ATLRetro’s Throwback to the 20th Century St. Valentine’s Day Guide – Our Top Picks for Gettin’ Comfy With Cupid, Retro-Style!

Posted on: Feb 10th, 2015 By:

by Melanie Crew
Managing Editor

Hey all you dapper fellas and glitzy gals! Cupid got your tongue? “Be Mine”, vintage-style this year and celebrate all that is vintage and Valentine’s in Retro Atlanta! Get romantic, retro-style and see what we have in store for you on this day of love and seduction!Meehans

1. Red Hot Jazz and Soulful Sensations. Get jazzy with your love tonight at Meehan’s Public House in Sandy Springs, during their 1920s Anti-Prohibition Dinner & Dance, featuring ’20 inspired tapas, cocktails and jazzy tunes by Courtney Renee Jazz!  Or jazz it up during the Emory Jazz Fest’s Big Band Night at the Schwartz Center for Performing Arts, featuring the Gary Motley Trio and special guest vocalist, Alex Lattimore. Free Admission; performance at 8pm. Get delivered at The Artmore Hotel (Studio Lounge) with a jump on the heartfelt holiday weekend (Feb. 13) with the soulful tunes of The TriggerMan Band, while sippin’ a few sultry cocktails from 6 to 9pm.

2. Blackhearts Unite. It’s a night of murder ballads made popular by Nick Cave, Tom Waits, Nirvana and a whole lotta’ bloody maniacal mayhem at The Earl with their Bloody Valentine’s event, featuring Kool Kat Aileen Loy with Till Someone Loses an Eye; circus shenanigans with The Thimberling Circus and more bloody romantic fun! Doors at 9pm!

2.14Famous3. Oh là là! Hearts A’Blaze Entertainment is smokin’ hot with their Vices & Valentine’s event va-va-vooming it up at the Shakespeare Tavern at 11:30pm, featuring performances by Kool Kat Talloolah Love, Kool Kat Persephone Phoenix, Kool Kat Roula Roulette, Kool Kat Ursula Undress, Candi LeCouer, Ada Manzart, Jack Callico and more! Tickets start at $20. Get a little naughty this Valentine’s Day at Paris On Ponce for their Luscious Love Valentine’s Day event, hosted by The Imperial OPA Circus, featuring 13 tantalizing acts, including tastes of vaudeville, cabaret, burly-Q and circus shenanigans with 2 shows, 8:30pm/10:30pm. $50 general/VIP $175! Or get royally romantic at 2.14STavernJerry Farber’s Side Door with Kitty Love’s Cheeky Belles Burlesque: Dizzy Princess Revue at 9pm! Tease it up with Kool Kat Kitty Love, Angelica Vice, JudyAnne Foxe, Valkyrie Jones, Sainte Lee, Zina Czarina and more! $15 in advance/$20 at the door. The Famous Pub welcomes you to the Spectacular! Come see what’s behind the red curtain at RITUAL’s Moulin Rouge Valentine’s Day Ball featuring the Diamond Dog Dancers and more! $10 gains entrance to this exciting extravaganza starting at 10pm!

Basement4. It’s Boogie Time. Shake your money maker at Kavarna in Decatur at Susi French Connection’s Valentine’s Disco Party at 9pm! Or get your ‘90s club fix at The Basement with their D.A.N.C.E. ’90 Dance Party, Valentine’s Edition that’ll have you dancin’ to your favorite ‘90s club tunes all night!

5. Be My Folksy Valentine. You won’t want to miss some old-time Irish, Scottish and Celtic mythical ballads this day of romance with Emerald Rose’s Valentine’s Day Show, putting a musical spell on you and your lucky lover at the Crimson Moon Café at 8pm.CrimsonMoon

