ATLRetro

By Philip Nutman
Contributing Blogger

Silver Scream Spookshow Presents DIE, MONSTER, DIE! (1965); Dir: Daniel Haller; Starring Boris Karloff; Sat. Aug. 27;  kids matinee at 1 PM (kids under 12 free & adults $7) and adult show at 10 PM(all tickets $12; Plaza Theatre; Trailer here.

Originally released by American International Pictures in 1965 on a double bill with Mario Bava’s  PLANET OF THE VAMPIRES, DIE, MONSTER, DIE (aka MONSTER OF TERROR) is another ’60s fright-fest loosely based on an H. P. Lovecraft story, in this case “The Color Out of Space.” The movie marks the directorial debut by former art director, Daniel Haller, who worked extensively with Roger Corman in the 50s and 60s, his distinctive design work adding to the atmospherics of  Corman’s THE LITTLE SHOP OF HORRORS (1960),  THE PIT AND THE PENDULUM (1961), THE PREMATURE BURIAL and TALES OF TERROR (both 1962), and a whole slew of other great old Corman/Vincent Price/AIP flicks we love here at ATLRetro.

Like the Corman/Poe films, DIE, MONSTER, DIE! follows the familiar narrative format of a stranger arriving in a strange town – in this case, Lovecraft’s infamous Arkham, transposed to a rural English setting – only to encounter hostility from the locals who shun the inhabitants of the Whitley estate. The stranger in question is Stephen Reinhart (THE GREEN SLIME’s Nick Adams), an American coming to visit his fiancé. Unable to rent even a bicycle to get to the mysterious house, Reinhart notices there’s something wrong with the vegetation the closer he gets to the Whitley place – and discovers a strange crater.

Managing to get into the grounds of the permanently fog-shrouded estate, Reinhart is rebuffed by Whitley patriarch, Nathum (Boris Karloff), but as soon as his daughter (and Reinhart’s love), Susan (Suzan Farmer, who went on to appear in Hammer’s DRACULA, PRINCE OF DARKNESS and RASPUTIN, THE MAD MONK, the following year) learns Stephen has suddenly shown up, the old man agrees to let him stay. Reinhart, it turns out, was summoned to the house by Susan’s mother, Lettia, who is dying a a strange disease which is making her waste away. The mother, played by Freda Jackson, another Hammer veteran (1960’s THE BRIDES OF DRACULA), confides that Helga, the housemaid, has disappeared, that there’s something strange growing/lurking in the greenhouse, and, fearing, for her daughter’s safety, begs Stephen to take her away. Of course, he agrees…by deciding to stay for a few days. Big mistake! And what about that mysterious meteorite Nathum has hidden in the basement?

DIE, MONSTER, DIE! is a fun film and a competent debut by Haller. It’s not the best Lovecraft adaptation (Haller’s  1970 THE DUNWICH HORROR is a much better H.P.- inspired film), and it’s not a great Karloff flick, either. But it’s always fantastic to see Uncle Boris on the big screen, especially at The Plaza, and particularly in the presence of Professor Morte and the Silver Scream Spookshow gang!

Friday, August 12

Hear some great garage rock and rockabilly, pose with a pin-up girl, see burlesque acts, win raffle prizes and support a great animal charity at Little Darling’s Pinups for Pitbulls Presents: Dog Days of Summer! starting at 8 p.m. at The Basement beneath Graveyard Tavern. Check out our first-ever Kool Kitten interview with April 2001 Pinups for Pitbulls Calendar model Brook Bolen here. Performers include ’60s girl group revivalists The F’n Heartbreaks (of which Brook is a bandmember) and The Hot Rod Walt Trio (read our Kool Kat interview with Hot Rod Walt here); local burlesque stars Talloolah Love, Barbalicious and Sadie Hawkins of Blast-Off Burlesque, and Pinups for Pitbulls charity-founder Little Darling herself!

It’s another honky tonk rockabilly Friday at Star Bar with Caroline & the Ramblers, Villain Family and The Serenaders. It’s also always good news to hear about a too-rare Subsonics show, so we’re happy to report Buffi Aguero & Co. will be garage-rockin’ it out at The Earl tonight with Carnivores and Howlies. Bela Fleck & the Flecktones and Bruce Hornsby & the Noisemakers are at Classic Chastain. Swing to jazz, earthy blues and a little rock n roll by vocalist Gwen Hughes and her band The Retro Jazz Kats at Callanwolde Jazz on the Lawn tonight. Catch an IMAX movie and dance to blues, jazz and a slight bit of funk courtesy of Derryl Rivers & the Flying Circus at Fernbank Museum of Natural History’s Martinis and IMAX.  Recent Kool Kat Julea Thomerson and the BareKnuckle Betties plays The Five Spot with Midnight Revival and Silent Coyote. And CineProv pokes good-natured fun at THE ROCKETEER at Relapse Theatre.

