ATLRetro

By Dean Treadway
Contributing Writer

BOOGIE NIGHTS (1997); Dir: Paul Thomas Anderson; Writer: Paul Thomas Anderson; Starring Mark Wahlberg, Burt Reynolds, Julianne Moore, Don Cheadle, William H. Macy, John C. Reilly, Heather Graham; Taboo-La-La Series hosted by Blast-Off  Burlesque at Plaza Theatre, Sat. Jan. 21; 10 PM; arrive early for a night of innuendo-laden foods, Porn Persona superstar costume contest, prizes, Rollergirl madness and a hilarious stage show with special guest Cousin Dan; age 18 & over only; trailer here.

BOOGIE NIGHTS is one of those films I love in spite of my better judgment.  It’s a resolutely big-screen experience, and Atlanta moviegoers are going to have a rare opportunity to see it on the big screen at the Plaza Theater on Saturday, Jan. 21 when it appears as the feature accompanying Blast-Off Burlesque‘s saucy Taboo-La-La show starting at 10 p.m.

I can recall gendering at the beautiful one-sheet for BOOGIE NIGHTS before it was released in the fall of 1997.  I marveled at its huge cast, and was excited about the subject matter – a trip through the Los Angeles porn industry of the late ’70s.  I didn’t know who the writer/director Paul Thomas Anderson was at that time, having not seen his first feature, the small-time con film, HARD EIGHT, but that would soon change.  The poster, though, with its intricate photo collage of characters from the film, promised an epic portrayal unlike anything ever attempted.  I was extremely thrilled about seeing it.

Burt Reynolds in BOOGIE NIGHTS. New Line Cinema, 1997.

In BOOGIE NIGHTS, we follow its naïve central character, Eddie Adams (Mark Wahlberg), as he is ensnared into a makeshift family of porn filmmakers and performers.  He’s spotted by the patriarchal auteur Jack Horner (Burt Reynolds) as he’s performing tricks on the side at his busboy job at an L.A. nightspot.  Impressed by his entire…um…package, Horner invites Eddie into the porn fold, and there his triumphs and troubles begin.  Eddie’s eventual transformation into the XXX-star Dirk Diggler is followed in great detail, but this story is really a kind of connective tissue for all the many other tales the film has to offer. Julianne Moore is a top-tier porn actress battling the courts and her ex-husband over custody of their son while using Horner’s coterie of performers as sort of stand-in children. William H. Macy is a meek assistant director struggling with his wife’s brazen infidelity. John C. Reilly is an amiable second-string performer with a penchant for magic tricks who’s attempting to forge a stronger identity for himself. Don Cheadle is another beaten-down porn star who’s finding difficulty breaking into the world of legitimate business. Heather Graham is the sexy but largely innocent Rollergirl, searching for the family she can’t find at home.  And Horner himself is battling pressures to convert to video rather than film – an idea he finds abhorrent (this is especially poignant now, seeing as how this might be your last opportunity to catch BOOGIE NIGHTS on 35mm).   Throw into this mix Philip Seymour Hoffman as a schlubby sound guy, Luis Guzman as an enthusiastic outsider, Robert Ridgely as a troubled producer, Philip Baker Hall as an imposing moneyman, and Ricky Jay as Horner’s loyal editor, and you can get a sense of this film’s great ambition.

Heather Graham plays a sexy, but largely innocent Rollergirl in BOOGIE NIGHTS. New Line Cinema, 1997.

I still find moments in the film to be quite wonderful.  The widescreen cinematography, by Anderson regular Robert Elswit (who would go on to win an Oscar for his work on Anderson’s THERE WILL BE BLOOD), is always vibrant and inventive, as is the ’70s-era source music score (which pairs nicely with a sad circus underscore by Michael Penn).  Anderson writes dialogue for dumb people particularly brilliantly, so there’s always funny conversation going on.  The period detail in the garish art direction and costume design are spot-on.  I love seeing Burt Reynolds tearing into a good role, for possibly the last time, and Julianne Moore is lovingly histrionic here, as she would be in Anderson’s MAGNOLIA as well (both received supporting player Oscar nominations).  As always, I find John C. Reilly to be a hoot as Reed Rothschild, and Phillip Seymour Hoffman is sweet as the crewman who gets a crush on Eddie (his tortured confession of this to the unsuspecting Wahlberg is perhaps the movie’s most shattering scene).

Alfred Molina in BOOGIE NIGHTS. New Line Cinema, 1997

But I also find that many parts don’t work. William H. Macy is a barely-sketched punching bag of a character. Don Cheadle’s story fails to make a deep impression (note: any time you see a character in a white suit, you can bet that thing’s gonna be covered in blood by the end of the scene). And Graham’s Rollergirl, while extremely cute, also seems thinly-written.   It feels like Anderson just has too much movie here for 2 ½ hours to hold (BOOGIE NIGHTS would have been a much better TV series).

Still, though the film owes a bit too much to the GOODFELLAS style of soaring-then-crashing storytelling (with the onslaught of the 1980s being the rather too-obvious turning point), BOOGIE NIGHTS is required viewing if only for its extremely tense final third, which finds Eddie struggling with a cocaine addiction while trying to launch a hilariously ill-thought musical career (the songs, performed bravely and horribly by Wahlberg and Reilly, include the original “Feel My Heat“ and a cover of the closing song to THE TRANSFORMERS MOVIE, “The Touch“).  Particularly memorable in this segment, too, is one of the great scenes in movie history, where Wahlberg, Reilly and ne’er-do-well Thomas Jane are stuck inside a free-basing coke-dealer’s house.  The gun-toting dealer is played with a maniac’s energy by Alfred Molina; he’s so coked up, he has no idea that these three are planning to rip him off.  With firecrackers being thrown left and right by his houseboy, he holds the guys semi-hostage as he insists on playing “Jessie’s Girl” and “Sister Christian” for them on his stereo.  You’ll never hear these two songs in quite the same way again.  It’s really a marvelously scary moment that puts you right there in this mess and gets your heart pounding.