6. Shakespeare In Love & Really Retro. Get romantically retro and take in William Shakespeare’s classic tale of star-crossed lovers and feuding families at the Cobb Energy Performing Arts Center! The Atlanta Ballet premieres Jean-Christophe Maillot’s alluring yet stripped down production of Romeo et Juliette, hailing all the way from Les Ballets de Monte-Carlo! The Atlanta Ballet Orchestra accompanies the beautifully choreographed masterpiece with Sergei Prokofiev’s provocative and breathtaking score! Tickets start at $20 and performance begins at 8 pm! And for all you knights in shining armor, get really retro and romantic with the royal one in your life and joust on down to Medieval Times for their Valentine’s Day Couples Package! $99 gets you 2 admissions, a photo, Valentine’s scroll, champagne in keepsake glasses, a light up rose and 2 admissions to the dungeon! Get classically romantic at Atlanta Symphony Hall with their “From the Heart” performance, delivering the “most romantic songs that celebrate Valentine’s Day” at 8pm!

2.13ParkTavern7. Groovin’ Up Slowly. Be a smooth operator and sail on down to Park Tavern in Piedmont Park for Valentine’s Day Eve (Feb. 13) with Yacht Rock Schooner! It’ll be an evening of smooth 70s and 80s love songs and a champagne toast, so put on your dancin’ shoes and come aboard! $15 online/$20 at the door. Doors at 7 pm!

8. Lovin’ on the Silver Screen! ‘Here’s looking at you kid!’ Take a peek at love and romance Old Hollywood-style at The Strand Theater as they screen Michael Curtiz’s classic romantic drama, CASABLANCA (1942), starring Humphrey Bogart and Ingrid CasablancaBergman. Enjoy a few cocktails during cocktail hour with your dapper fella or glamorous gal at the Lumiere Lounge, , open from 7-11pm!

Pallookaville9. Cupid’s Culinary Delights! Grab your beloved bestie and even the kiddies for a dinner fit for a king at Pallookaville Fine Foods in Avondale Estates! A king of pop culture and classic monsters, that is! They’ve got monsters and circus freaks and retro-themed food, oh my! So, you won’t want to miss their Valentine’s Day Feast running from Feb. 11 through Feb. 14, which includes the essential dinner of love, a ‘la Lady & The Tramp-style, Linguine & Meatballs and the fixins followed by chocolate-covered strawberries! Adults $18, Kiddies $10! Or hula on over to Trader Vic’s and escape into the island atmosphere with their Tropical Valentine’s Day prix-fixe menu, featuring BBQ Duck Breast Spring Rolls, Asian Chicken Breast Salad, Pan-Seared Yellow Fin Snapper, Which Chocolate Soufflé and more! $60/person.

10. We Goth You Covered. For the darkly romantic, The Oakland Cemetery offers their Love Stories Tour, complete with tales of loves past led by a Victorian-era clad docent. Tours last an hour, just long enough to meet a kindred spirit or even a new love! Get loved to death while traversing the land of passionate souls RLClonging for love. Tours haunt at 3pm, 4pm and 5pm! $10 adults/$5 students! Haunt over to the Red Light Café for their Valloween Costume Cabaret with bloody romantic tunes by Mayhayley’s Grave, belly and sword dances performed by Claire Voyant of The Cabaret Noir Collective and more! Doors at 7pm; $12 advance/$15 door. Or for a Valentine’s Eve-Eve (Feb. 12) event, get your bloody heart ripped out at Mary’s for their ‘Goth Nite St. Valentine’s Massacre’ event! It’ll be a Goth throw down featuring classic Goth rock, synth pop, post-punk and even tunes from the New Romantic era!

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Third Time’s The Charm: Revival Stars, Legends and Rising Ingenues Add Spice to Southern Fried Burlesque Festival

Posted on: Mar 18th, 2013 By:

Stars both of the Burlesque Revival and of classic tease arrive in Atlanta this week for the third annual Southern Fried Burlesque Festival Thurs. March 21-24 at  the Wyndham Atlanta Galleria. Bras off to Syrens of the South Productions, and in particular Katherine “Lashe” Neslund, with assistance from Ursula Undress, who had a dazzling dream to start a festival in Atlanta.As a lover of classic burlesque but appreciative of the creativity that revival performers show, ATLRetro has to say that the big evening shows at the first two SFBFs were among the best in Atlanta. We loved the chance to see some of the nation’s and Southeast’s best, including legends that sizzled stages in the ’60s and ’70s, without traveling to New York, the West Coast or the Burlesque Hall of Fame. Aspiring performers can take classes taught by these talents on topics ranging from costuming to performance to the history of the art form, as well as shop from a host of vendors selling everything from pasties to vintage items.