Saturday August 13

Yet another clone-worthy day and night in Retro Atlanta. It’s almost impossible to pick just one of the vintage wonderland of activities tonight. First, the good news is a couple of things are in the afternoon. Kids and their parents are in for tricks and treats as the Silver Scream Spookshow‘s Professor Morte teaches a Monster Make-Up Class at Main Street School of Art at 1 p.m. Learn how to turn your kid and you into a werewolf or zombie using classic monster movie make-up techniques from realistic bruises and oozing wounds to deathly ghoulish faces and how to apply latex and hair.

Meanwhile over at The Plaza Theatre, see Sergio Leone/Clint Eastwood classic Western THE GOOD, THE BAD AND THE UGLY at 3 p.m. and 7:30 p.m. as it was meant to be seen in glorious widescreen 35 mm. The movie is the last and best part of Leone’s “Man With No Name” trilogy, which the Plaza has been screening throughout the summer. Hurray for AM1690 for sponsoring! Be sure to hang around, come early or just stop by The Plaza at 6:35 p.m., too, for COMING SOON TO A THEATRE NEAR YOU!, 35 min. of rare 35 mm trailers from Plaza Manager Ben Ruder‘s private collection. Admission for the latter is free, but donations to support the nonprofit theatre are encouraged.

The Derby Strikes Back as the Atlanta Rollergirls‘ four teams face-off in their annual play-offs. The Apocalypstix battle the Toxic Shocks at 5 p.m. while theDenim Demons get one more shot against the undefeated Sake Tukas at 7:30 p.m. Both bouts, as always, are at the Yaarab Shrine Center on Ponce, and advance tickets are recommended for these sure-to-sell-out matches. Arrive early to browse the cool vendors.

The King may have passed away from this earth on Aug. 16, 1977, but oh, does his spirit live on in ELVIS ROYALE, an annual Vegas-style multimedia extravaganza staged by KingSized and the Dames Aflame at Variety Playhouse. Hear the one-and-only Big Mike Geier sing songs from every point in Elvis’s career and experience the glittery Cavalcade of Elvis during the fabulous finale. Read our Kool Kat exclusive interview with Big Mike here.

BURLESQUE WITH A HITCH, the latest in Mon Cherie‘s Va-Va-Voom series at Masquerade, celebrates the genius of film director Alfred Hitchcock with each act based on a different film by the master. Alabaster JuJu stars, with master of suspense and mystery Miss Mason hosting, and the all-star line-up of performers includes Sadie Hawkins, Rebecca DeShon (Hoop Essence), Stormy Knight, Fonda Lingue, Evil Sarah, The Chameleon Queen, magician Chad Sanborn, Katarina Laveaux (Birmingham, AL), Nicolette Tesla (Charlotte, NC), and Peachz de Vine (Greensboro, NC). Before and after, DJ 313 spins alternative dance, Allison Kellar offers body-painting, and there’s also a RAWKIN’ RAFFLE with lots of vintage-inspired vendors donating prizes. Cover is a bargain 5 bucks, and doors open at 9 p.m. In suspense about what’s happening? Click here for a sneak preview of this Spellbound affair from Chad Sanborn.

It’s Man Day at Twain’s starting with first-come-first-serve manly tattoos at noon, but the main event gets rolling at 5 p.m. with a night of live music, manly competitions (examples include Handyman Challenge and Best Beer Gut), aerial dance performances by Blast-Off Burlesque‘s Sadie Hawkins, boob cupcakes by Sugar Dolls, the Wheel of Destiny and much more.

And that’s not to mention Big Bad Voodoo Daddy swinging with theAtlanta Symphony Orchestra at Verizon Wireless Amphitheatre. Psycho

DeVilles rockabilly it up at the world-famous Dixie Tavern in Marietta. Little Joey’s Big Band is at Fat Matt’s Rib Shack. Blues pianist extraordinaire Ike Stubblefield plays Northside Tavern. And of course, DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno late into the wee hours.