Mark Wahlberg and John C. Reilly in BOOGIE NIGHTS. New Line Cinema, 1997.

There are many other things I like about the movie: the stiffly-acted porn sequences, shot on a scratchy 16mm; the wonderful tour through one of Horner’s house parties, done in one long shot that recalls a scene out of I AM CUBA, where we follow a girl as she jumps into the pool out back, all to the tune of Eric Burdon’s “Spill the Wine”; and the final shot of the film, which recalls another Scorsese classic, RAGING BULL, but which ends with, at last, a glimpse of what made Dirk Diggler famous.  I wish BOOGIE NIGHTS as a whole was as good as these individual moments, but it’s certainly something worth checking out, especially if you’ve never seen it on the big screen.  And it remains an important film, if only as the breakthrough for an artist like Paul Thomas Anderson who, with each passing work, only seems to be getting better and better.

Dean Treadway is a longtime Atlanta film analyst and film festival programmer with more than 25 years of published works. His popular film blog is called filmicability with Dean Treadway.  He is also a correspondent for Movie Geeks United, the Internet’s #1 movie-related podcast.

By Jordan Barbeau
Contributing Writer

Monday, January 16

To honor and carry on the mission of civil rights leader and Atlanta native Dr. Martin Luther King, Jr., into the 21st century, a march & rally keeps Dr. King’s “dream alive”  from Peachtree Street to the King Center on Auburn Avenue. Joe Gransden brings his 16-piece orchestra to Cafe 290 for Big Band Night every first and third Monday of the month, playing a variety of standards from Sinatra to Count Basie, along with Joe’s originals. Smith’s Olde Bar again hosts the talents of Tab Benoit and The Deacon Brandon Reeves. From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner, during Mai Tai Monday at Smith’s Olde Bar. Northside Tavern hosts its weekly Blues Jam. To break up the Monday monotony, head over to Fat Matt’s Rib Shack for dinner and a show, with local blues/jazz band Dry White Toast performing at 8 p.m.

Tuesday, January 17

Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 p.m. Little G. Weevil blues it down at Darwin’s Burgers & Blues in Marietta. J.T. Speed rocks the blues Fat Matt’s Rib Shack. Nathan Nelson & Entertainment Crackers bring on the blues at Northside Tavern. Catch Tues. Retro in the Metro nights at Midtown’s Deadwood Saloon, featuring video mixes of ’80s, ’90s and 2Ks hits.

Wednesday, January 18

Bernadette Seacrest got her start in rockabilly but now she and her band, the Kris Dales are delivering some raw, dark vintage-inspired jazz. Catch her tonight at Eddie’s Attic. The Atlanta Funk Society turns the main room of Smith’s Olde Bar into the funkiest place in Atlanta on Wed. nights. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. The Hollidays play Fat Matt’s Rib Shack. Danny “Mudcat” Dudeck blues it down at Northside Tavern. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays at Pub 71 in Brookhaven.

Thursday, January 19

The Unsatisfied, The Dirty Knockouts and The Bums bring some raw punk, garage energy to The Clermont Lounge. The Star Bar presents The Team Luis Birthday Show, a night of glam, psych-pop and rock n roll featuring Cousin Dan, Turf War, Abby GoGo and Dino’s Boys. The Red Light Café’s weekly Bluegrass Thursday starts with a 7 p.m. jam session, followed by a bluegrass band at 9 p.m. Relax with a tropical cocktail at vintage tiki bar Trader Vic’s where Tongo Hiti play Retro-Polynesian luxurious live lounge sounds, as well as trippy takes on iconic pop songs, every Thursday night. Big Mike‘s off in Seattle till June performing with El Vez in Teatro ZinZanni’s CALIENTE SHOW, so Atlanta Funk Society‘s Jonathan Lloyd will be filling in on vocals. Remember Lloyd’s Rockstead Review, his killer reggae collaboration with Kingsized ? The Breeze Kings and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.

Friday January 20

Fernbank Museum’s Martinis and IMAX gets physical with Salsa Night featuring salsa lessons and performances by Salsambo Dance Studio. Smokey’s Farmland Band & friends bring their brand of “good-time eclectic bluegrass” to the Star Bar. The Swamp Funk Quartet funks it up at Darwin’s Burgers & Blues. G Love & Special Sauce rock the Variety Playhouse with their unique hip-hop blues style.

Saturday, January 21

If you’re in the mood for a bit of naughty fun, head over to the Plaza Theatre for Blast-Off Burlesque’s latest Taboo-La-La: BOOGIE NIGHTS! Experience on the big screen the notorious movie about the glory days of disco, drugs and the porn industry set in 1977 and featuring an eclectic all-star cast ranging from Mark Wahlberg and Julianne Moore to Burt Reynolds! Showtime is 10 pm, but get there early for a night of innuendo-laden foods, Porn Persona superstar costume contest, prizes, Rollergirl madness and a hilarious stage show with special guest Cousin Dan. Read Dean Treadway‘s Retro Review here.

Photo courtesy of Sofia Talvik.

Drawing comparisons ranging from Joni Mitchell to Aimee Mann, this week’s Kool Kat, Swedish singer/songwriter Sofia Talvik, brings her unique blend of folk music and Euro-pop to The Drunken Unicorn with Divine Isis, who will be celebrating the release of their new EP, and Pocket the Moon. Read why Sofia labels her music “as a mix between the melancholy of Scandinavia and the mysteriousness of the American South” in our Kool Kat interview with her here. Atlanta-born The Grapes return to their hometown to rock the Variety Playhouse along with southern funk band Deep Blue Sun. The Psycho-Devilles get rockabilly crazy at Dixie Tavern. The 529 gets rocked by I Want Whiskey, Prison Book Club, the Signallers and Rainey. The hard-rocking Casanovas take Darwin’s Burgers & Blues by storm, while the New Orleans Suspects and A Nickel Bag of Funk play Smith’s Olde Bar. And as usual, DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno late into the wee hours.