Just a quick glance at the line-up suggests this year will be just as good performance-wise, if not even better. First, we have to admit that we’re pretty excited to see Portland, Oregon’s Russell Bruner, reigning King of Burlesque, after getting a peek at him during our own Kool Kat Kitty Love‘s first Sultry Sunday of the year back in January. Male exotic dancers may be notoriously boring, but dressed in a pin-stripe seersucker suit, top hat and debonair moustache, let’s just say Russell wasn’t just sexy but sassy–really capturing the spirit of the tease in ways that most male dancers simply don’t. Of course, that underlines the essential difference between burlesque, or in this case “boylesque,” and striptease/exotic dance. Burlesque comes from vaudeville and variety and is all about having fun–which, well, they say gals love a guy with a sense of humor.

Russell Bruner

OK, yeah, that was a lot of getting hot and bothered about Russell. SFBF 2013 also features a bevy of lovely ladies. Friday night’s all-star Free Range Burlesque will be headlined by Miss Exotic World 2010 Roxi D’lite, who also stars in BURLESQUE ASSASSINS, a Canadian comedy/action indie feature film which will have its Atlanta debut at SFBF. Set in a 1950s Burlesque theatre, it stars top burlesque performers from around the world and and follows a trio of sexy super-spies as they seduce their way within killing distance of a trio of villainy hell bent on global Cold War domination. How can one not want to see a movie whose description provocatively teases: “WITNESS the fatal fan dance of Koko La Douce! BEHOLD the brutal boa striptease of Bombshell Belle! SEE Bourbon Sue, a bad girl with a taste for booze, boys and Rock & Roll. Experience the carnage and the cleavage as the enemies of The Burlesque Assassins discover that when it comes to these women, LOOKS CAN KILL!” Catch the trailer here.

Known for having the “mouth of a sailor” and the “voice of an angel,” Cora Vette will be on hand as pageant mistress of ceremonies on Saturday night. She performed for more than one million guests over three years as Tanya in MAMMA MIA! at the Mandalay Bay Hotel and Casino in Las Vegas. She now runs a burlesque company called Black Box Burlesque and also has a troupe of male burlesque performers called Cora Vette’s Hot Rods. In fact, she may be one of burlesque’s most diverse talents, having also written two burlesque musicals, the critically acclaimed Victorian comic burlesque operetta, LEADVILLE OR BUST! and a pot opera called REEFER MANIA: DENVER’S GONE TO POT.

Cora Vette.

Notorious for her costumes, 2012 Southern Fried Burlesque Queen, Denver’s Orchid Mei, returns. She gracefully combines traditional Chinese dance with influences from classic burlesque femme fatales and has performed with the Dresden Dolls. Also back are last year’s best group, New Orleans’ Slow Burn Burlesque! Atlanta’s own lovely Talloolah Love and Knoxville’s Kisa Von Teasa will be featured performers at the Southern Scorcher showcase, hosted by Minette Magnifique‘s Baroness vonSchmalhausen which also includes Fonda Lingue, Ursula Undress and many more talented performers  from all over the Southeast!

late night Saturday. SFBF’s legends this year are Canada’s Judith Stein and Detroit’s Toni Elling, who will both be performing Friday. And that’s not even counting Atlanta’s New Orleans Jon, who emcees on Friday; all the way from Stockholm, Sweden, Adoria Amoria – if you had any doubt that the revival had reached Scandinavia; Knoxville’s Sweet Little Psycho Kisa Von Teasa, and many more.