Sunday August 14

Chickens and Pigs plays blues “dunch” between 1 and 4 PM at The Earl. The Whiskey Gentry bring their misfit country-to-punk twang to the Park Tavern Unplugged in the Park series at Piedmont Park. Tony Bryant reps four generations of Georgia blues at Fat Matt’s. And the Michael Hutchence-less INXS brings back the ’80s at Chastain Park Amphitheatre.

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Friday, August 5

All-time great wrestling promoter Jerry Jarrett will be at the Plaza Theatre to meet and greet, sign his recent book and introduce 7:30 p.m. screenings of MEMPHIS HEAT: THE TRUE STORY OF MEMPHIS WRASSLIN’ tonight, Saturday and Sunday. The new documentary tells the wild and wooly tale of mid-South wrestling, from the ‘50s carnival days of Sputnik Monroe and Billy Wicks to the raucous ‘70s and ‘80s with the rise of Jerry Lawler, Jimmy Hart and promoter Jarrett. Can’t make the 7:30 p.m. screening? It’s also on at 9:30 p.m. all three nights. Read an interview with Jarret by ATLRetro friend and Wrestling with Pop Culture blogger Jonathan Williams in this week’s Creative Loafing here.

Dracula's lovely brides take more than a few bites out of Jonathan Harker (Chris Love) in DRACULA:THE ROCK OPERA at 7 Stages.

Last February Atlantans had the marvelous macabre opportunity to get a sneak peek at HAUS VON DRACUL, the first act of DRACULA: THE ROCK OPERA, conceived by and starring Rob Thompson; performed by local talents such as Chris Love as Jonathan Harker and the Little Five Points Rockstar Orchestra; and featuring make-up and sets by Shane Morte of Silver Scream Spookshow fame. To refresh your memory, read ATLRetro’s feature on Love here and our review of the production at 7 Stages here. For just $15, you can support some of Atlanta’s top alternative talent in prepping this show for its world premiere next April, as well as scream to some one-of-a-kind performances tonight during Black Metal Burlesque: A Hell Raising Fundraiser at 7 Stages. A pre-party starts at 9 a.m., with show at 10 a.m. featuring performers from the show, the Little Five PointsRock Orchestra, The Chameleon Queen, body suspension by Loki Shane DeFriece, Macabre Puppets‘ Chris Brown (Scarlett’s Web) as Rotzo the Clown, and much more from body-painting to a raffle. For a scary sneak preview, check out our interview with Kool Kat of the Week actor/stuntman Justin Welborn here.

New York’s Felix and the Cats swing down to Fat Matt’s. Canadian rocker Bryan Adams takes audiences back to the ’80s in his Bare Bones Tour to Frederick Brown Jr. Amphitheater in Peachtree City. Rock further back to the ’70s with Revival: An Allman Brothers Experience with Lefty Williams and Benji Shanks at Vinyl at Center Stage. Catch an IMAX movie and listen to cool jazz and sexy soul by vocalist Sarah Belladae at Fernbank Museum of Natural History’s Martinis and IMAX.

Saturday August 6

Catch an opening reception for August and Everything After: A URBNPOP art show, a solo art show featuring the wonderfully quirky pop culture-inspired works of artist Chris Hamer at Rev Coffee (1680-B Spring Road, Smyrna, 30080) from 8 to 10 p.m. Read ATLRetro’s Kool Kat profile of Chris here.

Travel back to the late ’70s/early ’80s at Deja vu Discotheque – The Dance Party of the Decade, a reunion party for The Limelight, Atlanta’s Studio 54, at Center Stage tonight. In addition to grooving to favorite dance music of the era by original Limelight DJs, attendees will be treated to a recreation of the club’s spectacular Moving Lightshow and many other over-the-top experiences reminiscent of the legendary venue. Read our sneak preview with memories of the original Limelight from Scott Cloud and KP Hendry here. Doors open for VIPs at 8 p.m, general admission at 9 p.m., and a silent auction benefits the Starlight Children’s Foundation of Georgia. Tickets are available here.

Billie Holliday sings the blues in STRANGE FRUIT.

Explore the dark side of the South via the soundtrack of the haunting Billie Holliday song in STRANGE FRUIT, a documentary directed by Joel Katz that weaves together jazz geneaology, biography, performance footage and the history of lynching, in the latest entry in the High Museum of Art‘s Radcliffe Bailey Film Series. Theophis “Thee” Smith, associate professor of religion at Emory, will lead a discussion following the 8 p.m. screening at the Woodruff Arts Center.