Sunday, January 22

Jaimoe’s Jasssz Band rock the main room of Smith’s Olde Bar, while the Boxcar Bandits handle the Atlanta room. Vito plays The Earl for dunch. Fatback Deluxe bring on the blues at Fat Matt’s, and Uncle Sugar blues it down at Northside Tavern.

Ongoing Theatre 

Before the  hit 1968 movie with Jack Lemmon and Walter Matthau and the beloved ’70s TV sitcom with Tony Randall and Jack Klugman THE ODD COUPLE was a Broadway play by Neil Simon. A local production of the comedy about two mismatched, newly-single roommates, Felix the neat freak and Oscar the slob, plays at The Earl Smith Strand Theatre  in Marietta through Jan. 22.

ANNIE, the musical about everyone’s favorite comic-strip red-headed orphan cheering up the Great Depression, plays the Fox Theatre through Jan. 22.

CAVALIA: ODYSSEO takes the spirit, beauty and creativity of recent European acrobatic spectaculars such as Cirque de Soleil and applies it to horses. Let’s just say this is not your mamma’s  Royal Lippizan Stallions circus show. Big tent at 864 Spring Street. Through Jan. 29.

Ongoing Exhibits

Explore one of America’s most iconic theaters in AIN’T NOTHING LIKE THE REAL THING: HOW THE APOLLO THEATER SHAPED AMERICAN ENTERTAINMENT, a special exhibition at the Atlanta History Center . Presented by the Smithsonian’s National Museum of African American History and Culture, in collaboration with the Apollo Theater Foundation, the display includes historic and contemporary costumes, playbills, music scores, graphic images and recorded music. Through March 4, 2012.

PICASSO TO WARHOL, a special art exhibition at the High Museum of Art, features over 100 works of art from 14 of the most influential artists of the 20th century. Through Apr. 29, 2012.

If you know of a cool happening coming up soon, send suggestions to ATLRetro@gmail.com.

Photo credit: Rose Riot. www.roseriotphotgraphy.com

By Jennifer Belgard
Contributing Writer

With the playful charms of Charlie Chaplin and the seductive eyes of Theda Bara, Jaime Ladet is a modern gamine plucked out of a Western/science fiction/fantasy movie.  An artist and crafter, photographer, musician and beekeeper.  A fire performer with one foot planted firmly in Vaudeville, the other in a neotribal circus.  She is a gypsy weaving between eras. She thrives in this one, but there’s no question her heart lies in days gone by.  This blend of styles and eccentric personality is what sets her accessory line, Hustle n Bustle, apart from the rest.  I was lucky enough to steal a bit of her time this week to share with you.

ATLRetro:  Tell me a little about yourself.

Jaime Ladet:  I am a designer, performer and photographer.  I create fascinators, cocktail hats, tiny top hats, headdresses and floral hair adornments for Hustle n Bustle.  I grew up in the theatre.  Tagging along with my aunt to her rehearsals and shows, I’d tuck myself away in the balcony behind the spotlight to watch.  Costumes and hats were a huge attraction for me.  I loved to spend time in the costume room on the second floor of the theatre digging for treasure.  I first performed as a showgirl at the age of 15 in a Western saloon, clad in ruffles and stripes with a small shooter pistol tucked in my garter.  These days I perform circus and sideshow arts, fire-dancing, aerial and burlesque as a part of the Hot Toddies Flaming Cabaret.  The creations that do not make it to Hustle n Bustle are the one-of-a-kind costume pieces created for special events and Hot Toddies performances.

What led to the creation of Hustle n Bustle?

Hustle n Bustle was born to fill a need.  As I designed custom pieces for events, people would stop me and compliment me on my adornments.  They would often ask where I had acquired the creations I was wearing.  When I replied that I made them, they would ask for my business card.  Hustle n Bustle is for women drawn to vintage glamour, romance and shiny things.

You also do custom pieces.  Any exciting new projects?

Yes!  I love to work with people to bring their vision into reality.  From simple, elegant pieces to extravagant showstoppers.  I’m always working on new creations.  In the coming months, I have a variety of projects ranging from stilt costumes to bridal headpieces.

What keeps you inspired?

I am continually inspired by uncovering relics of the past through old photographs and movies.  I am also inspired by objects that I find.  I work a lot with floral elements, feathers, and things that sparkle.  Just yesterday my grandmother sent me a package containing old buttons, rhinestone pieces and a sequined applique from a dress made for her when she was a girl by her grandmother.

Photo credit: StunGun Photography. www.stungunphotography.smugmug.com/

Stefan’s Vintage Clothing in Little 5 Points.  I have found some of my favorite pieces there for both costumes and everyday wear.

Hustle n Bustle is available at Libertine in Little 5 Points or online at www.hustlenbustle.com. Visit www.fireonthemidway.com to view booking information for the Hot Toddies Flaming Cabaret and a schedule of their upcoming events.

Jennifer Belgard is Co-Conspirator at Libertine, Curator of Curios at Diamond*Star*Halo,  Barkeep at Euclid Avenue Yacht Club, and Co-Coordinator of Chaos for the Little 5 Points Halloween Parade & Festival.  In her spare time she enjoys Turnin’ TriXXX and playing Queen of Your Distraction.

Pirita (Mirjami Kuosmanen) takes a bite from the throat of an unsuspecting hunter in THE WHITE REINDEER (1952).

THE WHITE REINDEER (1952); Dir: Erik Blomberg; Starring Mirjami Kuosmanen; Introduced by Professor Morte (Silver Scream Spookshow) including ticket giveaway to Days of the Dead horror convention; a short audience discussion will follow the film by GSU Prof. John Decker; Sat. Jan. 14  7:30 p.m.; $8; Plaza Theatre;  Trailer here.

