ATLRetro

As I said at the start of the week, there are some tough choices this weekend, and a few additions not included in This Week to make it even harder. Whatever you choose, hope you have a ravishingly Retro good time!

Thursday Feb. 24

The Atlanta Opera presents the opening night of George Gershwin’s PORGY & BESS, a American folk opera about two lovers struggling to find happiness in Charleston’s Catfish Row. Find out more about the production at the Cobb Energy Centre which runs through March 6, in KOOL KAT OF THE WEEK spotlighting Costume Coordinator Joanna Schmink.

Good grief, CB’s an adolescent now, his little sister’s a goth, his ex-girlfriend’s in a mental hospital for setting too many fires, his friends are all drunk, and when his dog dies from rabies after killing a “little yellow bird,” he starts to question the existence of an afterlife.That’s the wacked-out premise of DOG SEES GOD: CONFESSIONS OF A TEENAGE BLOCKHEAD, a black comedy inspired by the popular PEANUTS comic strip and performed by the new Fabrefaction Theatre Company, which premieres today and runs through March 13.

ATLRetro will finally be joining the Last Of The Red Hot Truc-ers as Ghost Riders Car Club celebrates Vietnamese New Year with classic ’50s honkytonk and rockabilly for the last of their February Thursday night free gigs at Pho Truc in Clarkston. For a sneak peek, read Feb. 1 ’s KOOL KAT OF THE WEEK with guitarist Spike Fullerton. Listen to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. And Breeze Kings bring on the blues at Northside Tavern.

Friday Feb. 25

Get back to rock’s rockabilly, country and Western swing roots with Big Sandy & His Flyrite Boys, with special guests Caroline & the Ramblers and The Stumblers, at Star Bar. It’s a soulful night at Highland Inn Ballroom with The Soulphonics & Ruby Velle and George Hughley with Johnny & the Lakewood 5. The Nick Longo Band jazzes up Fernbank Museum of Natural History’s Martinis & IMAX. And go really retro with a futuristic twist at AnachroCon, a three-day steampunk convention, which kicks off today in grande style with The Gaslamp Gala, a concert extravaganza organized and presented by The Artifice Club‘s Dr. Q, at 7 PM. Performers include The Ghosts Project with Nathaniel Johnstone (Abney Park) and Play it with Moxie, a ballroom jazz band. Admission is included in your AnachroCon membership, with VIP seating available for $5. All festivities are at the Holiday Inn Select Perimeter, 4386 Chamblee-Dunwoody Road.

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It’s Monday morning before opening night for the Atlanta Opera‘s PORGY & BESS, George Gershwin’s self-dubbed “American folk opera” about a disabled beggar who falls head over heels for a tough guy dockworker’s girl in Catfish Row, a Charleston, South Carolina gullah community. To say that the Atlanta Opera’s costume shop is busy would be an understatement. Seated at a big work table, Stitcher Brett Parker pins and bastes a chorus member’s circa 1930s purple dress. Across from him, Synithia Cochran, First Hand, makes final adjustments to a pink frock. On another surface to the side, Patricia McMahon, Costume Shop Manager, irons a red satin bodice yet to be attached to a dress for leading lady Laquita Mitchell, who plays Bess. And costume assistant Michele Kennedy adjusts a suit on a cloth dressmaker form.

Supervising the whole shebang is Costume Coordinator Joanna Schmink, who has worked with the Atlanta Opera for 18 seasons. For PORGY & BESS, most of the wardrobe were rented as a package from the Houston Grand Opera. Director Larry Marshall had played dope peddler Sportin’ Life in that company’s 1995 PORGY & BESS production and really liked the look, says red-headed Schmink, casually dressed in an airy black and white top and jeans, pointing to several racks in an adjoining room. The clothes on them are a mixture of vintage and more contemporary that resembles a ’30s look sufficiently from stage, all labeled to indicate the character or chorus member who will wear them. The availability of all these costumes in one batch in many ways made the job easier for the five-person costume team, but it certainly didn’t mean there wasn’t plenty to do. For example, when the lot arrived at the start of January, Schmink discovered that all of the Bess dresses looked too worn for use and had to be recreated.

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It’s a veritable luau feast for Retro activities in Atlanta this week, and ATLRetro has some tough decisions about what to do, especially on Saturday night.

Monday Feb. 21

Joe Gransden & his smokin’ 16-piece orchestra present another Big Band Night of jazz at Café 290, featuring Sinatra, Bennett, Basie and Joe’s originals.

Tuesday Feb. 22

The current incarnation of seminal progressive rockers The Church play their haunting melodies not just under the Milky Way but at Variety Playhouse. Wynton Marsalis and the Lincoln Center Jazz Orchestra are at Symphony Hall. Or if you live on the east side, swing dance to the Atlanta-New York Connection at the unlikely location of Northlake Mall’s Food Garden starting at 6 PM. Then head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM.

Wednesday Feb. 23

“If Elvis had been a woman, he probably would have sounded just like Kim Lenz,” says Rolling Stone. Decide for yourself when the scarlet-haired rockabilly queen brings her fiery voice to the Star Bar with her band The Jaguars. And if the night weren’t rockin’ enough, local faves Atomic Rockets and Junior, Dolan & Cash are also on the bill. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at The Glenwood. Catch Joe Gransden every Wednesday night at 8:30 PM at Jerry Farber’s Side Door. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven, starting at 8 PM.

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