Ghost Riders Car Club headlines a very special Retro honky tonk evening at Star Bar with Anna Kramer & the Lost Cause, Andy Vaughn & the Driveline, and New Orleans’ Dirty Bourbon River Show. If you missed ATLRetro’s Kool Kat interview with GRCC’s Spike Fullerton, here’s a link. It’s a trilogy of rockin’ country ’70s-inspired fun when Gasoline Bros, Lo Country and AM Gold invade Vinyl. Steely Dan is at Classic Chastain. Maretta’s Dry White Toast plays funk rock at Fat Matt’s Rib Shack. Felix & the Cats swing over to Northside Tavern. And of course, DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno late into the wee hours.

Sunday August 7

Interstate plays blues “dunch” between 1 and 4 PM at The Earl. One of the best alternative bands with its roots in the ’80s, The Goo Goo Dolls, play with Michelle Branch at Verizon Wireless Amphitheatre. And ’70s rockets Steely Dan are at Classic Chastain. And don’t forget Jerry Jarrett and MEMPHIS HEAT at The Plaza! See Friday for details.

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Last February, composer/musician Rob Thompson and The Little 5 Points Rockstar Orchestra drove a stake into our preconceptions of rock opera as a dead-and-buried art form and put the bite back into vampire lore at 7 Stages with HAUS VON DRACUL, PART 1. If you’ve been stuck in your coffin and missed hearing about it, check out ATLRetro’s interview with actor Chris Love, who injected hard rockin’ passion into the often-staid role of Jonathan Harker, and our review here.

Now Rob and the rest of that crazed and creative team are hard at work on the terrifying second act of what’s now titled DRACULA: THE ROCK OPERA which will have its premiere run at 7 Stages from April 19-May 13, 2012. However, as anyone in the arts knows, even a labor of creative love needs some cold hard cash to make it to the stage. So raise the curtain on BLACK METAL BURLESQUE, a one-of-a-kind fundraiser this Friday at 7 Stages featuring not just cast members and the Little 5 Points Rockstar but other notorious local talent such as The Chameleon Queen, Loki Shane DeFriece (Prentice Suspensions), Macabre Puppets’ Chris Brown (Dad’s Garage’s SCARLETT’S WEB), , set designer/make-up artist Shane Morton (Silver Scream Spookshow), and many more. Tickets are just $15 and the show is at 10 p.m., but a pre-show party kicks off at 9 p.m. and continues after the show.

Dracula's lovely brides take more than a few bites out of Jonathan Harker (Chris Love) in last February's performance of HAUS VON DRACUL at 7 Stages.

For a sneak preview of this sexy, surreal and sinister evening, we turned to actor and stunt artist Justin Welborn, one of the mad masterminds behind the fearsome festivities and no stranger to the world of horror. In addition to performing at most of Atlanta’s theaters, he directed Sensurround Stagings’ production of Clive Barker’s THE HISTORY

Justin Welborn in THE SIGNAL. Magnolia Pictures, 2007.

OF THE DEVIL, is a founding member of Black Knight Stunts, and starred in the independent horror movie THE SIGNAL, which screened at Sundance in 2007. More scary screen credits include THE FINAL DESTINATION (2009), DANCE OF THE DEAD (2008), and THE CRAZIES (2010). Oh, and Justin does yoga, drinks Jamesons and his favorite movie is COOL HAND LUKE (1967).

How did you get involved in DRACULA: THE ROCK OPERA and what’s your role?

I am assisting Del Hamilton (Artistic Director of 7 Stages) with the direction and artistic production design of DRACULA. It’s strange how I got started with this whole three ring circus, i,e. The Little 5 Points Rock Star Orchestra. I’ve worked with, for and at 7 Stages for many years, and I’d seen the Rock Star guys and gals do their Iron Maiden show and their Pink Floyd Tribute, and always had an amazing time. I knew they had done JESUS CHRIST SUPERSTAR and HAIR, and so when Heidi Howard (Education Director/Production Manager, 7 Stages) asked me to come in and help coordinate the stunt work and violence in their 666 CHRISTMAS WITH THE DEVIL show, I was more than excited to help. I found the whole Devil crew to be very eager, slightly disorganized and maybe a little drunk. I loved it. And the show’s finale was like nothing I’d ever seen at an Atlanta theater in 12 years! Just mad!

The Krampus float in last year's L5P Halloween Parade.