Art, foreign, horror and classic fantasy film buffs all will get a rare treat when lost award-winning 1952 Finnish movie THE WHITE REINDEER (“Valkoinen Peura”) gets an extremely rare return to the big screen at the Plaza Theatre on Sat. Jan. 14 at 7:30 pm., courtesy of the Scandinavian-American Foundation of Georgia (SAFG) and the Mythic Imagination Institute (MII). The first significant post-World War II Finnish film, THE WHITE REINDEER won a 1953 Golden Globe Award for Best Foreign Film and the Fairy Tale Award at the Cannes Film Festival from a jury led by Jean Cocteau (LA BELLE ET LA BETE). However, despite its critical acclaim and beautiful cinematography, the movie only had a limited U.S. theatrical release in the late 1950s and since then has been largely forgotten other than a recent appearance on French DVD (it’s not available from Netflix!), perhaps due to its unusual and enigmatic subject matter blending an art film sensibility, the shamanism/folklore of the indigenous, nomadic Lapland (Sami) people and the unlikely themes of shape-shifting and vampirism.

Those supernatural aspects have earned  THE WHITE REINDEER a cult reputation among classic horror movie fans, making it an extra special treat to have an intro by Professor Morte of the Silver Scream Spookshow, and if you need extra incentive, he’ll be handing out a few passes to Days of the Dead, the big horror con in Peachtree City March 9-11. However, as noted, don’t get scared off if you’re more intrigued by art and foreign films or the anthropology and folklore of Sami shamanism. The art and mythic elements will get their due in a short audience discussion after the film led by John Decker, assistant professor of art history at Georgia State University, whose academic interests range from religious and devotional imagery to the zombie apocalypse.  “Tales both of people transforming into deer and of vampirism span many cultures from Europe to Native Americans,” points out Honora Foah, president and creative director of the Mythic Imagination Institute. “Films are the folklore of our times, and we’re hoping this movie will launch an ongoing Mythic Movie series.”

It’s easy to see why Cocteau was drawn to THE WHITE REINDEER. The plot itself is a simple and archetypal tale of love lost and a spell gone tragically wrong.  A lonely and heartbroken Sami woman, Pirita (Mirjami Kuosmanen, who incidentally was the wife of director Erik Blomberg), turns to a shaman for help in reigniting the love of her husband, Aslak, who is more interested in herding reindeer than romancing his wife. But thanks to being born under the curse of the Midnight Sun, the sacrifice she must make to activate the love potion instead transforms her into a vengeful “White Reindeer,” a tantalizing prize for hunters who soon find themselves the prey as she reveals herself as a beautiful vampire.

A haunting reindeer graveyard in THE WHITE REINDEER (1952)

Vivid and vibrant may seem strange terms to describe a black-and-white movie, but Finnish director Erik Blomberg knows his cinematography (he has more credits for that on IMDB than directing). Vistas of the Sami people herding the reindeer in the snow, a sled race and a traditional wedding transport one effortlessly into the world of this Nordic culture which he has also covered as a documentarian. It’s also perhaps worth remembering that the Sami themselves dress colorfully, often in navy blue, trimmed with yellow, green and red.

But it’s Mirjami herself, as Pirita, who steals the screen with her haunting, emotive eyes. Perhaps the performances are a little over-emotional at points, like that of a silent film, and indeed, dialogue is sparse and simple consistent with the stoic Finns. Still, in the context of the fantastic theme and landscape, it’s easy to see those qualities as strength rather than weakness. If you do classify THE WHITE REINDEER as a vampire classic, that silent movie but with minimal sound visual quality is more reminiscent perhaps of Carl Theodor Dreyer‘s VAMPYR (1931), an early talkie which also has very little dialogue,  than of, say, the closer-to-contemporary Universal horror classics, Bela Lugosi’s eyes aside. Incidentally, Dreyer was Danish.

It's easy to forget Bela Lugosi's Eyes when you see Mirjami Kuosamanen in THE WHITE REINDEER (1952).

Finally, if there’s one more good reason to attend: proceeds benefit the two nonprofit sponsors, SAFG and MII, and the Plaza, Atlanta’s oldest continuously operating independent cinema, open since 1939, which is also a nonprofit organization. It runs just 67 minutes, too, so there’s still plenty of time to catch a band, such as the triple-header of The District Attorneys, featuring this week’s Kool Kat Drew Beskin, Tedo Stone and Modern Skirts at The Earl. In fact, you’ll see me at both The Plaza and The Earl, and most likely dining at the Majestic beforehand, too.

The District Attorneys. Photo courtesy of Drew Beskin.

The temps are supposed to be dropping again by the weekend. So when we heard several reviewers peg The District Attorneys’ sound as summery and that they were opening for Modern Skirts along with Tedo Stone at The Earl this Saturday Jan. 14, it was easy to warm us up to interrogating lead singer/guitarist Drew Beskin as the first Kool Kat of 2012.

True, the Athens-based quintet only have been around since 2009, but they’ve been turning a lot of heads and getting some rave reviews for their first two EPs. Atlanta Music Guide’s Eileen Tilson even suggested that the seven songs on their debut EP, ORDER FROM (2010), “would easily make them an appropriate opener for The Rolling Stones circa 1963.” As for WAITING ON THE CALM DOWN:THE BASEMENT SESSIONS (2011), Eric Chavez, also in Atlanta Music Guide, effused that “With southern rock riffs mixed in with some dreamy pedal steel and a touch of surfer vibes soaked in reverb, these guys make you want to chillax on the porch with an ice cold Lone Star and reminisce about the good ‘ole days.” The District Attorneys also just finished recording their first full LP produced by Drew Vandenberg (The Whigs, Drive By Truckers, Deerhunter, Futurebirds, Modern Skirts), due out around March. And hey, Drew lists The Replacements, Jesus and Mary Chain and The Smiths as the band’s biggest influences.

Enough back story already. Download their first two EPs for free here, and while you’re chilling and listening, let Drew fill you in on how the DAs got started, some more 20th century musicians he and the band dig and why you need to come out to The Earl Saturday!

What’s the secret origin story of The District Attorneys and what’s in the name?