Here’s a quick rundown of SFBF daily highlights:

Thursday March 21

SFBF kicks off with a happy hour mixer, which also will double as the monthly meet-up of the Atlanta Burlesque & Cabaret Club from 6 p.m. to 8 p.m., then get a sneak peek at burlesque’s future stars at the Just Hatched Newcomers Showcase and watch the Atlanta premiere of BURLESQUE ASSASSINS at 10 pm.

Friday March 22

The festival teases into full gear with classes and vendors during the daytime, the Free Range International Showcase headlined by Roxi D’lite and featuring performances by local and national stars at 9 p.m. and an after-party at 11:30 p.m with music by Till Someone Loses An Eye featuring Kool Kat Aileen Loy and Good Golly Svengali.

Judith Stein.

Saturday March 23

Take classes and shop the vendors’ market during the daytime, then see some of the south’s and nation’s finest compete in the Southern Fried Burlesque Pageant, at 8 p.m. It’s hosted by Cora Vette with farewell performances by last year’s winners Orchid Mei and New Orleans’ Slow Burn BurlesqueThen close out the night with the Southern Scorcher Showcase at 11:30 p.m. featuring Talloolah Love, Kisa Von Teasa, Fonda Lingue, Ursula Undress and many more talented performers  from all over the Southeast!

Sunday March 24

Get your final shopping done and catch up with the performers before they leave town.

To purchase advance tickets and peruse the full class and event schedule with performer bios, visit www.southernfriedburlesquefest.com/. And for the latest updates and extras, be sure to friend SFBF on Facebook and follow on Twitter

All photographs are courtesy of Southern Fried Burlesque Festival and the performers pictured.

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Kool Kat of the Week: Freaks, Geeks and Playing with Teeth: Aileen Loy Is Ready to Sing the Music of the Devil…Well, Till Someone Loses An Eye

Posted on: Mar 6th, 2013 By:

Aileen Loy, performing with Till Someone Loses an Eye at the Star Bar on Jan. 10, 2013. Photo credit: Jolie Simmons.

ATLRetro has had our eye on Atlanta visual and performance artist Aileen Loy for a long time, and now seems like the perfect time to catch up since her band Till Someone Loses An Eye will be playing Sunday March 10 in a three-month second Sunday series at the Corner Tavern in Little Five Points. The unique nine-person ensemble also will be opening for self-described “rockabilly-porno-metal with a country twist” Fiend Without a Face  and Ricer on Wed. March 6 at the Star Bar. Other band members include  Sam McPherson and Michael A. Robinson (L5P Rock Star Orchestra/DRACULA THE ROCK OPERA); Meredith Greer (The Chameleon Queen); Steve McPeeks (Art of Destruction)Frank Anzalone (Walk From the Gallows)Brigitte Warren (Wicked Geisha Ritual Theatre); and Dee Dee Chmielewski (DRACULA).

To call Aileen an eclectic talent would be an understatement for her passions definitely are eclectic and her talent unquestionable. Her singing voice is unexpectedly deep for a woman and has often been compared to Tom Waits. her costumes are always the very spirit of Bohemian and often feature bones, whether she is in full Mexican skull-face Day of the Dead regalia or  a skintight black pants fronted by a human pelvis and skeletal legs. Still to call her a goth would be selling her short. She certainly displays a passion for the macabre, but she also equally embraces the playful, including the recent Renaissance of carnival/circus culture and even a gypsy steampunk edge. Till Someone Loses An Eye lists its influences as Waits, Nick Cave and Gogol Bordello and its interests as “rusted metal, old time circus culture, cheese sandwiches, small rocks, freaks, geeks and miscreants.”

When she is not making music, Aileen crafts cool, creepy jewelry using prosthetic eyeballs and teeth, and she has experimented in film and just about every type of artistic media. If that’s not multi-talented, we don’t know what is. But enough talking about Aileen, let’s get talking to her.

ATLRetro: Seeing your artwork and listening to your music, we can imagine you being closer to Wednesday Addams than Cindy Brady as a little girl. How old were you when you started down the path to the darker side of creativity, and what pulled the trigger?

Aileen Loy: That’s a fair cop – I was a pretty serious and awkward little girl. I’m not sure how to answer the rest of that question but there was probably a library card involved.