I came in again the next year for A KRAMPUS CHRISTMAS and ended up spending more time directing for real, rather than just stunts. The more I gave, the more they gave back. We began to figure out how this theater world and their music world could mesh and synthesize into something new and fun for everyone. So when I was asked to help with DRACULA, I jumped at the chance for another go! I didn’t know what I’d be doing for sure, but right from the start, I began directing and troubleshooting in a kind of cooperative effort to make the best show possible. I wasn’t in charge, but at a certain point I was given—by unspoken agreement more or less—great license to help create and direct the show. I was really quite honored at how much trust they put into me.

The first act, titled HAUS VON DRACUL, premiered at 7 Stages last February. Is the second act’s script and music completed or at what stage is at now?
The second act is still in development but is coming along swimmingly. Rob Thompson, the creative mind before and behind our vampire opera, has been working on this project for almost two years, and as I understand it, is approaching a completed score. I think we’re still trying to figure out what we want to do with the end. We are using Bram Stoker’s book as our cornerstone, but translating that into music and a stunning visual stage show takes some real ingenuity.

Considering it’s a rock musical about a vampire, Black Metal Burlesque sounds like the perfect theme for a fundraiser. Any story behind how the idea came about?
Rob told me one night at Java Lords that he wanted to do a fundraiser based on Venom’s BLACK METAL album that would include burlesque girls and live suspension acts. Then he described a few possible numbers. So I took what he said, weighed some options and the favors I had left in town, and decided if not now, when? I wanted to keep the DRACULA buzz rolling, and help support a theater I believe in. Plus the excitement from the group only intensifies every time we up our game and really keep challenging ourselves with what we can do artistically when we work together. It’s very exciting to see these artists working toward a common goal with people they normally wouldn’t get a chance to perform around.

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Monday August 1

From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner during Mai Tai Monday at Smith’s Olde Bar. Kingsized and Tongo Hiti lead singer Big Mike Geier is Monday night’s celebrity bartender at Sister Louisa’s Church of the Living Room and Ping Pong Parlor. Northside Tavern hosts its weekly Blues Jam.

Tuesday August 2

Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM. Crosstown All Stars play Southern rock and blues at Fat Matt’s Rib Shack. Notorious DJ Romeo Cologne spins ‘70s funk and disco at 10 High in Virginia-Highland. Catch Tues. Retro in the Metro nights at Midtown’s Deadwood Saloon, featuring video mixes of ’80s, ’90s and 2Ks hits.

Wednesday  August 3

Tennessee Tease Burlesque Invades the Cult Movie! combines two great Retro traditions on one stage at The Shelter. Doors are at 9, show at 10, and tickets are $10 to see this sexy troupe from Memphis which features titillating dancers, vocalists, comedians and fire performers.

The Beach Boys‘ Brian Wilson sings solo at Classic Chastain tonight. Spend An Evening with Dolly Parton at Verizon Amphitheatre at Encore Park. MOTO, aka Masters of the Obvious, plays punk New Orleans style at Star Bar with Barreracudas and self-described “Cooter” rockers Tornado Town. It’s a soulful night when Ruby Velle Trio takes the stage at Eddie’s Attic. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. Frankie’s Blues Mission bring the blues to Fat Matt’s Rib Shack and Danny “Mudcat” Dudeck blues it down at Northside Tavern respectively. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven. 

Thursday  August 4

Whiskey Belt.

It’s another honky tonk night at Star Bar with Whiskey Belt. Dirty Bourbon River Show fuses roots, blues, jazz, zydeco and more into something they call New Orleans gypsy folk circus rock at Twain’s. Frankie’s Blues Mission is at The Five Spot. Go Retro-Polynesian to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. Party ‘70s style with DJ Romeo Cologne at Aurum Lounge. Breeze Kings and Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.Bluegrass Thursday at Red Light Cafe features alt-bluegrass Judge Talford Band.

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Burt and the Bandits, 8 p.m. Sat. July 30; $12 advance; $15 at the door; Earl Smith Strand Theatre, 117 North Park Square, Marietta.

When ATLRetro launched in January, we knew the first Kool Kat of the Month had to be Jon Waterhouse. In a city fortunate to have several strong contenders for its most Retro Renaissance Man (Or Woman), Waterhouse is an undisputed 20th Century Pop Culture King. And that’s not just because he hosts a radio show called THE POP CULTURE KING SHOW on AM 1690, though that show, along with a regular freelance gig with the Atlanta Journal-Constitution, allows him to interview many 20th century icons.