The band started when me and Chris (Wilson, drummer) decided to form a band after I graduated and he was still at UGA. After that, we acquired a few friends to play with us until it became the line-up that it is today. The District Attorneys became something real when we discovered Frank Keith IV (bass) who is basically Love Potion #9 in human form and has been the main reason we’ve been able to get cool shows to play on. The band name is a tribute to the Bob Dylan song “Subterranean Homesick Blues,” as well as a love for bands like Interpol and The Police.

Your Facebook page describes your sound as Americana and rock, and reviewers have likened you to California country rock and described your EPs as summer music. How would you describe your sound to someone who’s never heard you and what song should they listen to first?

I would def be confident in my answer if the new record was already out. The first two EPs were just as much about finding out our strengths and weaknesses as well as rushing to get something out there to show people we have our own original material that isn’t awful. I’m cool with the summer music vibe, but I think one of my favorite things about this band is that our songs are starting to get very different with each song. Some are fast and rockin’ 2-minute pop songs and some are like the California summer rock stuff. I think if you check out “California Fire” and “Slowburner” from the most recent EP of demos (WAITING ON THE CALM DOWN: THE BASEMENT SESSIONS), you can hear a big difference in style. I always really liked “Sweetheart All Reckless And Humble” from the first EP as well, which reminds me more of a Cure/Jesus and Mary Chain song than anything else.

Can you name a few 20th century musicians who have been key influences and inspirations for you and the band, and why?

I’ll just mention the first few that come to me…um…I always say The Replacements, The Jesus and Mary Chain and The Smiths. I probably say that because I love their guitar tones and how soundtrack-like they sound. I love those bands and I def try to add some of that to our stuff. I will always be obsessed with Elton John and Prince, but I don’t think I have found a good way to showcase those influences in the band…yet.

How do you approach songwriting and select which tunes make it onto your recordings?

I don’t really have a formula for songwriting. It happens differently every time, but I have noticed that it’s usually not the stereotypical sitting down at the keyboard or guitar and writing. I usually come up with something in [my] head or the start of something in my head, and then I bring it to an instrument to accompany whatever new random idea I might have. When bringing new songs to band, I like to play two or three of them at a time and then have the band pick which one they are most eager to add their own ideas to. If it sucks, we can just move on to another one. The new record started out as an 18-song record, but after some options were thrown out, we recorded 14 good songs but ended up ditching two of them because they didn’t fit the vibe we were going for.

What can you tell us about your first full-length album and when will it be available?

The album will be 12 tracks. We are close to deciding what the name of the record will be ,so I don’t want to say just yet. It was produced by Drew Vandenberg at Chase Park Transduction in Athens and will be released hopefully in March, if not a little sooner. We will be releasing it through This is American Music which is a label that houses one of our favorite artists ever, Glossary.

Will we hear any of those new cuts at the Earl on Saturday night?

I’m pretty confident that 97% of the material we play on Saturday will be from the new record. We have been living with these songs for the album for a good while now so we actually are pretty eager to start bringing out some brand new and unrecorded material. But we will try and wait a little bit before we do that.

What else can you tell us about the show and playing alongside the Modern Skirts and Tedo Stone?

The Earl is one of my favorite venues to see shows at. I’ve seen The Tallest Man on Earth, AA Bondy and most recently the Diamond Rugs show [there], which was an eye-opening experience. The venue and all the bands playing this Saturday night will make it a very fulfilling night of music. Modern Skirts are incredible, and we are so excited to share the stage with them. Tedo Stone is a pretty new band with some of the best music I have heard in awhile.

How did you first get into making music? Is this a passion that goes back to when you were a kid?

I always wanted to be a drummer, but I was given a guitar at age 13 because drums would have been too noisy for my rents. At first I just wanted to learn the riffs to “Day Tripper,” “Crazy Train” and “Heartbreaker,” and then I wanted to get all the way through “All Apologies.” After about three years of that, I wanted to start writing my own songs to see what I could come up with.

What did you do musically before the DAs?

Everyone in the band has a colorful musical past, but before The DAs I spent most of my time writing songs by myself, occasionally playing open mic nights in Bloomington, Indiana, when I was at Indiana University. I also played bass for a local art-punk band while I was up there, but mainly I just wanted to work on my songwriting and demo as much as possible.

What do you do when you’re not writing and/or playing music?

We are all working or in school at the moment so whenever we aren’t focusing on The DAs or other musical projects we are busy with that not-so-fun stuff.

Any other news you’d like to share about what’s coming up in 2012 for the District Attorneys?

We are hoping to get to Austin for SXSW and tour more behind this record and hopefully get it in the ears of many new listeners. We have some exciting local shows coming up and hopefully a CD release gig sometime in the spring. We can’t wait for everyone to hear the record, and then we can’t wait to start working on the next one and any EPs in-between.

What question do you wish a reporter would ask you but they never do? And what is the answer? 

Let’s see, no one ever asks me what my favorite John Travolta/Nicolas Cage movie is. It is FACE/OFF (1997). Thanks for asking finally!

By Jordan Barbeau
Contributing Writer

Monday, January 9

From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner, during Mai Tai Monday at Smith’s Olde Bar. Northside Tavern hosts its weekly Blues Jam. To break up the Monday monotony, head over to Fat Matt’s Rib Shack for dinner and a show, with local blues/jazz band Dry White Toast performing at 8 p.m.

Tuesday, January 10

In the mood for a veritable gore-fest? Then Plaza Theatre has the film for you! In honor of everybody’s least favorite upcoming holiday, Splatter Cinema presents the film that most launched the splatter horror subgenre, Friday the 13th, in all its gory glory at 9:30 p.m.! Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 p.m. J.T. Speed plays Fat Matt’s Rib Shack. Nathan Nelson & Entertainment Crackers bring on the blues at Northside Tavern. Catch Tues. Retro in the Metro nights at Midtown’s Deadwood Saloon, featuring video mixes of ’80s, ’90s and 2Ks hits.

