People, a unique repertoire of classic jazz and swing standards, and novelty songs from the ‘30s and ‘40s, at Fernbank Museum of Natural History’s Martinis and IMAX. Scott Glazer’s Mojo Dojo plays outdoors at Callanwolde Jazz on the Lawn. Danny “Mudcat” Dudeck blues it down at Northside Tavern.

Saturday, August 11

Kool Kat of the Week Right Reverend Andy throws a rockabilly Rumble in Little 5 Points to celebrate the return of Hi-Test with Sonoramic Commando, Atomic Boogie, Junior, Dolan & Cash and Grim Rooster at the Star Bar. Relive the glory days of glam updated to the 21st century with The Sexual Side Effects, featuring Kool Kat Amber Taylor, at the Drunken Unicorn with Side by Side and Verge of Bliss. Splatter Cinema screens a rare original 35mm print of the original HALLOWEEN (1978) at The Plaza Theatre. Head to The High to see Atlanta artist Ben “Bean” Worley‘s projection art project and then hang out for a free screening of  TAXI DRIVER (1976), part of the museum’s Archival Gotham: NYC On Film series. Ike Stubblefield tickles the blues ivories at Northside Tavern. And as usual, DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno late into the wee hours.

Sunday, August 12

Tony Bryant brings on the blues at Fat Matt’s, Frankie’s Blues Mission plays Corner Tavern in East Point and Uncle Sugar blues it down at Northside Tavern. Spanky & the Love Handles plays dunch at 1 p.m. at The Earl.

If you know of a cool happening coming up soon, send suggestions to ATLRetro@gmail.com.

By Thomas Drake
Contributing Writer

IRON SKY (2012); Dir: Timo Vuorensola; Starring Udo Kier, Julia Dietze, Christopher Kirby, Gotz Otto, Peta Sergeant, Stephanie Paul; Plaza Theatre,  Wed. August 8; 7:30 PM; trailer here.

Short: Doktor Richter: That is not a computer. This is a computer.

Medium: IRON SKY is a movie about a secret Nazi Space program that discovered anti-gravity and escaped to the dark side of the moon. For generations, they waited and plotted to reconquer the world until their timetable is ruined by a moonlander that comes too close for comfort. Queue Nazi Flying Saucers invading the earth.

Maximum Verbosity: IRON SKY is “the little movie that could,” having scrounged for years to get the funds that it needed for distribution. In addition to funds from some small independent producers, the vast bulk of the film has been financed by individual contributors who were eager to see the film made; some of it purely based on a trailer shown at the Cannes Film Festival. Now you can see it this Wednesday at the Plaza Theatre.

Look, I’m not going to lie to you. By all accounts this is a cult film that you will either love or hate. It is not exactly THE EMPIRE STRIKES BACK nor is it rumored to be as gloriously bad as say…PLAN NINE FROM OUTER SPACE or MANOS THE HANDS OF FATE. Given what I’ve heard, it’s just at the range that I’m still willing to see it, perfectly aware that some people might not like it.

But let me say this…Nazis. On the moon. Nazis in flying saucers. Udo Kier. This movie was made by a group of Finns, who have a rather odd sense of humor and if you look at the effects in the trailer, you’ll find the effects pretty amazing for its $7.5 million budget. And hey, it has made a profit so far of $500,000, which is pretty amazing for a movie that was put together totally outside of Hollywood.

Also, while the story is not at all similar, Robert Heinlein fans will be pleased to note the Nazis on the Moon angle from Heinlein’s short work ROCKET SHIP GALILEO. IRON SKY is a work of love and homage to another time when science fiction was all about ATOMIC SCIENCE. And really, isn’t it true that nuclear makes everything better?

So go see IRON SKY. Support the Plaza, support independent film, and support more craziness like Nazis on the Moon. Wednesday at 7:30pm.