No, what’s so cool about Jon is the quantity and diversity of Retro culture that he’s tapped into. He’s done promo work for Van Halen and fronted Van Heineken, a Van Halen tribute band. He hosts all of Blast-Off Burlesque’s shows, transforming seemingly effortlessly into a succession of creative characters from a sci-fi nerd to Rip Taylor. For four years and over 100 Silver Scream Spookshows at the Plaza Theatre, he played Retch, Professor Morte’s lovable sidekick. He’s collaborating on a book related to the 1939 classic movie THE WIZARD OF OZ.

And just when you wonder what he could possibly do next, Jon’s latest adventure is Burt and the Bandits, which pays homage to the 1977 Burt Reynolds hit SMOKEY AND THE BANDIT. They’re playing the awesome art-deco Earl Smith Strand Theatre in Marietta on Sat. July 30, and after getting the lowdown from Jon, we can’t think of a better reason to dust off the old Trans Am, get loaded up and truckin’, never mind them brakes, put that hammer down and give it hell all the way to OTP…

Burt & The Bandits. From left to right: Jon Waterhouse, Barb Hays, Benny Boynton, Tim Price and Doug Williams.

ATLRETRO: How did you get the idea of a SMOKEY AND THE BANDIT tribute band?
JON WATERHOUSE: Well, as a child of the ’70s, I remember the days when Burt Reynolds was the biggest movie star going. There really hasn’t been another film celebrity like him since. He kind of cornered the market with a perfect mix of machismo and silliness. I have a special spot in my heart for his films, especially his earlier exploitation flicks like WHITE LIGHTNING and its sequel GATOR. Of course the original SMOKEY AND THE BANDIT is at the top of the heap. Anyway, many of his films featured great, fun music. You’ve got the Jerry Reed tunes from SMOKEY, and even the Ray Stevens title track from CANNONBALL RUN.

So about six or seven years ago I had the idea of a band that would play songs from Burt Reynolds movies dressed as the SMOKEY characters. And the set would be supplemented with what I call “classic country comfort food” from the same era, back when country was at its coolest. Willie Nelson, Waylon Jennings, Johnny Cash, Merle Haggard, Loretta Lynn, Dolly Parton. It would be a tongue-in-cheek, comedic presentation, while still showing respect for the music. Heck, they did it with HEE HAW. Even Jerry Reed, who was a Chet Atkins disciple and one of the greatest finger pickers of his day, laced his music with humor. So that was the basic idea.

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Friday, June 24

Blair Crimmins

Things could get dangerous as radical ragtimers Blair Crimmins & the Hookers revive the Roarin’ Twenties after A Fight to the Death and Lille at The Earl. Read ATLRetro’s interview with Blair here. If you missed AM Gold‘s brilliant heartfelt rendition of the entire Steve Miller Band’s Greatest Hits ’74-’78 album at Bubbapalooza, we guess you could settle for the real Steve Miller Band at Delta Classic Chastain. Experience a funkier kind of jazz with Cadillac Jones at Star Bar. Catch an IMAX movie and swing dance the night away to Kingsized at Fernbank Museum of Natural History’s Martinis and IMAX.

The bewitching Dario Argento classic SUSPIRIA, starring Jessica Harper (PHANTOM OF THE PARADISE) and Joan Bennett (DARK SHADOWS), is this month’s feature for Shriek Theatre Movie Night at DooGallery. And Film Love:Robbie Land includes 16 mm shorts and a chance to meet the acclaimed filmmaker. Works include MICANOPY WINTER WONDERLAND, which documents an antique jukebox converted into a diorama wonderland scene, and FLORIDALAND, about defunct Florida theme parks from 1960s, ’70s and ’80s. Film Love founder/director Andy Ditzler was a recent Kool Kat.

Saturday June 25

Greg Theakston, comics writer/artist and the man who rediscovered Bettie Page, signs JACK MAGIC, THE LIFE AND ART OF JACK KIRBY, his definitive biography of the King of Comics who co-created many of Marvel’s most iconic characters from Captain America to the Fantastic Four, from 3 to 6 PM at Criminal Records.

Forget 3D! Ever seen a movie in hypnoprismoscope? Ghost Host with the Most Prof. Morte will unveil the mysterious new process this weekend as The Silver Scream Spookshow screens schlocky 1953 sci-fi/horror – well we’re not sure it’s a classic – movie ROBOT MONSTER at the Plaza Theatre. Come early for the hilarious pre-film stage show featuring gorgeous dancing ghouls and other fiendish friends. Kids matinee at 1 PM and adult show at 10 PM. Look for ATLRetro’s review soon.