Wednesday, January 11

The Atlanta Funk Society turns the main room of Smith’s Olde Bar into the funkiest place in Atlanta Wed. night. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. The Hollidays play Fat Matt’s Rib Shack. Danny “Mudcat” Dudeck blues it down at Northside Tavern. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays at Pub 71 in Brookhaven.

Jeffrey Butzer. Photo credit: Melissa J. Butzer.

Thursday, January 12

As a tribute to the late Dr. Martin Luther King, Jr., famous cellist Yo-Yo Ma joins the glee clubs from Morehouse College and Spelman College and the Atlanta Symphony Orchestra for the 20th anniversary A King Celebration Concert at Atlanta Symphony Hall. The Star Bar features a diverse range of musical talents, such as Lightnin’ Ray & The Mystics, Jeffrey Butzer (for our interview with Jeffrey about his recent A Charlie Brown Christmas show, click here) with Molly Harvey, and Taylor Crowell & The Old Gold. Red Light Cafe holds a special Bluegrass Thursday Band Jam. Relax with a tropical cocktail at vintage tiki bar Trader Vic’s where Tongo Hiti, featuring Big Mike Geier, play Retro-Polynesian luxurious live lounge sounds, as well as trippy takes on iconic pop songs, every Thursday night. Big Mike’s about to head to Seattle for four months, so this’ll be one of his last local gigs for a while. The Breeze Kings and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.

Friday January 13

To make the unluckiest day of the year just a little bit better, head over to the Star Bar for Friday the 13th, Part 2: Electric Boogaloo, a musical celebration that no amount of black cats or broken mirrors could ruin! Featured bands include Freckle and Burn, The Head and Jade Lemons and the Crimson Lust. Blair Crimmins and The Hookers turn Fernbank Museum’s Martinis and IMAX into a 1920s ragtime jazz club.  Veteran Atlanta musician/beatnik blues poet Kodac Harrison brings his soulful voice to a combo album release, art opening and gig at 7 Stages. The Variety Playhouse hosts Boulder, Colorado’s Big Head Todd and the Monsters, founded in 1986.

Saturday, January 14

Everyone’s favorite red-headed orphan cheering up the Great Depression comes to the Fox Theatre! A production of ANNIE starts tonight, running through Jan. 22. The Yacht Rock Revue goes back in time to DARK SIDE OF THE

THE WHITE REINDEER

MOON and LED ZEPPELIN IV at the Variety Playhouse. THE WHITE REINDEER (1952) won the Fairy Tale Award at the Cannes Film Festival from a jury led by Jean Cocteau and a Golden Globe for Best Foreign Film before falling into obscurity. The legendary Finnish art/vampire film, however, gets a rare screening tonight at 7:30 at the  Plaza Theatre , co-sponsored by the Scandinavian-American Foundation of Georgia and the Mythic Imagination Institute. Read our Retro Review here. Eddie’s Attic gets bluesy with the sounds of Delta Moon and Linda McRae. Modern Skirts, The District Attorneys and Tedo Stone rock The Earl. Drew Beskin of the DAs is our Kool Kat this week. Kodac Harrison plays a second night at 7 Stages. And as usual, DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno late into the wee hours.

Sunday, January 15

Interstate plays The Earl for dunch, while Tab Benoit and The Deacon Brandon Reeves kick it at Smith’s Olde Bar. Fatback Deluxe bring on the blues at Fat Matt’s, and Uncle Sugar blues it down at Northside Tavern.

Ongoing Theatre 

Cavalia: Odysseo takes the spirit, beauty and creativity of recent European acrobatic spectaculars such as Cirque de Soleil and applies it to horses. Let’s just say this is not your mamma’s  Royal Lippizan Stallions circus show. Big tent at 864 Spring Street. Through Jan. 29.

The Supremes at the Apollo Theater. Photo courtesy of The Apollo Theater Foundation, Inc. Photo by Kwame Brathwaite.

Ongoing Exhibits

Explore one of America’s most iconic theaters in AIN’T NOTHING LIKE THE REAL THING: HOW THE APOLLO THEATER SHAPED AMERICAN ENTERTAINMENT, a special exhibition at the Atlanta History Center . Presented by the Smithsonian’s National Museum of African American History and Culture, in collaboration with the Apollo Theater Foundation, the display includes historic and contemporary costumes, playbills, music scores, graphic images and recorded music. Through March 4, 2012.

PICASSO TO WARHOL, a special art exhibition at the High Museum of Art, features over 100 works of art from 14 of the most influential artists of the 20th century. Through Apr. 29, 2012.

If you know of a cool happening coming up soon, send suggestions to ATLRetro@gmail.com.

Monday, January 2

Happy New Year! Joe Gransden presents the first of his twice-monthly Big Band Nights with his 16-piece orchestra and special guest vocal great Taryn Newborne at Café 290 . From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner during Mai Tai Monday at Smith’s Olde Bar. Northside Tavern hosts its weekly Blues Jam. To break up the Monday monotony, head over to Fat Matt’s Rib Shack for dinner and a show, as local blues/jazz band Dry White Toast performs at 8 PM.

Tuesday, January 3

Americana-with-dash-of-gypsy-folk performer Tyler Lyle sings about “Charlie Chaplain and Oedipus, lovable alcoholics, blind painters, revolutionaries, dreamers, drifters, pesky preachers and those who are human to the utmost.” Tonight he and southern rocker Joshua Fletcher play Eddie’s Attic. The Stooges Brass Band brings the sweet sounds of New Orleans jazz to Smith’s Olde Bar. Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 p.m. J.T. Speed plays Fat Matt’s Rib Shack. Nathan Nelson & Entertainment Crackers bring on the blues at Northside Tavern. Catch Tues. Retro in the Metro nights at Midtown’s Deadwood Saloon, featuring video mixes of ’80s, ’90s and 2Ks hits.

Wednesday, January 4

Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. The Hollidays play Fat Matt’s Rib Shack. Danny “Mudcat” Dudeck blues it down at Northside Tavern. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays at Pub 71 in Brookhaven.