Aileen Loy plays a mean harmonica with Till Someone Loses an Eye at the L5P Halloween Festival 2012. Photo credit: Stephen Priest.

Who/what were some of your early inspirations musically and visually that still influence your work today?

Johnny Cash, Tennessee Ernie Ford, a lot of classical music. My parents had a weird assortment of albums when I was growing up, so I’d go from listening to SONGS OF THE GUIANA JUNGLE, Lord Kitchener, those odd Reader’s Digest collected works of *insert western classical composer or awesome polka guy, here*, lots of Bollywood, Johnny Mathis and a good dose of Kitty Wells, Dolly, Willie Nelson. Rock and roll was kind of special because I got to discover that on my own. Those were the albums we played when the folks were at work or at my friend’s house. Dad went on a “Rock and roll is the music of the devil; we must burn all rock albums and rid the world of it’s horrible influence” phase, so most of my albums stayed in my room hidden safely behind the Mozart and Ravi Shankar. It was an odd time.

Why do you think circus and carnivale culture has made such a comeback and is seemingly in a renaissance in the independent arts scene from burlesque to steampunk to modern-day proud-to-be-freaks shows?

Good question and I don’t really know. I’ve always been drawn to it because it seemed like a magical amorphous place, where one can, not only be exactly what one is, but is encouraged and expected to be fully that – to gain power and reflect competence and heart through what others might view as “freakish.” It’s a place where no one expects tidy and convenient truths. Fantastic stuff. I think I definitely would have felt safer in there as a kid.

Your vocals have often been compared to Tom Waits, which is unusual for a woman. Did you work to create your unique singing voice or did it just come natural?

I’ve always had a little froggy voice, and the vocalists that I really loved had such huge resonance. You could feel them in your chest! So, yeah of course I wanted to sound like them. That would be me, age 5, trying my damnedest to sing Johnny Cash, and eventually I could. I had a voice therapist tell me that I have the physiology for it . My vocal cords are similar to a male’s. Otherwise I wouldn’t have been able to train that low.

Aileen Loy fronts Till Someone Loses An Eye at 7 Stages during Day of the Cupcake, Oct. 8, 2012. Photo credit: Jolie Simmons

Tell us about Till Someone Loses an Eye, your latest band. Why the name? And what makes this band special and unique musically?

I thought the name was funny. It could be a threat, an eventuality, or an aspiration. The band is personally interesting to me because everyone has such a widely different back story and vibe from one another, and it informs the music in a pretty cool way.

At an Artifice Club performance in fall 2012. Photo credit: James Curtis Barger.

You list some of your collaborators as “heads of mischief.” What do you mean by that?

I was being glib when I wrote that, just trying to fill a page and get it up. But now it’s very apparent to me that it’s absolutely true on its face, no explanation needed. Lovely troublemakers, all of them.

You’re playing twice this week. Wed. March 6 at Star Bar and then Sunday march 10 at Corner Pub, which is going to be a once-monthly event on second Sundays. Do you have any special plans for either show? Why should folks come out?

Wednesday’s show we’re playing with Fiend Without a Face and Ricer, two reasons right there to come. Second Sundays, we have the whole night to do whatever we want. We could play two full sets just us, or have another band open, or musicians sit in for a song or two. This Sunday, the band, Tulsa, is coming through from SXSW and will be doing an early opener set at 8:30.

A vintage stag pocketwatch sporting a prosthetic eye designed by Aileen Loy.

What are you up to in the visual arts right now? Last time I checked you were making beautiful jewelry involving teeth.

Still plugging away, trying to up the scope of the teeth jewelry a bit and take it to a logical conclusion, not sure what that is. I’ve got a few new projects brewing, but it’s still to foggy to talk about them with any kind of intelligence.

What artistic or musical accomplishment are you most proud of so far, and why?

I’m just happy I’m doing it. Neither was particularly supported when I was growing up, so I kind of always found my own way around. Definitely, a late bloomer.

Finally we had to ask. What’s your favorite whiskey and why?

Is there ever a bad whiskey?

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