It’s also the last day to see the ever irreverent Dad’s Garage Theatre take a stab at the ’80s horror genre of camp slasher films in SLAUGHTER CAMP about a homicidal maniac terrorizing a theatre camp. DJ Romeo Cologne transforms the sensationally seedy Clermont Lounge into a ’70s disco/funk inferno.

Sunday June 26

It’s a day for new exhibitions. At the High, be among the first to experience RADCLIFFE BAILEY: MEMORY AS MEDICINE and JOHN MARIN’S WATERCOLORS: A MEDIUM FOR MODERNISM. Read more about the former in this week’s Kool Kat. Marin was named America’s number one artist in a 1948 LOOK magazine survey. While his name is not a household one today, this exhibition reminds us of his important place in the modernist movement and why watercolors became such a powerful instrument for avante-garde art in the hands of him and other artists in the Stieglitz Circle, including Georgia O’Keefe.

The Museum of Design Atlanta (MODA) opens its newest exhibit WaterDream: The Evolution of Bathroom Design, which runs through Sept. 24 in the dynamic new Midtown space. Displays take visitors through a four-part journey into the bathroom including the birth of minimalist aesthetics in 20th century design and progress into current concepts.

The Barrow Boys headline blues “dunch” between 1 and 4 PM at The Earl. And at night catch ’80s-founded alt-rockers Dinosaur Jr. at Variety Playhouse.

Ongoing

MODERN BY DESIGN, the High‘s newest special exhibition celebrates three key moments in modern design and also the Museum of Modern Art, New York‘s (MOMA) collection history. The works on loan from MOMA cover “Machine Art” (1934), “Good Design” (1950-55) and “Italy: The New Domestic Landscape” (1972), with the latter addressing modernism in the context of 1960s and ’70s counterculture.

Margaret Mitchell Typing - Courtesy Margaret Mitchell House

Get a rare chance to view original manuscript pages from the last four chapters of ATLANTA’S BOOK: THE LOST GONE WITH THE WIND MANUSCRIPTat the Atlanta History Center. The new exhibit, which opens today and runs through Sept. 5, is part of a series of activities celebrating the 75th anniversary of the publication of the international bestseller and also includes foreign and first edition copies, the desk Margaret Mitchell used while writing it and select images.

Tune back in on Friday for Weekend Update. If you know of a cool happening that we’ve missed, send suggestions to ATLRetro@gmail.com.

Monday June 20

Swing to Joe Gransden, trumpet player extraordinaire, and his 16-piece orchestra during Big Band Night at Cafe 290 on the first and third Monday of every month. From 3 PM on, savor tropical sounds and libations, as well as a Polynesian dinner during Mai Tai Monday at Smith’s Olde Bar. Kingsized and Tongo Hiti lead singer Big Mike Geier is Monday night’s celebrity bartender at Sister Louisa’s Church of the Living Room and Ping Pong Parlor. Northside Tavern hosts its weekly Blues Jam.

Tuesday June 21

Grab your horn and head to Twain’s in Decatur for a Joe Gransden jazz jam session starting at 9 PM. Fedora Blues is at Fat Matt’s Rib Shack. Notorious DJ Romeo Cologne spins the best ‘70s funk and disco at 10 High in Virginia-Highland. Catch Tuesday Retro in the Metro nights at Midtown’s Deadwood Saloon, featuring live video mixes of ’80s, ’90s, and 2Ks hits.

Wednesday June 22

It’s an all-star night of jazz and swing at the Star Bar with Nat King Coal Miners, a dynamic new jazz trio made up of three seasoned musicians, February ATLRetro Kool Kat Spike Fullerton (Ghost Riders Car Club) on guitar, Matt Wauchope (Blair Crimmins & the Hookers) on piano and blues man Dave Roth (Burnt Bacon). Read more about them in a sneak preview with Spike Fullerton posting soon.

Chris Isaak may not have that perfect pompadour anymore but you can see him still shaking up alt-rock with that modern Sinatra vibe tonight at in the Classic Chastain series. Get ready to rumba, cha-cha and jitterbug at the weekly Swing Night at Graveyard Tavern. The Hollidays bring a little soul to Fat Matt’s Rib Shack and Danny “Mudcat” Dudeckblues it down at Northside Tavern respectively. Dance to ‘70s, ‘80s and ‘90s hits during Retro in the Metro Wednesdays presented by Godiva Vodka, at Pub 71 in Brookhaven.