Thursday, January 5

Dirty Bourbon River Show rings in the New Year headlining an eclectic show at Five Spot. We’re sold just on this line about them from Rory Callais of OFFBEAT:  “A circus-like barrage of sound serving as entrance music for a magical mystery tour of whiskey-soaked French Quarter back alleys.” The show also features The Hermits of Suburbia (“a unique and deranged take on folk, ska and punk” – oh, my!), Atlanta retrobilly band The Serenaders and steampunk stars The Extraordinary Contraptions. The Lefty Williams Band and The Lindsay Rakers Band put on a special acoustic show for the patrons of Eddie’s Attic. Red Light Cafe holds a special New Year’s Bluegrass Thursday. Relax with a tropical cocktail at vintage tiki bar Trader Vic’s where Tongo Hiti, featuring Big Mike Geier, play Retro-Polynesian luxurious live lounge sounds, as well as trippy takes on iconic pop songs, every Thursday night. The Breeze Kings and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.

Friday January 6

Interested in a vintage murder mystery? January’s stop on Mon Cherie presents: Bon Voyage ~World Tour Destination Parties is Murder on the Orient Express at The Shelter. We’re guessing this won’t be your grandmother’s Agatha Christie mystery, though, since the train-ride promises a “fun-filled night of Erotic Asian Performance & Murder Mystery Scavenger Hunt” and your fellow passengers/performers include a Who’s Who of Atlanta burlesque/variety including magician Chad Sanborn as Detective Axe (read an ATLRetro feature on Chad here), Stormy Knight, Katarina Laveaux from Birmingham, Fonda Lingue (Kool Kat here), Scarlett Page and more. The train leaves the Station at 9 p.m. sharp but you should be able to afford the first class Calais Coach since tickets are only $5 Guests are encouraged to dress Geisha Fabulous or Vintage Detective Style, and there’s also a Duty-Free Raffle sponsored by: Sacred Heart Tattoo (L5P), Jezebel Blue (featured in our recent Pin-Up Gift Guide), Sugar Dolls (read why they’re the cutest cupcake bakers in town here), Pin Up Head Gear, Rogue Hair Studio and Re-Vamp by Darbella, with additional items from Loyana’s Private Art Collection. Pin Up Photography provided by Bill Wooten. Also. Martinis & IMAX returns to Fernbank Museum of Natural History after a short holiday break, with the Mar-Tans (formerly Wauchope Krew) bringing on a heady blend of New Orleans-style funk, jazz, blues & R&B under the dinosaur bones.

Saturday, January 7

KingSized and the Dames Aflame throw their annual Elvis Royale celebration of the birthday of the undisputed King of Rock ‘n’ Roll at the Variety Playhouse. The big band led by Atlanta’s own lounge king Big Mike Geier reworks Elvis Presley standards, but in their own distinctive style, and we hear there’ll even be an appearance by “e.” (the ETA formerly known as “Lil’ E”). Support Marietta’s Earl Smith Strand Theatre’s on its second birthday since it was restored and Earl Smith’s 80 years at A Double Feature, a special black-tie event featuring live stage entertainment, hors d’oeuvres, a birthday toast, and a silent auction to help raise money for the art deco vintage movie palace’s future. Help celebrate dark, down and dirty blues man Rod Hamdallah‘s birthday at his gig tonight at Johnny McCracken’s in Marietta. If you missed our Kool Kat interview with him in September, catch up your reading here.  Joe Gransden brings his smooth classic jazz to the Mansion on Peachtree. And as usual, DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno late into the wee hours.

Sunday, January 8

Want to work out and have fun at the same time? Hula-hooping may be for you! Hoop Essence, Atlanta’s premiere hula-hooping organization, is offering Hooping 101, a month’s hula-hooping lessons for beginners at Ladies Workout Express (2865 North Druid Hills Road NE) . No experience is required; all you need is a desire to have fun and get fit doing it! Fatback Deluxe bring on the blues at Fat Matt’s, and Uncle Sugar blues it down at Northside Tavern.

Ongoing Seasonal

At Fernbank Museum of Natural History, enjoy WINTER WONDERLAND: CELEBRATIONS & TRADITIONS AROUND THE WORLD, featuring trees and other displays from cultures around the world, through Jan. 8.

Nothing says Retro Christmas than over-the-top light displays and insane amounts of decorations crammed into the smallest possible yard, house or—in the case of Der Biergarten—restaurant. The Luckie-Marietta district German restaurant has pulled out all the stops with nearly 10,000 ornaments, 72 nutcrackers and 26 Christmas trees! Decorations are in place every night through Jan. 8.

Ongoing Theatre 

Cavalia: Odysseo takes the spirit, beauty and creativity of recent European acrobatic spectaculars such as Cirque de Soleil and applies it to horses. Let’s just say this is not your mamma’s  Royal Lippizan Stallions circus show. Big tent at 864 Spring Street. Through Jan. 25.

Ongoing Exhibits

Explore one of America’s most iconic theaters in AIN’T NOTHING LIKE THE REAL THING: HOW THE APOLLO THEATER SHAPED AMERICAN ENTERTAINMENT, a special exhibition at the Atlanta History Center . Presented by the Smithsonian’s National Museum of African American History and Culture, in collaboration with the Apollo Theater Foundation, the display includes historic and contemporary costumes, playbills, music scores, graphic images and recorded music. Through March 4, 2012.

PICASSO TO WARHOL, a special art exhibition at the High Museum of Art, features over 100 works of art from 14 of the most influential artists of the 20th century. Through Apr. 29, 2012.

If you know of a cool happening coming up soon, send suggestions to ATLRetro@gmail.com.

By Philip Nutman
Contributing Writer

Silver Scream Spookshow Presents MAD MONSTER PARTY (1967); Dir: Jules Bass; Screenplay by Harvey Kurtzman, Arthur Rankin Jr., Len Korobkin and Forrest J. Ackerman (uncredited); Starring Boris Karloff, Phyllis Diller, Allen Swift, Gale Garnett, Ethel Ennis; Sat. Dec. 31;  kids matinee at 1 PM (kids under 12 free & adults $7) and adult show at 10 PM(all tickets $12); Plaza Theatre; Trailer here.

As much as I love all the Rankin/Bass Xmas specials, for my money, the best “Animagic” (stop-motion) show they ever made was the crazy, wonderful MAD MONSTER PARTY.

C’mon! Boris Karloff voicing Boris Von Frankenstein?  Phyllis Diller as the Monster’s Bride (she is smarter); a script by MAD magazine’s founder Harvey Kurtzman and creature designs by legendary fellow MAD cartoonist/illustrator, Jack Davis ­ what’s not to love?

There are classic monsters gla[gore] (bad pun intended) ­ The Creature from The Black Lagoon, Count Dracula…IT (actually KING KONG, but R/B couldn’t use the name “Kong” for legal reasons). Name ‘em ­ they’re here!

The Baron gathers his gruesome guests for a diabolical dinner in MAD MONSTER PARTY (1967). Courtesy of Lions Gate Pictures.

Songs to learn and love and sing! (The delightful soundtrack is available from Percepto Records; music by R/B stalwart Maury Laws/lyrics by Jules Bass.)

The film is available on DVD from Lions Gate (go to Amazon; there’s a special edition! And Blu-Ray!). BUT…don’t be a couch potato if you live anywhere near Atlanta ­ there’s nothing like seeing a superb print on the *Big Screen* at the Legendary Plaza Theatre!!! (And it’s a SILVER SCREAM SPOOKSHOW presentation brought to you by Professor Morte and his pal Shane Morton!)

YAAAAAAAHHHHH!!!! (ATLRetro is happy to end 2011 on such a mad monster note of sheer fun and grimly fiendish frolics!)

OK, the New Year is about passing the torch and moving in the future, but at ATLRetro, we think you ought to be able to do that with vintage style. Here are our top seven picks for counting down 2011 and toasting 2012 while partying like it’s 1999 or earlier.

1. Disco ain’t dead. No decade knew how to get down like the 1970s and no DJ knows how to play that funky music than the Funk Godfather himself, Romeo Cologne. Plus since the venue is the sensationally seedy Clermont Lounge, for extra points, wear a bit of blue velvet with your silver lame and have a David Lynchian flashback to the ‘80s. All night long; $6 cover 10-11 pm; $10 cover after 11 p.m.

2. Get back to the roots. The Variety Playhouse serves up a double portion of roots, rhythm & funky blues, rock and country with JJ Grey & Mofro and Honey Island Swamp Band. The former hail from Jacksonville, Fla., and are proudly influenced by classic soul heroes and other native Southern sounds. Founded by New Orleans musicians stuck in San Francisco after Hurricane Katrina, the latter play a Bayou Americana sound that is both their own and yet forged in the spirit of a heady blend of Little Feat, Taj Mahal, Earl King, Jerry Garcia, Clarence “Gatemouth” Brown and Jimmy Reed. Doors at 8 p.m., Show at 9 p.m.; $35-40.

3. Ring the Holiday Inn. Relive the glamour of a 1930s/1940s New Year’s Eve with Atlanta’s biggest band, the Atlanta Symphony Orchestra. Michael Krajewski conducts an eclectic line-up of music ranging from Offenbach’s “Orpheus in the Underworld” (Can-Can) to Gershwin, Berlin and Rodgers and Hammerstein.London and Broadway stage stars Joan Hess and Kirby Ward dance to the swing classics in a tribute to Fred Astaire and Ginger Rodgers. 8 p.m.; $30-$68.

4. Do the Monster Mash. Greet the New Year in ghoulish and goofy style with Professor Morte and the Silver Scream Spookshow gang at the Plaza Theatre. In addition to the antics of their always entertaining stage show, on the big screen is a rare special treat—MAD MONSTER PARTY (1967). This stop-motion puppet story was the only feature made by Rankin-Bass, the same folks that created RUDOLPH THE RED-NOSED REINDEER and so many beloved holiday specials, but features a cast of classic creatures such as Dracula, the Werewolf, the Creature from the Black Lagoon and more. Boris Karloff voices Baron von Frankenstein and Phyllis Diller is his creation’s Bride. Proceeds benefit Atlanta’s longest continuously running vintage art deco (and now nonprofit) cinema, which is currently up for sale. Let’s not let the Plaza become another lost landmark of Atlanta’s past. Evening show starts at 10 pm (tickets are $12), plus if you’ve got glamorous evening plans or don’t want the kids to stay up too late, there’s also an afternoon matinee at 1 pm (kids free; adults just $7).

5. Who Knows Where the Time Goes? It’s been three decades since Guadalcanal Diary formed in Marietta, but one of metro Atlanta’s top seminal alt-rock bands regrouped last summer at Athfest and Smith’s Olde Bar and tonight they are “Bringing It on Home to The Strand,” the art deco former movie palace in Marietta’s Square, along with special guests Flamingo Royale and the Dex Romweber Duo. If you missed our feature interview with lead singer/guitarist Murray Attaway last summer, catch up on your reading here. The all ages show has doors at 7 p.m.; tickets are $30 for concert only, $20 for after-midnight party only, and $45 for both show and party, with proceeds supporting fine and performing arts in City of Marietta Schools.

6. Lady Sings the Blues. Classic blues and jazz chanteuse Francine Reed brings her powerhouse vocals to Blind Willie’s with The Shadows and special guest Houserocker Johnson. $50 gets you party favors and champagne. Doors at 7 p.m.

7. Carry on, Way Downtown. Seventies superstar rockers Kansas headline Peach Drop 2012, the Southeast’s biggest NYE celebration at Underground Atlanta. Festivities test your stamina by starting at 11 am Dec. 31 with loads of family-friendly activities from carnival rides to photos with exotic birds, and running until 3 am on Jan. 1.There’s also a slew of other bands on two stages.  It’s free if you’re willing to brave the crowds and the likely chill of being outdoors.