Thursday June 23

Expect “shimmies, shakes, glitter, glamour and, of course, tassels” as the burlesque beauties of Minette Magnifique take to the stage tonight in a new show titled Prohibition Exhibition *Making the Illicit Explict* at The Warren City Club. Read the ATLRetro Kool Kat profile of Shellie Schmals, aka Baroness VONSchmalhausen here.

In Conversations with Contemporary Artists: Radcliffe Bailey, the world-renowned artist discusses his work with diverse media in the new exhibition MEMORY AS MEDICINE, which opens Sun. June 26 and runs through Sept. 11 at High Museum of Art. Take a tour with the provocative artist in this week’s Kool Kat here.But you won’t find anything more effective than Buy Klonopin Online at all. Tickets to the talk at the Woodruff Arts Center’s Rich Auditorium are free but limited to two per person, and advance reservations are recommended at (404) 733-5000.

Tongo Hiti

Classic horror (James Whale’s 1931 FRANKENSTEIN featuring Boris Karloff vs Hitchcock’s 1963 THE BIRDS) is the theme for viewer’s choice night at Piedmont Park‘s Screen on the Green. Listen to Tongo Hiti’s luxurious live lounge sounds, as well as some trippy takes on iconic pop songs, just about every Thursday night at Trader Vic’s. Alt-country act McNary plays Kathmandu Kitchen & Grill (formerly Pho Truc) in Clarkston. All shows are no cover charge, no smoking and all ages. Party ‘70s style with DJ Romeo Cologne at Aurum Lounge. Breeze Kingsand Chickenshack bring on the blues respectively at Northside Tavern and Fat Matt’s Rib Shack.Bluegrass Thursday at Red Light Cafe features Curtis Jones & Friends.

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What’s more Retro than watching a classic horror movie at the drive-in? Lucky Atlantans will get that rare opportunity this Sunday June 5 when the annual ROCK ‘N’ ROLL MONSTER BASH invades the Starlight Six Drive-In, one of the country’s last remaining drive-in movie theaters. Even better, the eerie all-day extravaganza also features a frightening fantastic line-up of bands, a Miss Monster Bash contest, vendors of spooky merchandise, custom hearses and not just one but three Japanese horror classics, GODZILLA 2000 (1999), HOUSE (1977) and RINGU (1998). Gates open at 10 AM, live performances start at 2 PM, the movies roll from dusk into the wee hours of the morning, and for those who want to party all weekend, there’s even a Monster Bash Pre-Party on Saturday night (June 4) at the Star Bar with even more bands.

ATLRetro caught up with Shane Morton, the Silver Scream Spookshow‘s Ghost Host with the Most Professor Morte, musician (Super X-13/Gargantua/etc.), painter, tattoo artist, SFX artist, actor, all-around horror Renaissance man, and one of the mad masterminds behind ROCK ‘N’ ROLL MONSTER BASH for a scary sneak preview…

How did the ROCK ‘N’ ROLL MONSTER BASH get started?

Billy Messina, Ben Armstrong and Tim Dolph of Netherworld fame were the original mad scientists that brought this thing to life.  Atlanta’s horror community deserves its own horror-themed DRIVE INVASION! they would always contact me for help in the rock ‘n’ roll dept. Billy and Ben are just too busy with netherworld—in my opinion, the greatest haunted house attraction in the world—so Tim, Jim Stacy [Starlight manager/ Palookaville mastermind/Greasepaint/AM Gold/etc.) and I took it over four years ago.

Professor Morte sings with the Silver Scream Spookshow band at Monster Bash 2009.

What’s the band line-up this year, and why should we be excited about it?

This is a great rockin’ line up this year with something for everybody! Spooky Partridge is a fun family band—[as in] Addams Family, ha!—that play a lot of punk covers along

LUST. Photo courtesy of Barb Hays.

with cute originals. The drummer is just a li’l kid, but he’s already one of the best in the city with all the stick spins and showmanship kicking already. It’s amazing to watch! Radio Cult is also a very visual band—almost like a fem-fronted ‘80s Van Halen! Big fun and way over the top! LUST needs no intro as they put on legendary and hilarious shows! [see ATLRetro’s Kool Kat interview with Barb Hays for more about LUST]. I love these gals like sisters, so it’s always a pleasure to have them on the bill. The Brimstones are New York City’s greatest spooky garage band. Trust me, when you see Justin’s Farfisa [organ] solos while in a headstand, you’ll know why they are so famous! Super X-13, ‘nuff said. This line-up of music is gonna tear your face off and rip up the pavement!

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